A traffic accident changed their lives forever. In capturing wanted criminal Zhang Yidong, Sergeant Tang Fei (Nicholas Tse) was involved in a gunfight and car accident that put the criminal... See full summary »
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Centers on Captain Manfred who is caught in the line of fire between high levels of corruption and malice. He must solve a brutal murder to prove his partner's innocence and unearth the ... See full summary »
In the future, the Japanese government captures a class of ninth-grade students and forces them to kill each other under the revolutionary "Battle Royale" act.
When his mentor is taken captive, a retired member of Britain's Elite Special Air Service is forced into action. His mission: kill three assassins dispatched by their cunning leader.
Harry Tasker is a secret agent for the United States Government. For years, he has kept his job from his wife, but is forced to reveal his identity and try to stop nuclear terrorists when he and his wife are kidnapped by the terrorists.
Director:
James Cameron
Stars:
Arnold Schwarzenegger,
Jamie Lee Curtis,
Tom Arnold
An FBI agent takes on a plane full of deadly and poisonous snakes, deliberately released to kill a witness being flown from Honolulu to Los Angeles to testify against a mob boss.
Director:
David R. Ellis
Stars:
Samuel L. Jackson,
Julianna Margulies,
Nathan Phillips
When the boss of a ruling Hong Kong triad is arrested and executed in China for counterfeiting money, mayhem ensues as the mob's leading contenders circle the throne.
Champion competitive marksman Ken comes across an armored van robbery. He sees a policeman held hostage and shoots and kills four of the robbers. One of the robbers escapes and the ... See full summary »
The Suzuran Senior High School for Boys, nicknamed "The School of Crows", is the poorest achieving, most violent school in the country. The students are called "crows" and they band ... See full summary »
A traffic accident changed their lives forever. In capturing wanted criminal Zhang Yidong, Sergeant Tang Fei (Nicholas Tse) was involved in a gunfight and car accident that put the criminal in a coma. But in the process he also crippled an fellow officer, and mistakenly shot dead the elder daughter of public prosecutor and single mother Gao Min (Zhang Jingchu). Unable to handle the guilt, Tang Fei succumbs to a fog of pain. Gao Min, meanwhile, pours all her love and attention to her younger daughter Ling. Three months later, the criminal Zhang Yidong awakens from his coma. Gao Min, who had been working hard on bringing him to justice, insists he stand trial immediately. Written by
Wiki the Pedia
BEAST STALKER is one of those wonderful films a crime movie with real heart behind it. The story may be hackneyed and predictable and the plot twists might be anything but, but in the end this film is a triumph because it gets to the real darkness and emotion behind the subject matter. Police procedurals and crime thrillers have long been popular in Hong Kong, but many of them are inevitably slick and soulless, providing entertainment but without real depth to back it up. Not so BEAST STALKER.
The overall story is one of kidnapping, but there's much more going on with the film than that. Both heroes and villains are painted with the same level of painstaking care, so that in the end the film becomes all about character rather than cliché and the latest effort to make the hero look cool in front of a slow-motion explosion. The acting is a triumph; Nicholas Tse bags the fairly predictable role of the tortured cop and does a good job with it, but it's Nick Cheung as the would-be kidnapper who really shines. Cheung could easily have been over the top or theatrical in his turn as the film's villain, but instead he comes across as an all-too real person. He's one of the most interesting bad guys I've seen in a film, and he ignites every scene he takes part in with his dynamic performance.
Of course, at the end of the day this is still a thriller, and director Dante Lam makes sure we don't forget it. There are car crashes, fist fights, shoot-outs and foot chases, and all of them are portrayed with the maximum excitement. This is the first time I've seen a film of Lam's, and I love his cinematography: he sets the scene in long shots before moving in close and staying in close whether dialogue or action is playing out. It adds a level of realism and catapults the viewer into the film in an effective, engaging way. On the strength of BEAST STALKER I'm already eager to track down more of the director's work.
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BEAST STALKER is one of those wonderful films a crime movie with real heart behind it. The story may be hackneyed and predictable and the plot twists might be anything but, but in the end this film is a triumph because it gets to the real darkness and emotion behind the subject matter. Police procedurals and crime thrillers have long been popular in Hong Kong, but many of them are inevitably slick and soulless, providing entertainment but without real depth to back it up. Not so BEAST STALKER.
The overall story is one of kidnapping, but there's much more going on with the film than that. Both heroes and villains are painted with the same level of painstaking care, so that in the end the film becomes all about character rather than cliché and the latest effort to make the hero look cool in front of a slow-motion explosion. The acting is a triumph; Nicholas Tse bags the fairly predictable role of the tortured cop and does a good job with it, but it's Nick Cheung as the would-be kidnapper who really shines. Cheung could easily have been over the top or theatrical in his turn as the film's villain, but instead he comes across as an all-too real person. He's one of the most interesting bad guys I've seen in a film, and he ignites every scene he takes part in with his dynamic performance.
Of course, at the end of the day this is still a thriller, and director Dante Lam makes sure we don't forget it. There are car crashes, fist fights, shoot-outs and foot chases, and all of them are portrayed with the maximum excitement. This is the first time I've seen a film of Lam's, and I love his cinematography: he sets the scene in long shots before moving in close and staying in close whether dialogue or action is playing out. It adds a level of realism and catapults the viewer into the film in an effective, engaging way. On the strength of BEAST STALKER I'm already eager to track down more of the director's work.