After breaking up with his childhood sweetheart, a young man finds solace in drugs. Meanwhile, a teenage girl is caught in the world of prostitution. Will they be destroyed, or will they find redemption?
A clash between Sultan (a Qureishi dacoit chief) and Shahid Khan (a Pathan who impersonates him) leads to the expulsion of Khan from Wasseypur, and ignites a deadly blood feud spanning three generations.
Dev who, after spurning Paro's love due to a misunderstanding, turns to drugs and vodka for solace. Paro moves on but Dev still is in remorse. He meets Chanda, a prostitute with problems of her own. Dev likes her but his penchant for self-destruction prevents him and Chanda from truly getting together. He also meets sleazy people like Chunni, Chanda's pimp who drags Dev further into self-destruction to further his own needs. Written by
There are a number of references to the film Devdas (2002) (since Dev D and Devdas (2002) are both based on Sarat Chandra Chattopadhyay's novel "Devdas"). The film Lennie/Chanda is watching in the bus and later in her room in the brothel where she chooses her name to be Chanda is Devdas (2002). Outside the hidden bar in New Delhi that Dev visits, has a poster of Shah Rukh Khan lighting a cigarette taken from Devdas (2002). See more »
(at around 1 min) Chunni calls out to Chanda to show her the bike he has purchased for her. While Chanda looks out from the balcony, Chunni points to himself, his body language leading to my conclusion that it is for him, while this mismatch is carefully patched by adding a dialogue ("Yes, for you") from Chunni, while the camera focuses on Chanda. See more »
The end credits appear in reverse from the top before straightening out themselves as if the camera was held upside down. See more »
There are very few movies that make you wait for their day of release just like a torn lover waits for its lost love for that one last glance and Dev.D was certainly one of them. I just knew I had to watch it the moment I saw breathtaking visuals(The snorricam shots inspired from classics like Requiem for a Dream, Trainspotting) in the trailer itself. The fact that the movie was directed by Mr. Maverick (of new age Indian cinema) got me even more excited. So now when I have seen the movie I am ecstatic because I got more than what I expected.
This movie is all about your sense of perception of art. If you find charm in innovative screenplay, extraordinary photography, symbolic scenes and realistic acting you got to love this cinematic masterpiece and if you have a thing for colors, its an icing on the cake! But if you want to see an entertainer which is going to generate temporary emotions, unfortunately, its not for you. All those who find the story unrealistic must understand it is not the portrayal of what happens in love but the most beautiful depiction of what is going through one's mind when one gets/doesn't get love. So, either you will crave for the movie to go on till forever or wait for it to end.
Of course, the story line is based on the original Devdas but this contemporary version has its own twists and turns and you better not expect the expected. Abhay Deol is absolutely fantastic.There is not a single scene where one can doubt the authenticity of the character he is playing. Both the new actresses are equally good. Mahie Gill deserves all the applause for doing many a tough scenes with calming ease and expression that can light a fire. Kalki's eyes never lose the innocence in the truest sense thanks to the beautiful portrayal even though her character transcends into one of the highest zones of maturity.
I just fell in love with the movie and wanted to see more of the unpredictable series of events through extraordinary musical narration.The only thing which I missed in Dev.D was a bit of soul but that is exactly how it was meant to be.
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