| Photos (See all 146 | slideshow) | Videos (see all 32) |
Directed by | |||
| Bill Condon | |||
Writing credits | ||
| Melissa Rosenberg | (screenplay) | |
| Stephenie Meyer | (novel "Breaking Dawn") | |
Produced by | |||
| Bill Bannerman | .... | co-producer | |
| Wyck Godfrey | .... | producer | |
| Stephenie Meyer | .... | producer | |
| Mark Morgan | .... | executive producer | |
| Irina Neves | .... | line producer assistant: Brasil | |
| Karen Rosenfelt | .... | producer | |
| Isabelle Tanugi | .... | line producer: Brasil | |
Original Music by | |||
| Carter Burwell | |||
Cinematography by | |||
| Guillermo Navarro | |||
Film Editing by | |||
| Virginia Katz | |||
Casting by | |||
| Debra Zane | |||
Production Design by | |||
| Richard Sherman | |||
Art Direction by | |||
| Lorin Flemming | |||
| Nate Fredenburg | |||
| Troy Sizemore | (supervising art director) | ||
Set Decoration by | |||
| David Schlesinger | |||
Costume Design by | |||
| Michael Wilkinson | |||
| Carolina Herrera | (wedding dress) (uncredited) | ||
Second Unit Director or Assistant Director | |||
| Bill Bannerman | .... | aerial unit director: Brazil/Canada | |
| Karin Behrenz | .... | third assistant director | |
| Josy Capkun | .... | second assistant director | |
| Gabriel Correa | .... | third assistant director | |
| E.J. Foerster | .... | second unit director | |
| Scott Kukurudz | .... | trainee assistant director: second unit | |
| Steve Lonano | .... | second second assistant director | |
| Bryant Marshall | .... | third assistant director | |
| John M. Morse | .... | second assistant director | |
| Justin Muller | .... | first assistant director | |
| Cali Pomes | .... | second second assistant director | |
| Ann C. Salzer | .... | first assistant director: second unit | |
| Greg Zenon | .... | first assistant director: second unit | |
| Dawn Charette | .... | trainee assistant director (uncredited) | |
Sound Department | |||
| Steve C. Aaron | .... | production sound mixer | |
| Christopher Alba | .... | supervising foley editor | |
| Darren Brisker | .... | production sound mixer | |
| Dane A. Davis | .... | sound designer | |
| Dane A. Davis | .... | supervising sound editor | |
| Ryan Farris | .... | boom operator | |
| Stephanie Flack | .... | dialogue editor | |
| Nerses Gezalyan | .... | sound mixer | |
| Gary A. Hecker | .... | supervising foley artist | |
| Mike Hibberson | .... | boom operator | |
| James Hyde | .... | adr recordist | |
| Matthew W. Kielkopf | .... | first assistant sound editor | |
| Tony Lamberti | .... | sound re-recording mixer | |
| Kevin Meier | .... | boom operator: second unit | |
| Michael Minkler | .... | sound re-recording mixer | |
| Chris Navarro | .... | adr mixer | |
| Whit Norris | .... | production sound mixer: U.S. Virgin Islands unit | |
| Kevin J. Summers | .... | boom operator: U.S. Virgin Islands unit | |
| Greg Townsend | .... | assistant re-recording mixer | |
| Robert Ulrich | .... | supervising adr & dialogue editor | |
| Jared Watt | .... | sound utility | |
| David A. Whittaker | .... | sound effects editor | |
| Ryan Young | .... | adr mixer | |
Special Effects by | |||
| Alex Burdett | .... | special effects supervisor | |
| Ana Carvalho | .... | special effects coordinator: Brazil | |
| William Catania | .... | rigging foreman | |
| Lela Checco | .... | special effects | |
| Diana Choi | .... | special effects makeup (as Diana Yun Soo Yoo) | |
| Michelle Deville | .... | fabrication department: Legacy Effects | |
| Sergio Farjalla Jr. | .... | special effects supervisor: Brazil | |
| Damian Fisher | .... | mold shop supervisor | |
| Skylar Gorrell | .... | special effects technician | |
| Jared Guenther | .... | special effects technician | |
| Heath Hood | .... | special effects on-set foreman | |
| Jeremy Johnson | .... | special effects technician | |
| Walter Kiesling | .... | rigging forman | |
| Aimee Macabeo | .... | special effects makeup | |
| Lindsay MacGowan | .... | studio coordinator: Legacy Effects | |
| Shane Mahan | .... | studio coordinator: Legacy Effects | |
| Jason Matthews | .... | artist/puppeteer: Legacy Effects | |
