Dior and I brings the viewer inside the storied world of the Christian Dior fashion house with a privileged, behind-the-scenes look at the creation of Raf Simons' first haute couture ... See full summary »
Follows the creation of The Metropolitan Museum of Art's most attended fashion exhibition in history, "China: Through The Looking Glass," an exploration of Chinese-inspired Western fashions by Costume Institute curator Andrew Bolton.
The September 2007 issue of Vogue magazine weighed nearly five pounds, and was the single largest issue of a magazine ever published. With unprecedented access, this film tells the story of legendary Vogue editor in chief Anna Wintour and her larger-than-life team of editors creating the issue and ruling the world of fashion. Written by
I think what I often see is that people are frightened of fashion and that because it scares them or it makes them feel insecure, they put it down. On the whole, people that say demeaning things about our world, I think that's usually because they feel in some ways excluded or, you know, not part of the 'cool group' so as a result they just mock it. Just because you like to put on a beautiful Carolina Herrera dress or, I don't know, a pair of J Brand blue jeans instead of something...
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An elegant, dramatic look at the superficiality of fashion
First, let me tell you that I am a straight man who is not at all interested at fashion. I have never bought a Vogue September issue nor have I ever even bought a fashion magazine. After realizing this movie got great reviews, I decided to see it. The reviews were right and I most certainly was not disappointed. The September Issue is the rare kind of movie that is a combination of documentary with a message and elegance.
Many people know about Anna Wintour. If you seen The Devil Wears Prada, you'll know that she is pure evil. Although there may be some truth to this statement, this movie paints her in a different light. The movie opens with her explaining that people who wear high fashion should not be made fun of just because they were haute couture. Wintour is looked at as more of a person with morals who gets what she wants because she often is right and does what is best for the magazine. She doesn't strive to be mean, she does it for the magazine.
The star of the movie is not Wintour. It's actually the creative director, Grace Coddington. Coddington is not nearly as likable as Wintour ironically, but she is central to the movie and the reason it is so good. The movie's message is about how the fashion world is so superficial and perfect. Towards the end, the cameraman for the movie is used in a photograph, however, he is just an average person who is slightly overweight. Coddington urges people not to touch the picture up. She says "Nobody is perfect, but models are." This is the movie's central idea.
Another reason I really enjoyed the movie is that it really does have some great film-making. R.J. Cutler really does have some nice shots including my favorite of a couple kissing in front of the Eiffel Tower. It has nothing to do with the movie and yet it is such a moving shot. There are quite a few establishing shots similar to this in the movie and these little things are the icing on the cake.
You don't have to be a fashion lover to love this movie. You don't have to be a subscriber to Vogue. You don't have to be a woman. Whatever your preconceptions about this were, ignore them. This a movie for anybody that should be seen by everybody. The September Issue opens wide this weekend so make use of it and go see it.
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