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The People vs. George Lucas (2010)

Not Rated | | Documentary, Comedy | 29 August 2011 (USA)
An examination of the widespread fan disenchantment with George Lucas.

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Cast

Cast overview, first billed only:
...
Himself - Director, George Lucas in Love
Daryl Frazetti ...
Himself - Anthropologist & Pop Culture Researcher
Doug Jones ...
Himself - Associate Director of Programming, Los Angeles Film Festival
Damian Hess ...
Himself - Godfather of Nerdcore Hip-Hop (as MC Frontalot)
Richie Mehta ...
Himself - Filmmaker
...
Himself - Filmmaker
Dale Pollock ...
Himself - Author, Skywalking
Glenn Kenny ...
Himself - Editor, A Galaxy Not So Far Away
Anthony Waye ...
Himself - Executive Producer, James Bond 007
Richard Sandling ...
Himself - Comedian
...
Himself - Fan
Edward Hines Jr. ...
Himself - Fan
Joseph A. Covas ...
Himself - Fan Filmmaker
Adam W. James ...
Himself - Fan Filmmaker
Todd Hanson ...
Himself - Writer & Editor, The Onion
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Storyline

Uses a courtroom debate approach to explore the issues of filmmaking and fanaticism around one of the industry's most famous franchises and its creator. The innovative film combines filmmaker and celebrity interviews with fan films - submitted via the film's site - to make this the world's first digitally democratic feature documentary. Written by Anna Higgs

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Not Rated | See all certifications »

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Release Date:

29 August 2011 (USA)  »

Also Known As:

La gente vs. George Lucas  »

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Trivia

The wall-sized calligraphy painting used as background during the interview session for Brian Comerford is same calligraphy piece used in Ink Music: In the Land of the Hundred-Tongued Lyricist (2009) during several of the Chris Mosdell interviews. Comerford's interview was filmed exactly two years to the day that the same cinematographer for each picture, Robert Muratore, filmed the calligraphy originally being created by Juichi Yoshikawa. The day of the calligraphy's creation in Fukui, Japan, was the 33rd birthday of Ink Music: In the Land of the Hundred-Tongued Lyricist (2009) Production Assistant and Makeup Artist Nisarat Nopmongkol. The day of the Brian Comerford interview was the 35th birthday of Nisarat Nopmongkol; the couple are married and the interview was shot in their home in Denver, Colorado, USA. See more »

Quotes

Jay Sylvester: [regarding the changes made to the original Star Wars trilogy] George Lucas may be the brainchild behind Star Wars; he may have come up with the story and a lot of the characters, but everyone who participated in making those films had some type of creative input. I mean they won an Oscar for best special effects. Some of those effects are stripped out and replaced with CGI enhancements, if you wanna call them that. I think that that's really disrespectful to the people who worked on those ...
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Connections

Featured in Nostalgia Critic: When Is a Movie Just a Movie? (2014) See more »

Soundtracks

Symphony No.3 in E flat major Eroica, Op.55
written by Ludwig van Beethoven
conductor Charles Ansbacher
performed by Moscow Symphony Orchestra in the Great Hall of the Moscow Conservatory
courtesy of Henry Ansbacher, Charles Ansbacher, Boston Landmarks Orchestra & Landmarks Recordings
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User Reviews

 
'Daddy, please love me!'
3 July 2010 | by (United Kingdom) – See all my reviews

The term 'documentary' is a difficult label to affix to 'PvGL' but sadly, for lack of a better word, is one that must suffice. I say this because the film does not shed new light or impart new information so much as it distills and summarises what we already know. Director Alexandre O. Philippe condenses and intercuts massive amounts of amateur videos, conversations, and first person tirades with pseudo-authoritative interviews in an effort to douse the acclaimed titular director with a bucket of icy water and wake Lucas from his delusional God-complex so that he will own up to the serious missteps he's made with the 'Star Wars' franchise (as well as 'Indiana Jones'). Make no mistake – this is a film made by disillusioned fans, for disillusioned fans, and the issues that irk the most are well-covered: the erasure of the 1977, 1980, & 1983 originals by the CGI-altered 1990s reissues; the character change in Han Solo by firing AFTER Greedo; the inherent ramifications of quantitatively defining the Force with a microbiological organism; the erasure of the Star Wars Christmas TV special; Jar-Jar Binks; and so on.

The film nicely establishes the original trilogy's place in history and in culture, and sets the tone for why we love George Lucas. But from there, it just gets ugly. As one interviewee put it, 'I love-hate George Lucas. I love-hate him a lot.' The anger and vulgarity that erupts from the wounded fans is unsettling but even more disturbing is the fact that I often found myself nodding in agreement with their arguments. Two-thirds into it, though, I just get the sense that 'PvGL' is acting like a neglected child throwing a tantrum at a parent, begging for attention and respect. Yet Lucas' betrayal of his fans through touting his authorial and divine right to tamper is not without merit. Attributing the disrespect to his secession to the dark-side (that is, entrepreneurship and big business), rather than remain the rebel filmmaker of his youth, 'PvGL' ultimately finds itself in an un-winnable spot, wedged between arguments of public (social and cultural) domain and artistic control. Does 'Star Wars' belong to the general public, or can those that originally penned it rewrite history?

Bearing this in mind, does anyone know where can I get one of those Tauntaun sleeping bags?


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