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The Twilight Saga: Eclipse (2010)

PG-13  |   |  Adventure, Drama, Fantasy  |  30 June 2010 (USA)
4.9
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Ratings: 4.9/10 from 164,353 users   Metascore: 58/100
Reviews: 498 user | 289 critic | 38 from Metacritic.com

As a string of mysterious killings grips Seattle, Bella, whose high school graduation is fast approaching, is forced to choose between her love for vampire Edward and her friendship with werewolf Jacob.

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Cast

Cast overview, first billed only:
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Storyline

Bella once again finds herself surrounded by danger as Seattle is ravaged by a string of mysterious killings and a malicious vampire continues her quest for revenge. In the midst of it all, she is forced to choose between her love for Edward and her friendship with Jacob -- knowing that her decision has the potential to ignite the struggle between vampire and werewolf. With her graduation quickly approaching, Bella is confronted with the most important decision of her life. Written by Summit Entertainment

Plot Summary | Plot Synopsis

Taglines:

It all begins ... With a choice


Motion Picture Rating (MPAA)

Rated PG-13 for intense sequences of action and violence, and some sensuality | See all certifications »

Parents Guide:

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Details

Country:

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Release Date:

30 June 2010 (USA)  »

Also Known As:

The Twilight Saga: Eclipse  »

Box Office

Budget:

$68,000,000 (estimated)

Opening Weekend:

£13,756,653 (UK) (9 July 2010)

Gross:

$300,523,113 (USA) (15 October 2010)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The scenes of Victoria building her "army" were based on the novella 'The Short Second Life of Bree Tanner', written by Stephenie Meyer and distributed, in first draft form, to the cast. One particular line, given by Edward to Jane, indicates he knew about the alliance alluded to in the novella, but, with no proof, it was something he could do nothing about. See more »

Goofs

It has been stated that "In the opening scene in the meadow when Bella pushes Edward to the ground, his hand is on her neck, but when the camera changes to the side angle, his hand is on her waist." However, the hand on Bella's neck is her own. You can see this in the next shot when Bella moves her left hand from her neck. See more »

Quotes

Jacob Black: [Introducing Seth to Bella] Bella, this is Seth Clearwater. Newest member of the pack
Bella Swan: [shaking Seth's hand] Hi.
Seth Clearwater: Newest, bestest, brightest...
Jacob Black: [finishing Seth's sentence] And slowest.
[grabs Seth into a headlock]
See more »

Connections

Follows The Twilight Saga: New Moon (2009) See more »

Soundtracks

With You in My Head
Written by James Lavelle, Pablo Clements, James Griffith and Alex Maas
Performed by Unkle (as UNKLE) feat. The Black Angels
Courtesy of Surrender All Ltd.
By Arrangement with Zync Music Group LLC
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Twilight Eclipse: An Improvement
4 July 2010 | by (United States) – See all my reviews

When "Twilight" came out back in 2008 I became immensely curious in the franchise (even though I'd never read the books) due to the overwhelming hype from the fans. After the viewing I felt that the film was left very hollow and weighed down by the sub-standard acting, iffy directing, sloppy editing and overall adolescent melodrama. It felt incomplete but as though it wanted its creators to try harder and become a developed rendition of the books. Regardless, I saw the possibility of potential and found myself interested in seeing where the series would go in the future. "New Moon" was released last year and I had actually bubbled up a sense of excitement from watching the trailers. It came off as a new and improved version of the original with a much more interesting story; I couldn't have hit further from the mark if I tried. Completely immersed underneath terrible acting, absolutely sloppy editing, gut-wrenching writing, mediocre directing, god awful story development, empty CGI and a go-nowhere-at-all story only meant to tug at the heart strings of pre-teens, "New Moon" was instantly put on the list of worst films I had ever seen in my life. I had become completely turned off by the idea of seeing this franchise grow any further. Alas, my OCD personality refuses to let me start a film series and walk away from it so it was inevitable that I hesitantly saw "The Twilight Saga: Eclipse".

Almost immediately I realized that this film's atmosphere is a barricaded roundabout of re-hashed dialogue and one-track character directory. Nothing intellectual or invitingly new is dropped into this pot of love triangles, cardboard characters, and afterthought plot development. It's one of the largest problems with the film; nothing is unique. The seemingly "main story" is introduced slowly over the course of almost two hours through five to ten minute segments that feel like nothing more than meaningless bursts to keep people on their toes. These sporadic bursts of story come at you in between the same drivel we've heard in "New Moon". Bella (Kirsten Stewart) to Edward (Robert Pattinson) to Jacob (Taylor Lautner) back to Bella and Edward and Edward to Jacob and Jacob to Bella and Edward and Jacob and Bella to Edward. Continuously talking about fighting for their love and no sex before marriage and preparing for battle but really doing nothing and "She loves me but she's too afraid to admit it" and "She loves me more but I'm not sure about myself." It's this childlike, empty conversation between characters with similarly empty, childlike personalities that makes the entire movie feel like a giant fantasy advertisement; an enormous, over dramatic, pre-teen wet dream.

The characters are the second biggest issue with this film and even though in second place, it's by far the most irritating problem. I cannot recall the last time I cared for characters so little in a series of any sort. This movie has a running time of an hour and fifty-five minutes, minus the credits and not once do any of the characters deviate from the one-tone personalities that are painted for them. The same over the top emotions that cause the same loop-de-loop interactions that actually get so bad that you feel as though you're watching the same scene over and over and over and over again. It's cursed by a formula that should have been dropped after the first film because there was potential to create characters an audience would be interested in but that ship sailed and crashed; no survivors.

Alongside cookie cutter personalities and what tries to pass off as an in-depth story of revenge, love and redemption, is a near beautiful but one dimensional environment. I was really confused by this film's physical appearance and the tone it was attempting to create. The scenery is something to behold but is masked by too much use of blue tones, bloom lights and green washing. The werewolves have got some excellent CGI going for them and at first glance you wouldn't be able to guess that they aren't real. As the film progresses though, you begin to lose the feeling of reality with these creatures. It's almost as if they aren't there and there's no physical depth or strength to them. This weightlessness become very apparent during the overwhelmingly dull, cliché and emotionless fight scenes. Everything about the atmosphere contradicts itself and this became very frustrating to watch. I do have to give credit to the film makers for putting enough effort into making the environment look much more attractive than the previous installments.

Overall most of what made "New Moon" a total catastrophe has been worked on in "Eclipse" and it is indeed a better film than its predecessors. The problem with this analysis is you're comparing one personal experience with a train wreck to another; in the end it's still covered in smoke, fire, dismay and you're hoping to get out alive. The acting has improved but the delivery of almost the entirety of the film's dialogue is rubbish or cringe worthy. The editing has gotten better and the pacing feels more cinematic but the story itself completely veils this upgrade, making it nearly unnoticeable. Changing the directors was possibly the best choice made here because the film feels much more professional and mature; again though, we're talking train wrecks here. If you're a fan of the series thus far, I'm sure you'll enjoy this installment. If you're a fan of the books, maybe you will too. If you're anybody else I would highly suggest, at this point, steering clear of this series entirely and maybe picking up the books.


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