30 user 39 critic

Chi bi: Jue zhan tian xia (2009)

In this sequel to Red Cliff, Chancellor Cao Cao convinces Emperor Xian of the Han to initiate a battle against the two Kingdoms of Shu and Wu, who have become allied forces, against all ... See full summary »



(screenplay), (screenplay) (as Chan Khan) | 3 more credits »

On Disc

at Amazon

7 wins & 14 nominations. See more awards »
Learn more

People who liked this also liked... 

Red Cliff (2008)
Action | Adventure | Drama
    1 2 3 4 5 6 7 8 9 10 7.4/10 X  

The first chapter of a two-part story centered on a battle fought in China's Three Kingdoms period (220-280 A.D.).

Director: John Woo
Stars: Tony Chiu-Wai Leung, Takeshi Kaneshiro, Fengyi Zhang
    1 2 3 4 5 6 7 8 9 10 6/10 X  

A story of three couples and their intertwining love stories set in 1940s Taiwan and Shanghai, centered around the 1949 sinking of Taiping.

Director: John Woo
Stars: Frank M. Ahearn, Shan Cong, Denny Huang
The Warlords (2007)
Action | Drama | History
    1 2 3 4 5 6 7 8 9 10 7.1/10 X  

It's a heroic tale of three blood brothers and their struggle in the midst of war and political upheaval. It is based on "The Assassination of Ma," a Qing Dynasty (1644-1911) story about ... See full summary »

Directors: Peter Ho-Sun Chan, Wai Man Yip
Stars: Jet Li, Andy Lau, Takeshi Kaneshiro
The Crossing I (2014)
    1 2 3 4 5 6 7 8 9 10 6.1/10 X  

In the midst of the Chinese Revolution during the late 1940s, couples flee to the island of Taiwan.

Director: John Woo
Stars: Ziyi Zhang, Takeshi Kaneshiro, Hye-kyo Song
Action | Adventure | Drama
    1 2 3 4 5 6 7 8 9 10 7.6/10 X  

A romantic police captain breaks a beautiful member of a rebel group out of prison to help her rejoin her fellows, but things are not what they seem.

Director: Yimou Zhang
Stars: Ziyi Zhang, Takeshi Kaneshiro, Andy Lau


Credited cast:
Zhou Yu (as Tony Chiu Wai Leung)
Yong You ...
Baasanjav Mijid ...
Yong Hou ...
Rest of cast listed alphabetically:
Chang Hai Chen ...
Qin Seng
Yu Gui Cui ...
Xu Chu
Xiao Qiao (voice)
Xiang Rui Fu ...
Baby Dou


In this sequel to Red Cliff, Chancellor Cao Cao convinces Emperor Xian of the Han to initiate a battle against the two Kingdoms of Shu and Wu, who have become allied forces, against all expectations. Red Cliff will be the site for the gigantic battle. Written by Rene Guillot

Plot Summary | Add Synopsis

Plot Keywords:

sequel | epic | second part | See All (3) »


Action | Drama | History | War


See all certifications »

Parents Guide:




Release Date:

20 November 2009 (USA)  »

Also Known As:

Red Cliff II  »

Box Office


$80,000,000 (estimated)


$627,047 (USA)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:


Aspect Ratio:

2.35 : 1
See  »

Did You Know?


When Pit first takes an arrow after learning that Sun Shangxiang was Piggy, the arrow is clearly in the middle of the second layer of his armor, yet on the next shot, the arrow is now in the top layer of the armor. See more »


Spoofed in Yuet gwong bo hup (2010) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

John Woo's RED CLIFF deserved a proper theatrical release in North America
14 December 2009 | by (Bronx, NY) – See all my reviews

I saw the original two-part five-hour Chinese release version of RED CLIFF on DVD earlier this year. I was eager to see the shortened two-and-a-half-hour North American theatrical release version for two reasons: 1) to see it on the big screen and 2) because I thought that shorter would be better. The five-hour original was simply way too long; there was plenty of material that could have been removed without sacrificing anything.

Magnet Pictures released this film quietly in only two theaters in Manhattan and no theaters in my home borough. By the time I could devote an evening to see it, some three weeks after it opened, it was down to playing at one out-of-the-way theater on the Lower East Side and only at times that were impossible for working people, so I had to make a trip into Manhattan on the weekend for a morning show on Sunday, December 13, 2009. The good news is that I was quite pleased with the final result. I thought it played beautifully at two-and-a-half-hours and found it far more gripping, suspenseful and exciting than the longer version. There are plenty of moments that would have elicited applause, laughter and cheers had this played to a full multiplex crowd on a Friday night at a centrally located theater, say, in Times Square. Unfortunately, it did not have that opportunity. And because it's so inconvenient for most people to see, I can't go around recommending this to the people I think would enjoy it.

I wish that John Woo and his producers had made more of an effort to find a suitable North American distributor for RED CLIFF, the most expensive film yet made in China. From what I've heard, Woo asserted that he made this film for his Chinese audience, to which I respond, what about your American fans? We championed your Hong Kong films for years and ensured a growing reputation here that enabled you to come over in 1993 and begin directing films in Hollywood—the start of a ten-year stretch that made you a wealthy man and a respected auteur the world over. You belong to the world, now, Mr. Woo. Aren't the rest of us entitled to see one of your best films in a proper theatrical setting? After all, five years ago Zhang Yimou's Chinese epic, HERO, was released by Miramax to multiplex theaters across the U.S. and even hit #1 at the box office for its opening weekend. I saw HERO on opening night in a sold-out house at a 42nd Street multiplex in Manhattan with a very respectful audience that seemed to appreciate its stylized tone, fanciful fight scenes, and all-star cast. While not as star-heavy, RED CLIFF is much more of a genuine crowd-pleaser, with a more engaging plot and far more action, and would certainly have sent exhilarated fans out to eagerly spread the word among their friends. Woo's American fanbase deserved the opportunity to do that.

RED CLIFF offers narrative film-making in a classical style that used to be quite common in Hollywood. Among today's American filmmakers, only Quentin Tarantino comes close and only in select films like this year's INGLOURIOUS BASTERDS. RED CLIFF reminds me of the epics that filled me with awe in neighborhood theaters as a child, most notably Anthony Mann's two spectacles, EL CID (1961) and FALL OF THE ROMAN EMPIRE (1964). The failure of RED CLIFF to reach its audience in the U.S. is emblematic of everything that's wrong with movie distribution in this country today.

I've placed this review in the IMDb entry for RED CLIFF Part II, because that's the part that comprises the bulk of the North American release version.

6 of 9 people found this review helpful.  Was this review helpful to you?

Contribute to This Page

Create a character page for: