| Photos (See all 39 | slideshow) | Videos (see all 15) |
| Charlyne Yi | ... | Herself | |
| Michael Cera | ... | Himself | |
| Jake Johnson | ... | Nicholas Jasenovec (as Jake M. Johnson) | |
| Gill Summers | ... | Himself | |
| Martin Starr | ... | Himself | |
| Seth Rogen | ... | Himself | |
| Demetri Martin | ... | Himself | |
| Luciano Yi | ... | Himself | |
| Lydia Yi | ... | Herself | |
| Mike Modrak | ... | Himself | |
| Bill Hase | ... | Himself | |
| Matthew Craig | ... | Himself | |
| Donald Skinner-Noble | ... | Himself | |
| Derek Waters | ... | Himself | |
| Matthew Bass | ... | Himself | |
| Brendan Paul | ... | Himself | |
| Charolette Richards | ... | Herself | |
| Aengus Devine | ... | Himself | |
| James 'Jester' Lattig | ... | Himself | |
| Kim 'Redneck Kim' Williams | ... | Himself | |
| Mary Beth Hardy | ... | Herself | |
| Sidney Hardy | ... | Himself | |
| Sarah Baker | ... | Herself | |
| David Sartor | ... | Himself | |
| John Pivovarnick | ... | Himself | |
| Don Emerson | ... | Himself | |
| Sally Emerson | ... | Herself | |
| Kirsti Manna | ... | Herself | |
| Bill Warner | ... | Himself | |
| Lois Sullivan | ... | Herself | |
| Bob Sullivan | ... | Himself | |
| Dan Edelstein | ... | Himself | |
| Mary Ann Edelstein | ... | Herself | |
| Morgan Williams | ... | Himself | |
| Caitlyn Felder | ... | Herself | |
| Faith Shannon | ... | Herself | |
| Given Sharp | ... | Herself | |
| David Chandler | ... | Himself (as David Harber) | |
| Colin Froe | ... | Himself | |
| Evan Froe | ... | Himself | |
| Marley Froe | ... | Herself | |
| Gabrielle Felder | ... | Herself | |
| Arthur Dante Hite | ... | Himself | |
| rest of cast listed alphabetically: | |||
| DeMorge Brown | ... | Himself | |
| Deamor Yi | ... | Herself | |
| Paul Rust | ... | Himself (uncredited) | |
Directed by | |||
| Nicholas Jasenovec | |||
Writing credits(WGA) | ||
| Nicholas Jasenovec | (written by) & | |
| Charlyne Yi | (written by) | |
Produced by | |||
| Kate Eastridge | .... | associate producer (as Katie Hodgkins) | |
| Nicholas Jasenovec | .... | executive producer | |
| Sandra Murillo | .... | producer | |
| Elise Salomon | .... | producer | |
| Charlyne Yi | .... | executive producer | |
Original Music by | |||
| Michael Cera | (original music by) | ||
| Charlyne Yi | (original music by) | ||
Cinematography by | |||
| Jay Hunter | |||
Film Editing by | |||
| Ryan Brown | |||
| Ryan Brown | |||
Casting by | |||
| Eileen Kennedy | |||
Art Department | |||
| Stacy Fuegen | .... | graphic designer | |
Sound Department | |||
| Richard Branca | .... | sound facilities coordinator | |
| Anita Cannella | .... | foley artist | |
| Devendra Damon Cleary | .... | production sound mixer | |
| Alan Decker | .... | sound re-recording mixer | |
| Amy Kane | .... | foley artist | |
| Mike Marino | .... | foley mixer | |
| Tobias Poppe | .... | sound editor | |
| Eryne Prine | .... | foley supervisor | |
| Jacob Riehle | .... | supervising sound editor | |
| Brian Smith | .... | adr mixer | |
| Jon Wakeham | .... | sound re-recording mixer | |
Editorial Department | |||
| Rose Calabrese | .... | colorist | |
| Joe Cook | .... | colorist | |
| Christopher Currall | .... | on-line editor | |
| Dave Massey | .... | assistant editor | |
| Ray Miller | .... | on-line editor | |
| Jyrki Rantasuo | .... | post-production consultant | |
| Michael Sohcot | .... | assistant on-line editor (uncredited) | |
Music Department | |||
| Kyle Biane | .... | music recording engineer | |
| Marc Cantone | .... | composer: additional music | |
| Michael Daniel Cassady | .... | musician | |
| Zach Condon | .... | composer: additional music | |
| Mary Forrest | .... | musician | |
| Jeremy Konner | .... | musician | |
| Alden Penner | .... | music producer | |
| Alden Penner | .... | musician | |
| Daniel Ring | .... | musician | |
| Marie-Claire Saindon | .... | musician | |
| Greg Townley | .... | scoring mixer | |
