As a string of mysterious killings grips Seattle, Bella, whose high school graduation is fast approaching, is forced to choose between her love for vampire Edward and her friendship with werewolf Jacob.
When her mother disappears, Clary Fray learns that she descends from a line of warriors who protect our world from demons. She joins forces with others like her and heads into a dangerous alternate New York called the Shadow World.
Jamie Campbell Bower,
When an unseen enemy threatens mankind by taking over their bodies and erasing their memories, Melanie will risk everything to protect the people she cares most about, proving that love can conquer all in a dangerous new world.
Katniss Everdeen voluntarily takes her younger sister's place in the Hunger Games, a televised competition in which two teenagers from each of the twelve Districts of Panem are chosen at random to fight to the death.
Bella once again finds herself surrounded by danger as Seattle is ravaged by a string of mysterious killings and a malicious vampire continues her quest for revenge. In the midst of it all, she is forced to choose between her love for Edward and her friendship with Jacob -- knowing that her decision has the potential to ignite the struggle between vampire and werewolf. With her graduation quickly approaching, Bella is confronted with the most important decision of her life. Written by
The original editor, Art Jones, was to be solely credited for the film. Three months before the film's release, however, Jones was abruptly released by the studio. In regards to that, David Slade later commented that although Jones' edit was good, Summit felt that it didn't have the intensity intended. Summit immediately brought back Nancy Richardson (who edited the first film) to recut and fine-tune the edit. However, Jones' name still made the final credits. See more »
When Jacob shows up at Bella's school his hair appears to be wet and lying flat. However when he and Bella arrive at Sam's house his hair is fully dry. Since it is about a fifteen to twenty minute motorcycle ride from Forks to Sam's house on the reservation and Jacob doesn't wear a helmet, it is completely possible that his hair dried in the wind on the way. Also, his temperature (and therefore his head) runs very hot, which may have helped speed up the drying since his hair is very short. See more »
When we were five, they asked us what we wanted to be when we grew up. Our answers were things like, astronauts, president... or in my case, a princess.
[the students and parents chuckle lightly]
When we were ten, they asked again. We answered, a rock star, cowboy, or in my case, a gold medalist. But now that we're grown up, they want a serious answer. Well, how about this. Who the hell knows?
[the other students cheer and applaud]
This isn't the time to make hard and fast decisions; this is a ...
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Let's Get Lost
Written by Beck (as Beck Hansen) and Bat for Lashes (as Natasha Khan)
Performed by Beck and Bat for Lashes
Courtesy of Iliad Records
Bat for Lashes appears courtesy EMI/Parlophone Records and the Echo Label See more »
When "Twilight" came out back in 2008 I became immensely curious in the franchise (even though I'd never read the books) due to the overwhelming hype from the fans. After the viewing I felt that the film was left very hollow and weighed down by the sub-standard acting, iffy directing, sloppy editing and overall adolescent melodrama. It felt incomplete but as though it wanted its creators to try harder and become a developed rendition of the books. Regardless, I saw the possibility of potential and found myself interested in seeing where the series would go in the future. "New Moon" was released last year and I had actually bubbled up a sense of excitement from watching the trailers. It came off as a new and improved version of the original with a much more interesting story; I couldn't have hit further from the mark if I tried. Completely immersed underneath terrible acting, absolutely sloppy editing, gut-wrenching writing, mediocre directing, god awful story development, empty CGI and a go-nowhere-at-all story only meant to tug at the heart strings of pre-teens, "New Moon" was instantly put on the list of worst films I had ever seen in my life. I had become completely turned off by the idea of seeing this franchise grow any further. Alas, my OCD personality refuses to let me start a film series and walk away from it so it was inevitable that I hesitantly saw "The Twilight Saga: Eclipse".
Almost immediately I realized that this film's atmosphere is a barricaded roundabout of re-hashed dialogue and one-track character directory. Nothing intellectual or invitingly new is dropped into this pot of love triangles, cardboard characters, and afterthought plot development. It's one of the largest problems with the film; nothing is unique. The seemingly "main story" is introduced slowly over the course of almost two hours through five to ten minute segments that feel like nothing more than meaningless bursts to keep people on their toes. These sporadic bursts of story come at you in between the same drivel we've heard in "New Moon". Bella (Kirsten Stewart) to Edward (Robert Pattinson) to Jacob (Taylor Lautner) back to Bella and Edward and Edward to Jacob and Jacob to Bella and Edward and Jacob and Bella to Edward. Continuously talking about fighting for their love and no sex before marriage and preparing for battle but really doing nothing and "She loves me but she's too afraid to admit it" and "She loves me more but I'm not sure about myself." It's this childlike, empty conversation between characters with similarly empty, childlike personalities that makes the entire movie feel like a giant fantasy advertisement; an enormous, over dramatic, pre-teen wet dream.
The characters are the second biggest issue with this film and even though in second place, it's by far the most irritating problem. I cannot recall the last time I cared for characters so little in a series of any sort. This movie has a running time of an hour and fifty-five minutes, minus the credits and not once do any of the characters deviate from the one-tone personalities that are painted for them. The same over the top emotions that cause the same loop-de-loop interactions that actually get so bad that you feel as though you're watching the same scene over and over and over and over again. It's cursed by a formula that should have been dropped after the first film because there was potential to create characters an audience would be interested in but that ship sailed and crashed; no survivors.
Alongside cookie cutter personalities and what tries to pass off as an in-depth story of revenge, love and redemption, is a near beautiful but one dimensional environment. I was really confused by this film's physical appearance and the tone it was attempting to create. The scenery is something to behold but is masked by too much use of blue tones, bloom lights and green washing. The werewolves have got some excellent CGI going for them and at first glance you wouldn't be able to guess that they aren't real. As the film progresses though, you begin to lose the feeling of reality with these creatures. It's almost as if they aren't there and there's no physical depth or strength to them. This weightlessness become very apparent during the overwhelmingly dull, cliché and emotionless fight scenes. Everything about the atmosphere contradicts itself and this became very frustrating to watch. I do have to give credit to the film makers for putting enough effort into making the environment look much more attractive than the previous installments.
Overall most of what made "New Moon" a total catastrophe has been worked on in "Eclipse" and it is indeed a better film than its predecessors. The problem with this analysis is you're comparing one personal experience with a train wreck to another; in the end it's still covered in smoke, fire, dismay and you're hoping to get out alive. The acting has improved but the delivery of almost the entirety of the film's dialogue is rubbish or cringe worthy. The editing has gotten better and the pacing feels more cinematic but the story itself completely veils this upgrade, making it nearly unnoticeable. Changing the directors was possibly the best choice made here because the film feels much more professional and mature; again though, we're talking train wrecks here. If you're a fan of the series thus far, I'm sure you'll enjoy this installment. If you're a fan of the books, maybe you will too. If you're anybody else I would highly suggest, at this point, steering clear of this series entirely and maybe picking up the books.
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