| Michael O'Brien | .... | key artist: Legacy Effects | |
| David A. Poole | .... | special effects coordinator | |
| David A. Poole | .... | special effects supervisor | |
| Jacob Roanhaus | .... | lab technician: Legacy Effects | |
| John Rosengrant | .... | animatronic and special makeup effects supervisor | |
| Alan Scott | .... | studio coordinator: Legacy Effects | |
| Russell L. Smith | .... | special effects technician | |
| Mike Splatt | .... | second unit coordinator | |
| Adam Tayler | .... | special effects best boy | |
| Jeffrey Scott Thomas | .... | special effects technician | |
| Richard Terry Tjelmeland | .... | special effects foreman | |
| Rebecca Walker | .... | special effects technician | |
| Patrick Edward White | .... | special effects technician | |
| Brad Zehr | .... | effects best boy: second unit | |
| Cole Taylor | .... | legacy effects coordinator (uncredited) | |
| Michael Watson | .... | special photographic effects: Faction Creative (uncredited) | |
Visual Effects by | |||
| Samuel Accardo | .... | visual effects | |
| Neishaw Ali | .... | visual effects executive producer | |
| Casey Allen | .... | senior flame artist | |
| Peter Allendale | .... | compositor: Comen VFX | |
| Jordan Alphonso | .... | digital artist | |
| Holli Alvarado | .... | flame artist | |
| Adrienne Anderson | .... | digital production manager: Tippett Studio | |
| Mathieu Archambault | .... | digital compositor | |
| Spencer Armajo | .... | Flame artist | |
| Kenneth Armstrong | .... | compositor: Comen VFX | |
| Jean Arousi | .... | production assistant: Modus FX | |
| Jim Aupperle | .... | lighting technical director | |
| Marie-Ève Authier | .... | digital compositor: Modus FX | |
| Nicholas Avallone | .... | animator | |
| Patrice Avery | .... | previs producer: HALON | |
| Natalie Baillie | .... | digital compositor (as Natalie Nolan) | |
| Pharoah Barrett | .... | 3D artist: Digiscope | |
| Dan Bartolucci | .... | flame artist: Lola VFX | |
| Sophie Beck | .... | tracking: Modus FX | |
| Barb Benoit | .... | digital compositor | |
| Mathieu Bertrand | .... | lead look development: Modus FX | |
| Zena Bielewicz | .... | digital compositor | |
| Patrick Bissonnette | .... | vfx financial controller: Modus FX | |
| Bruno Blain | .... | lead td rigging: Modus FX | |
| Vincent Blin | .... | flame artist | |
| Jonathan Boisvert | .... | technical support: Modus FX | |
| Lisa Bolan | .... | lead visual effects designer: Prologue Films | |
| Jason Bond | .... | rotoscope artist: Comen VFX | |
| Kristen Borges | .... | texture painter: Tippett Studio | |
| Marc Bourbonnais | .... | VFX Executive Producer: Modus FX | |
| Aharon Bourland | .... | cg supervisor: Tippett Studio | |
| Peter Bowmar | .... | head of technology: Method Studios Vancouver | |
| Nadège Bozzetti | .... | lead td lighting: Modus FX | |
| Robert Branam | .... | witness camera operator | |
| Hans Brekke | .... | lead animator: Tippett Studio | |
| Kirk Brillon | .... | compositing sequence supervisor: SPIN VFX | |
| A.J. Briones | .... | previsualization supervisor | |
| Aaron Brown | .... | compositing supervisor: Method Studios Vancouver | |
| John Bruno | .... | visual effects supervisor | |
| Shauna Bryn | .... | visual effects executive producer: Method Studios Vancouver | |
| Sabrina Bucci | .... | data wrangler: Modus FX | |
| Karen Bushnell | .... | visual effects | |
| Heather Behl Cameron | .... | rotoscope and matchmove coordinator | |
| Wilson Cameron | .... | visual effects producer: Mr. X Inc. | |
| Howard R. Campbell | .... | lead lighting | |
| Jeff Campbell | .... | visual effects supervisor: SPIN VFX | |
| Rachael G Campbell | .... | visual effects artist | |
| Tim Carras | .... | visual effects supervisor: Comen VFX | |
| Michael Cavanaugh | .... | visual effects editor: Tippett Studio | |
| Andy Chan | .... | visual effects compositor: Mr. X Inc. | |
| Chun-Ping Chao | .... | digital compositor | |
| Alexis Chapman | .... | rotoscope lead: Method Studios Vancouver | |
| Catherine Chase | .... | visual effects editor | |
| Freddy Chavez Olmos | .... | visual effects compositor | |
