A film about the world's most dedicated Star Wars fans. From lightsaber wielding martial arts academies to a filmmaker who built the world's only life-size Millennium Falcon, from a Monster... See full summary »
An impressionistic short film largely inspired by Andrew Wyeth's paintings "Christina's World" and "Helga", LEFT centers around the heartbreaking separation between a woman and the man she ... See full summary »
Earthlings boldly goes where no documentary has gone before and investigates one of the most intriguing groups of individuals on this, or any other planet: the Klingons and Star Trek fans. ... See full summary »
November 22, 1963. A day that America and the world will never forget. Four decades later, as the rest of Dallas makes strides as a 21st century city, the spot where President Kennedy was ... See full summary »
Ever wonder how they ever managed to make a movie like Star Wars? Well, bickering droid duo C-3PO and R2-D2 host this tour of the mind of creator George Lucas and what inspired him to make ... See full summary »
Half in the Bag is a Movie Review Show hosted by two VCR repairmen named Mike Stoklasa and Jay Bauman and broadcasted from the home of one of their customers, Harry S. Plinkett. Stoklasa's ... See full summary »
Uses a courtroom debate approach to explore the issues of filmmaking and fanaticism around one of the industry's most famous franchises and its creator. The innovative film combines filmmaker and celebrity interviews with fan films - submitted via the film's site - to make this the world's first digitally democratic feature documentary. Written by
The Hot Docs DVD was released on September 13, 2011; the same week the Star Wars trilogies were released for the first time on Blu-ray. New changes were also made to them. This documentary explores the previous changes made to the original trilogy with people's responses and parodies. See more »
[regarding the changes made to the original Star Wars trilogy]
George Lucas may be the brainchild behind Star Wars; he may have come up with the story and a lot of the characters, but everyone who participated in making those films had some type of creative input. I mean they won an Oscar for best special effects. Some of those effects are stripped out and replaced with CGI enhancements, if you wanna call them that. I think that that's really disrespectful to the people who worked on those ...
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The term 'documentary' is a difficult label to affix to 'PvGL' but sadly, for lack of a better word, is one that must suffice. I say this because the film does not shed new light or impart new information so much as it distills and summarises what we already know. Director Alexandre O. Philippe condenses and intercuts massive amounts of amateur videos, conversations, and first person tirades with pseudo-authoritative interviews in an effort to douse the acclaimed titular director with a bucket of icy water and wake Lucas from his delusional God-complex so that he will own up to the serious missteps he's made with the 'Star Wars' franchise (as well as 'Indiana Jones'). Make no mistake this is a film made by disillusioned fans, for disillusioned fans, and the issues that irk the most are well-covered: the erasure of the 1977, 1980, & 1983 originals by the CGI-altered 1990s reissues; the character change in Han Solo by firing AFTER Greedo; the inherent ramifications of quantitatively defining the Force with a microbiological organism; the erasure of the Star Wars Christmas TV special; Jar-Jar Binks; and so on.
The film nicely establishes the original trilogy's place in history and in culture, and sets the tone for why we love George Lucas. But from there, it just gets ugly. As one interviewee put it, 'I love-hate George Lucas. I love-hate him a lot.' The anger and vulgarity that erupts from the wounded fans is unsettling but even more disturbing is the fact that I often found myself nodding in agreement with their arguments. Two-thirds into it, though, I just get the sense that 'PvGL' is acting like a neglected child throwing a tantrum at a parent, begging for attention and respect. Yet Lucas' betrayal of his fans through touting his authorial and divine right to tamper is not without merit. Attributing the disrespect to his secession to the dark-side (that is, entrepreneurship and big business), rather than remain the rebel filmmaker of his youth, 'PvGL' ultimately finds itself in an un-winnable spot, wedged between arguments of public (social and cultural) domain and artistic control. Does 'Star Wars' belong to the general public, or can those that originally penned it rewrite history?
Bearing this in mind, does anyone know where can I get one of those Tauntaun sleeping bags?
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