| Jamie Kaye Wheeler | .... | musician (as Jamie Wheeler) | |
| Charlyne Yi | .... | musician | |
Other crew | |||
| Steve Berman | .... | completion bond | |
| Giovanni Cuarez | .... | production insurance | |
| Donald Gallant | .... | production assistant | |
| Kevin King | .... | production controller | |
| Kristofer King | .... | payroll coordinator | |
| Jeremy Milota | .... | assistant production accountant | |
| Casey O'Connor | .... | production assistant | |
| Gisele Perez | .... | catering services | |
| Russell Smith | .... | production legal services | |
| Adam Stone | .... | production resources | |
| Adam M. Stone | .... | product placement coordinator | |
| Cat Stone | .... | production resources | |
| Charlyne Yi | .... | puppet designer | |
| Luciano Yi | .... | puppet designer | |
| Meagan Zimbeck | .... | guide | |
| Daniel Villagomez | .... | business and legal affairs (uncredited) | |
Thanks | |||
| Matthew Patrick Davis | .... | thanks | |
| Joel Geist | .... | thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
As you may have noticed with all the comments, this movie might be mediocre, terrible, great, or some weird combo. I'm one of those who think this was a great movie, but I hope to explain the discrepancies.
First, let's get my biases out of the way, so that you can judge my comment accordingly. I am a Michael Cera fan. I am an indie movie fan, but not an aficionado. I wanted to see this movie. I'm a young guy who likes some romantic movies, but they have to be rather good. I didn't know anything about this movie aside from what the trailer tells me. I think that does it.
A lot of the comments on IMDb about this movie center around the format. I agree that the style is important to talk about, but not the only thing. The style is documentary, but with certain deviating aspects. It isn't Blair Witch Project; it has decent editing and lighting. The angle is natural, all from a guy or three carrying cameras. Certain scenes are done in paper cutouts in paper scenery and wires for movement. These are usually the scenes that they didn't catch on camera and are important to the plot. These scenes are really charming because of their scale and their construction.
The "acting" is also good. The most controversial aspect of this movie is the content, or the plot. Some think that this movie is either simply an observation of life or a movie about an observation of life. Either real or reel, some might say. I tend towards some middle ground. I think that this movie is a documentary about real life including a documentary about real life. There are staged things and things that look really genuine, so I think that it's more of an embellished real story. The cynic in me thinks that a lot of it is fake, but they did a really convincing job so I hope its all real.
If you are an optimist, this story will be really cute and lovable. If you believe it to be faked, it's a bad movie. That is why I think it is mostly genuine, if not completely. If this was produced in any really directed way, it would not have included some things in it that it did. But then again, they could have included it to make you think that. Whether you're paranoid about that sort of thing is beside the point. This movie feels very real. I know some of my dates were almost exactly like some in this movie. Charlyne is believable and so is Michael Cera.
Michael Cera plays a really cool guy with a cute awkward disposition. If you're a fan of Michael Cera, you'll recognize his characteristic style, but now I believe that style to be more of just how he is instead of an acting style. Regardless, he's endearing. Charlyne is also really lovable because she's funny and easily embarrassed. The two are quite genuine and work really well together because of their similar personalities.
Overall, a cute and lovable movie. The ending is unsatisfactory, but that's because there is no end that would fit the story and remain truthful to real life.