| Daniel Chavez | .... | visual effects producer: Hydraulx | |
| David Chen | .... | digital compositor: Method Studios Vancouver | |
| Jeremy Cho | .... | digital paint & roto artist | |
| YouJin Choung | .... | compositor: Tippett Studio | |
| Patrick Clancey | .... | digital opticals | |
| Trent Claus | .... | flame artist | |
| Dug Claxton | .... | digital compositor | |
| Nicolas Cloutier | .... | lead concept & matte painting: Modus FX | |
| Valérie Clément | .... | vfx sales & marketing: Modus FX | |
| Joshua D. Comen | .... | visual effects producer: Comen VFX | |
| Eric Covello | .... | digital compositor | |
| Brandon Criswell | .... | lead compositor: Comen VFX | |
| Jonathan Cronk | .... | assistant vfx coordinator: Comen VFX | |
| Brian Cuartero | .... | compositor: Comen VFX | |
| Jacynthe Côté | .... | VFX Production Manager: Modus FX | |
| Michaël Côté | .... | technical support: Modus FX | |
| Rif Dagher | .... | CG supervisor | |
| David Dang | .... | roto artist: Comen VFX | |
| Amy Daye | .... | digital compositor: SPIN VFX | |
| Dean Deakyne | .... | visual effects artist: Digiscope | |
| Justin Denton | .... | previs artist | |
| Philippe Desiront | .... | digital compositor: Modus FX | |
| Anouk Deveault-Moreau | .... | VFX Producer: Modus FX | |
| Gabriel J. Diaz | .... | lead visual effects editor: Prologue Films | |
| Natalia Diaz | .... | digital compositor | |
| Victor DiMichina | .... | production supervisor: Pixel Magic | |
| Gus Dizon | .... | lead digital painter | |
| Thai Son Doan | .... | digital compositor | |
| Eric Doiron | .... | compositing supervisor: Spin VFX | |
| Becca Donohoe | .... | visual effects coordinator | |
| Anand Dorairaj | .... | digital compositor | |
| Jason Dowdeswell | .... | head of studio: Image Engine | |
| William Elder-Groebe | .... | storyboard artist | |
| Nicholas Elwell | .... | associate vfx producer: Hydraulx | |
| Nathan Englbrecht | .... | lighting technical director | |
| Andrea Espinal | .... | digital compositor: Modus FX | |
| Patrick Esposito | .... | visual effects executive: Prologue | |
| David Fix | .... | senior systems administrator: Mr. X Inc. | |
| Adam Folse | .... | visual effects artist | |
| Q. Fortier | .... | head of technology | |
| Jean-Sébastien Fortin | .... | digital compositor: Modus FX | |
| Nicolas Fourcroy | .... | data wrangler: Modus FX | |
| Page Frakes | .... | color pipeline supervisor: Tippett Studio | |
| Adam Francis | .... | motion control technician | |
| Fortunato Frattasio | .... | visual effects artist: Digiscope | |
| Michael Frattasio | .... | paint & roto artist: Digiscope | |
| Alan Fregtman | .... | rigger: Modus FX | |
| Miles Friedman | .... | visual effects coordinator: Lola VFX | |
| Nicolas Gaffiero | .... | Modeler: Modus FX | |
| Demitre Garza | .... | flame artist | |
| Dominic Gaudreau | .... | director of technology: Modus FX | |
| Neil Greenberg | .... | visual effects editor | |
| Robin Griffin | .... | visual effects producer | |
| Raoul Grosser | .... | visual effects artist | |
| Miguel A. Guerrero | .... | modeling supervisor: Hydraulx | |
| Robin Hackl | .... | visual effects supervisor | |
| Lee Hahn | .... | digital production manager | |
| Chris Halstead | .... | digital compositor: Tippett Studio | |
| Matt Hansen | .... | visual effects artist | |
| Rachel Faith Hanson | .... | visual effects coordinator | |
| Trey Harrell | .... | lighting supervisor: Mr. X | |
| Peter Hart | .... | matchmove lead: Method Studios Vancouver | |
| Andy Hass | .... | animator: Tippett Studio | |
| Adam Hazard | .... | digital compositor: Tippett Studio | |
| Oliver Hearsey | .... | tracking supervisor: Mr. X Inc. | |
| Jason Heinze | .... | digital compositor | |
| Erica Henderson | .... | digital compositor: Method Studios Vancouver | |
| Irit Hod | .... | senior lighting technical director: Spin VFX | |
| Justin Holt | .... | senior texture painter: Image Engine | |
| Nathan Hopkins | .... | previs artist | |
| Adam Howard | .... | visual effects supervisor | |
| Bryan Howard | .... | rigger: Soho VFX | |
| Colin Hui | .... | visual effects artist: SPIN VFX | |
| Vivien Hulbert | .... | visual effects coordinator: Image Engine | |
| Ivan Imanishi | .... | research & development: Image Engine | |
| Chris Ingersoll | .... | digital compositor | |
| Amanda Instone | .... | visual effects artist | |
| Elbert Irving IV | .... | visual effects coordinator: Wildfire VFX | |
| Tracy Nicole Irwin | .... | visual effects artist | |
| Imraan Ismail | .... | on-set data wrangler | |
| Stephen James | .... | digital compositor: Method Studios Vancouver | |
| Robbie Janda | .... | visual effects coordinator | |
| Daniel Jauregui | .... | visual effects artist | |
| Zahid Jiwa | .... | lead rotoscope artist: Method Studios Vancouver | |
| Julie Joannoteguy | .... | texture artist: Modus FX | |
| Jeremy Johnson | .... | digital compositor | |
| Dana Jurcic | .... | visual effects coordinator: Image Engine Design | |
| Bora Jurisic | .... | visual effects artist | |
| Mark Justison | .... | compositor: Comen VFX | |
| Jin Yong Kim | .... | matchmove artist: Tippett Studio | |
| SeungJang 'Jack' Kim | .... | modeling supervisor | |
| Sylvia Kim | .... | vfx coordinator: Comen VFX | |
| Daniel Klöhn | .... | visual effects artist: Prologue Films | |
| Ken Kokka | .... | visual effects producer: Tippett Studio | |
| Athena Kouverianos | .... | production manager: Soho VFX | |
| Jason Kozsurek | .... | digital compositor | |
| Katya Krotenko | .... | digital compositor: Image Engine | |
| David Labrecque | .... | data wrangler: Modus FX | |
| Louis Laflamme-Fillion | .... | production assistant: Modus FX | |
| Jeremy Lambolez | .... | animator: Modus FX | |
| Wendy Lanning | .... | visual effects producer: Image Engine Design | |
| Kirk Larkins | .... | on-set survey/matchmove: Tippett Studio | |
| Francis Larouche | .... | digital compositor: Modus FX | |
| Miles Lauridsen | .... | compositing supervisor: Prologue | |
| Jongju Lee | .... | 3D animator: Spin VFX | |
| Kate Lee | .... | matchmove artist: Method Studios Vancouver | |
| Marco Lee | .... | digital compositor | |
| Woei Lee | .... | digital compositor: Tippett Studio | |
| Woohyuck Eric Lee | .... | modeler: Mr. X | |
| Eric Leven | .... | visual effects supervisor: Tippett Studio | |
| Dave Levine | .... | flame artist: Lola VFX | |
| Samuel Loriault-Goulet | .... | data wrangler: Modus FX | |
| Daniel Lu | .... | lead modeller/rigger: Soho VFX | |
| Kodie Mackenzie | .... | digital compositor: Method Studios Vancouver | |
| Chris MacLean | .... | modeling and texturing lead: Mr. X | |
| Alastair Macleod | .... | animator | |
| Jonathan MacPherson | .... | senior data wrangler | |
| George Macri | .... | visual effects producer: SPIN VFX | |
| Allan Magled | .... | visual effects supervisor: Soho VFX | |
| Philippe Majdalani | .... | digital intermediate assistant producer | |
| John Mann | .... | storyboard artist | |
| Paul Maples | .... | motion control operator | |
| Greg Massie | .... | effects animator | |
| Jim Maxwell | .... | matte painting supervisor | |
| Corey Mayne | .... | digital compositor | |
| Matt Mcewan | .... | digital compositor | |
| Tom McHattie | .... | digital compositor: Method Studios Vancouver | |
| Mare McIntosh | .... | cgi coordinator: Hydraulx VFX | |
| Ray McIntyre Jr. | .... | visual effects supervisor: Pixel Magic | |
| Claire McLachlan | .... | data wrangler | |
| Scott McLain | .... | flame/inferno artist | |
| Liz McLelland | .... | roto artist: Comen VFX | |
| Steve McLeod | .... | visual effects editor: Method Studios Vancouver | |
| Jim McVay | .... | visual effects artist | |
| Philip Melancon | .... | animator: Modus FX | |
| Douglas Melville | .... | visual effects production manager: SPIN VFX | |
| David Michaels | .... | character technical director | |
| Scott Michelson | .... | visual effects executive producer | |
| Brad Minnich | .... | visual effects editor | |
| Ronald B. Moore | .... | visual effects coordinator | |
| Ian Morehead | .... | visual effects editor | |
| Christian Morin | .... | digital compositor | |
| Henrique Moser | .... | roto and paint lead: Image Engine | |
| Grant Moyer | .... | visual effects artist | |
| Brad Moylan | .... | lead compositor: Pixel Magic | |
| Christopher Mullins | .... | animator: Tippett | |
| Suzanne Murarik | .... | visual effects coordinator | |
| Ross Nakamura | .... | digital compositor: Tippett Studio | |
| Bruce Nicholson | .... | digital compositor | |
| Ken Nielsen | .... | digital compositor | |
| Thomas Nittmann | .... | visual effects producer: Lola Visual Effects | |
| Kelly Noordermeer | .... | visual effects editorial assistant: Mr. X Inc | |
| Roula O'Regan | .... | pipeline technical director: Method Studios Vancouver | |
| Dave Olivares | .... | visual effects technical director | |
| Robert Olsson | .... | digital matte painter | |
| Jose A. Ortiz Jr. | .... | CG supervisor: Prologue Films | |
| Richard Owen | .... | matchmove artist | |
| Caleb Owens | .... | digital compositor | |
| Chris Paizis | .... | matchmove supervisor: Tippett Studio | |
| Blaise Panfalone | .... | visual effects coordinator | |
| Nathaniel Park | .... | visual effects editor | |
| Clark Parkhurst | .... | flame artist | |
| Todd Patterson | .... | previz artist | |
| Todd Patteson | .... | previsualization artist | |
| Stephen J. Pavelski | .... | previs artist | |
| Chris Payne | .... | flame artist | |
| Aaron Peak | .... | scratch operator | |
| Martin Pelletier | .... | CG Supervisor: Modus FX | |
| Philippe Pelletier | .... | production assistant: Modus FX | |
| Chi Pham | .... | visual effects systems administrator | |
| Mathieu Phaneuf | .... | lead modeler: Modus FX | |
| Shaun Potts | .... | digital resource manager | |
| Akie Prapas | .... | lead tracking: Modus FX | |
| Rob Price | .... | compositor: Comen VFX | |
| Sebastien Proulx | .... | digital compositor | |
| Jeanne-Élise Prévost | .... | VFX project manager: Modus FX | |
| Stevie Ramone | .... | digital compositor | |
| Satish Ratakonda | .... | digital compositor: Tippett Studio | |
| Cory Redmond | .... | lighting technical director | |
| Alejandro Restrepo | .... | data wrangler: Modus FX | |
| Carrie Richardson | .... | visual effects production manager: Spin Productions | |
| Stéphane Rioux | .... | digital compositor: Modus FX | |
| Lauren Ritchie | .... | visual effects producer: Wildfire VFX | |
| Ryan Robertson | .... | visual effects producer | |
| Pau Rocher | .... | digital compositor: Method Studios Vancouver | |
| Jules Roman | .... | president: Tippett Studio | |
| Niketa Roman | .... | visual effects production assistant | |
| Michael Roth | .... | visual effects production assistant | |
| Sean Rourke | .... | visual effects editor: Digiscope | |
| Craig Rowe | .... | digital compositor | |
| Maya D. Roza | .... | digital compositor (as Dorian Roza) | |
| Vishal Rustgi | .... | digital compositor | |
| Krystal Sae Eua | .... | model/texture artist: Hydraulx | |
| Diganta Saha | .... | systems administrator: Prologue | |
| Juwana Samman | .... | lighting technical director | |
| Julian Sarmiento | .... | head of CG | |
| Mag Sarnowska | .... | digital compositor | |
| Milan Schere | .... | matte painter: Mr. X Inc. | |
| Jordan Schilling | .... | compositor: Tippett Studio | |
| David Schnee | .... | compositing supervisor: Tippett Studio | |
| Alvaro Segura | .... | visual effects artist | |
| Richard Servello | .... | digital compositor | |
| Laura Sevilla | .... | compositor | |
| Joseph Shahood | .... | visual effects coordinator: Digiscope | |
| Yuta Shimizu | .... | lighting lead | |
| Tim Sibley | .... | lead effects artist: SPIN VFX | |
| Aaron Sims | .... | concept artist | |
| Scott Singer | .... | visual effects | |
| Nitin Singh | .... | texture artist | |
| Nik Slotiuk | .... | fx technical director | |
| Andrew Smith | .... | visual effects editor: Image Engine | |
| Dane Allan Smith | .... | visual effects producer: Pixel Magic | |
| Gavin Soares | .... | animator | |
| Gavin Soares | .... | tracker | |
| Doug Spilatro | .... | visual effects artist | |
| Dottie Starling | .... | visual effects supervisor: Wildfire VFX | |
| Joe Statham | .... | production assistant/data wrangler | |
| Darryl Stawychny | .... | visual effects assistant | |
| Mary Stuart-Welch | .... | visual effects producer | |
| David Sullivan | .... | roto/paint supervisor | |
| Tammy Sutton | .... | compositing supervisor: Pixel Magic | |
| Adam Swaab | .... | cg supervisor: Prologue | |
| Adam Swaab | .... | visual effects supervisor | |
| Sarah Swick | .... | visual effects producer: Soho VFX | |
| Aleksander Szkudlarek | .... | effects technical director | |
| Guillaume Terrien | .... | compositing supervisor: Modus FX | |
| Nick Tesi | .... | 3D scanning technician | |
| Alexandre Tessier | .... | lead texture: Modus FX | |
| Chonnanit Na Thalang | .... | compositor: Comen VFX | |
| Phil Tippett | .... | visual effects supervisor | |
| Jan Toensmann | .... | digital compositor | |
| Yimi Tong | .... | visual effects coordinator | |
| Nathalie Tremblay | .... | digital compositor: Modus FX | |
| Matthew Trivan | .... | visual effects artist | |
| Donald Tse | .... | compositor | |
| Yuki Uehara | .... | flame artist | |
| Ryan Valade | .... | visual effects editor: Image Engine | |
| Luke Vallee | .... | digital compositor: Method Studios Vancouver | |
| Mark Van Ee | .... | visual effects coordinator: Method Studios Vancouver | |
| Benito Vargas | .... | previs artist | |
| Frederick B. Vega | .... | fx animator: Tippett Studio | |
| Biren Venkatraman | .... | lighting technical director | |
| Andres Vergara | .... | visual effects compositor: Image Engine | |
| Elinor Villaflor | .... | accounting: Comen VFX | |
| Kenneth Voss | .... | roto/paint artist: Tippett Studio | |
| Daanish Wain | .... | digital compositor | |
| Shawn Walsh | .... | visual effects executive producer: Image Engine | |
| Jessica Wan | .... | digital compositor | |
| Francis Meade Warner | .... | assistant visual effects coordinator | |
| Gregory Watkins | .... | rotoscope artist: Method Studios | |
| Mark H. Weingartner | .... | visual effects director of photography | |
| Aaron Weintraub | .... | visual effects supervisor: Mr. X Inc. | |
| Larry Weiss | .... | lead lighting technical director: Tippett Studio | |
| Cliff Welsh | .... | digital compositor | |
| Yanick Wilisky | .... | visual effects supervisor: Modus FX | |
| Edson Williams | .... | visual effects supervisor: Lola Visual Effects | |
| Terry Windell | .... | visual effects supervisor: second unit | |
| Andrew Winters | .... | visual effects artist | |
| Bruce Woloshyn | .... | visual effects supervisor: Method Studios Vancouver | |
| David Yabu | .... | lead animator: Modus FX | |
| Shyam V. Yadav | .... | data wrangler | |
| Yoshiya Yamada | .... | visual effect artist: Lola vfx | |
| Mattaniah Yip | .... | digital compositor: Spin VFX | |
| Mark Prusten | .... | fluid simulation supervisor (uncredited) | |
Animation Department | |||
| Jimmy Almeida | .... | animator | |
| Ryan Bradley | .... | animator | |
| T.J. Burke | .... | lead animator: Hydraulx | |
| Tom Gibbons | .... | animation supervisor: Tippett Studio | |
| Louis Jones | .... | animator: Tippett Studio | |
| Gary Mau | .... | animator: title sequence | |
| Jess Morris | .... | animator | |
| Yuhon Ng | .... | animator | |
| Carol Prince | .... | animator | |
| Danny Southard | .... | animator: Tippett Studio | |
Casting Department | |||
| Andrea Brown | .... | extras casting | |
| Elizabeth Coulon | .... | extras casting director | |
| Tara Feldstein | .... | location casting associate | |
| Candi Lei | .... | extras casting | |
| Patty Majorczak-Connolly | .... | adr voice casting | |
| Shayna Markowitz | .... | casting assistant | |
| J.J. Ogilvy | .... | casting associate | |
| Pamela Pearl | .... | casting associate | |
| Sebastian Rey | .... | extras casting | |
| Mark Sussman | .... | adr voice casting | |
Costume and Wardrobe Department | |||
| Phillip Boutte Jr. | .... | key costume illustrator | |
| Stacy Caballero | .... | assistant costume designer | |
| Jordan Carper | .... | costume p.a. | |
| Suzanne M.B. Chambliss | .... | set costumer | |
| Anne Cicero | .... | costume buyer | |
| Megan Coates | .... | set costumer | |
| Meghan Cornay | .... | costumer | |
| Luisa Dalmagro | .... | costume buyer | |
| Annette Farnsworth | .... | set costumer | |
| Alison Fraser | .... | assistant costume designer | |
| Mollie Gates | .... | wardrobe assistant | |
| Sarah P. Koeppe | .... | set costumer | |
| Shonta T. McCray | .... | set costumer | |
| Janet Melody | .... | head ager/dyer | |
| Susan O'Hara | .... | costume set supervisor | |
| Heather Osborne | .... | truck costumer | |
| Renee Ragucci | .... | set costumer | |
| Reba Saul | .... | set costumer | |
| Paul Sinnott | .... | costume assistant | |
| Michelle Toledo | .... | costume shopper | |
| Britany Viguerie | .... | costume production assistant | |
| Rodney Williamson | .... | costumer | |
Editorial Department | |||
| Joey Amron | .... | assistant editor | |
| Jason Dale | .... | first assistant editor | |
| Thomas Erickson | .... | editorial assistant | |
| Ben Estrada | .... | colorist: dailies | |
| Vanessa Galvez | .... | project manager | |
| Rob Grant | .... | post-production assistant | |
| Élodie Ichter | .... | colorist assist: Efilm | |
| Jeremy Kirkland | .... | editorial assistant | |
| Curtis Lindersmith | .... | digital intermediate editor | |
| Yvan Lucas | .... | digital film colorist: Efilm | |
| Harry Muller | .... | color timer | |
| Tom Reiser | .... | second colorist: Efilm | |
| Frank Robinson | .... | colorist: Deluxe Vancouver | |
| Shae Salmon | .... | first assistant editor | |
| Leslie Adkins-Garza | .... | post-production coordinator (uncredited) | |
Music Department | |||
| Christine Bergren | .... | music legal and clearance | |
| Robert Burger | .... | music producer | |
| Carter Burwell | .... | conductor | |
| Carter Burwell | .... | orchestrator | |
| Michael Farrow | .... | scoring mixer | |
| Isobel Griffiths | .... | orchestra contractor | |
| Lewis Jones | .... | pro tools recordist | |
| Paul Katz | .... | music consultant | |
| Sonny Kompanek | .... | orchestrator | |
| Katia Lewin Jablonsky | .... | assistant music editor (as Katia Lewin Palomo) | |
| Dean Parker | .... | composer assistant | |
| Alexandra Patsavas | .... | music supervisor | |
| Adam Milo Smalley | .... | music editor | |
| Kevin Teasley | .... | composer: additional music | |
| Kasey Truman | .... | music coordinator | |
| Brittany Whyte | .... | music coordinator | |
| P.K. Hooker | .... | assistant music editor (uncredited) | |
| Aled Jenkins | .... | assistant score engineer (uncredited) | |
Transportation Department | |||
| Annette Chambers | .... | driver | |
| Chris Dunn | .... | fuel truck driver | |
| Monte Emery | .... | picture car coordinator | |
| Jim Filippone | .... | pilot: camera helicopter | |
| Robert Foster Jr. | .... | transportation coordinator | |
| Monica W. Fuller | .... | driver (as Monica Williamson) | |
| Dave Greenbaum | .... | driver: make up truck | |
| Matthew Habgood | .... | picture car coordinator | |
| Beau Holden | .... | personal driver: Robert Pattinson | |
| Herb Langill | .... | driver: hair/makeup | |
| Charles Lanoue | .... | driver | |
| Lance Leis | .... | driver | |
| Danny Lewis | .... | transportation | |
| Jeffrey L. McLaughlin | .... | driver: honeywagon | |
| Beverly Reeves | .... | driver | |
| Kyndra Short | .... | dot compliance coordinator | |
| Wayne Short | .... | genny operator | |
| Mike Witherington | .... | driver | |
Thanks | |||
| Jack Morrissey | .... | the producers wish to thank | |
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| The Twilight Saga: Eclipse | The Twilight Saga: New Moon | Big Fish | Blood and Chocolate | Harry Potter and the Deathly Hallows: Part 2 |
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I am neither a Twilight fan or a Twilight detractor. This said, I am indifferent to the franchise. As far as the movies, I still think, coming from someone whose knowledge of the books only comes from my sister being a fan and me reading a chapter of one and putting it down, that the best is Eclipse(not saying much) and New Moon the worst. But that is not a consolation really. Breaking Dawn: Part 1 is not quite among the worst of the year and nowhere near among the worst ever, however it suffers from some major problems that I will get to later in the review.
So what was it that got me seeing Breaking Dawn: Part 1 in the first place? The answer was its director, Bill Condon. I am familiar with his previous films and find him a promising director and writer, finding his films well written, observed and acted. Gods and Monsters is amazing and one of my favourites, Kinsey was interesting and Dreamgirls elevated by the soundtrack and cast was quite decent. Did Condon do a good job directing? For me, I am not sure. I'd say of the four Twilight movies so far Breaking Dawn: Part 1 has the most cinematic feel to it, on the other hand there is not much here that made Condon's previous films so good and I'd go as far to say it is the film of his that engaged me the least.
Are there any redeeming qualities to this instalment? I think so actually. Although there are moments of sloppy editing, I did like the look of the film. At some points it was quite Gothic, and at others it had either an evergreen or autumnal feel to it. The scenery often does look stunning, the effects are okay I guess and the cinematography especially with the close-ups of the back of the wedding dress and the final shot is some of the best of the franchise in my opinion.I also liked Carter Burwell's score. I like Burwell a lot, his music has a hypnotic and quite hauntingly beautiful quality to it. For my tastes though some of the pop tunes are on the insipid side, however the score itself was pleasant with a lot of what I like about Burwell evident.
Much has been said about the sex scene. In all honesty I was expecting it to be of hilariously cheesy quality, but somehow Condon brought a little more subtlety than I was expecting. The last thirty minutes was perhaps the most exciting Breaking Dawn: Part 1 got, as some of does have purpose and intensity, which was something that the first half of the film did not have.There are also two good performances, Billy Burke and Michael Sheen, the latter being another point of interest. Burke as always is amusing with some of the better lines of the film(though is that saying much do you think?), while Sheen, ever the great actor, adopts a menace and magnetism as Aro without overdoing it too much. Ashley Greene is also quite good, if not great.
I have to say I still don't think much of the acting of the central trio. Kristen Stewart is much better than she is in New Moon, with much less of the moping and dead pauses, but some of her line delivery is still awkward and her facial expressions for my tastes are lifeless. It doesn't help though that Bella is a rather dull character.Robert Pattinson has more to do than he did in New Moon and is less hammy than in the first film(the looking into the camera moments brought moments of unintentional laughter when I first went to see Twilight when it came out). As a matter of fact this is perhaps his best performance of the series and he is certainly the best of the central trio, but like Stewart some of the line delivery could've been more inspired.
Taylor Lautner on the other hand is getting worse and worse. He is hunky to be sure, but does that alone make you a good actor? Not to me. I will give credit and say he is better than he was in this year's Abduction, where both the film and performance were awful, but the more dramatic moments from him felt forced and overplayed, and throughout there was a very stilted nature about him. A lot of the problem is to do with the writing. The dialogue in the Twilight franchise never was particularly good, saying this though in terms of written quality this is Twilight at its most banal, its most clunky and its most cheesy. The characters are clichéd and underdeveloped too, and at the end of the day you don't care for anybody. Oh, and the talking wolves were poorly done and unintentionally funny.
The story is very bland and unengaging, not to mention thin structurally and in content. The whole of the first half reads little more than ponderous melodrama. Was the wedding lavish? Yes it was. But it was also plodding and over-extended. The second half fares better, still with the clunky dialogue, uneven acting and cheesy, underdeveloped plot points and characterisations, but as I said the last thirty minutes or so serves as the highlight of the film. But for me what killed the film was the pace. Mind you, I have seen movies with slow pacing, but they are often paced deliberately and with strong meanings, great acting and dialogue and identifiable characters. With little of that here, Breaking Dawn: Part 1 not only is dull and plodding but also uninteresting and without bite.
Overall, despite my admiration for Condon and Sheen, this didn't work. The ending is highly suggestive of a continuation, which I understand is happening. If so, I do hope it will be better than this. 4/10 Bethany Cox