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In Mumbai, Sid Mehra is, in the words of his father, an arrogant, spoiled brat. He lives with a doting mother, subservient brother, and a father who covers his expenses and credit card bills. Sid takes his college finals then starts work at his father's business; he lasts less than a week before walking out. At a graduation party, he meets Aisha, newly arrived from Calcutta and set on becoming a writer. He shows her the city and helps her refurbish a rented flat. He asks if she'd like to progress from friend to something more, but she says no: he lacks ambition and isn't her type. Will her words, his exam results, a confrontation with his parents, and a break with his friends be enough to wake Sid up? Written by
Though the subtitles at least say "Bombay" and this film takes place in 2008, the city officially change its name to "Mumbai" in November 1995. See more »
When Sid is boarding a rickshaw after his interview, there is a young man (wearing a black AC/DC T-shirt) talking on his cell phone who starts walking in the opposite direction. Sid turns around and runs towards Aisha and embraces her from behind. When the camera pans closer on Sid and Aisha, this same man is again seen in his original position. See more »
In fact, I have imagined this interview a thousand times in my head. But I never imagined that I'd be this nervous... and you this handsom-
[stares at her amused]
You know, I'll clean your desk very creatively... It does need cleaning - a lot. So...
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The lazy, spoilt, Son-of-a-Rich-Dad is back again on the screens. This time he takes the form of Siddarth Mehra.
Firstly though, Ayan Mukherji (story, screenplay and direction) deserves immense praise for his directorial debut venture. As far as the story goes, there is nothing new or novel. The script has no unexpected twists or such. It goes along at its own sweet pace and you can foretell every next incident. This is a movie more on the lines of 'Dil Chahta Hai' meets 'Lakshya'. But where Ayan scores heavily is in the direction and screenplay departments. The direction is fresh and uncomplicated. He stuck to the very basic rule and kept it simple, and this has definitely paid huge dividends. The screenplay is crisp and well executed. It shows in the way Ayan has resisted the desire to jump into song-and-dance sequences, as are most bollywood movies prone to, and thats a refreshing change.
The movie revolves around our protagonist Siddarth Mehra (Sid, as his friends call him), who is arrogant, self-centred, has an absolute disrespectful attitude to financial dealings (read shopping) and anything to do with exercising his mental capabilities. Be it learning at college or going through the daily 9-to-5 grind. Though most of us may not readily identify ourself with Sid, we all have surely known a personality like him at some point of our life. Sid strikes up friendship with Aisha Bannerjee, played superbly by Konkona Sen Sharma, during a boring farewell party. The friendship grows stronger, initially through e-mails and then through setting up Aisha's flat. The two characters are poles apart, Aisha strives to be independent, is organised and has a set of goals, whereas Sid on the other hand is carefree and childishly immature with not a care in the world. As the story evolves Sid has a spat with his parents and leaves home. He takes refuge in Aisha's flat and is slowly forced to delve deeper into his way of living. He has virtually taken everything for granted in his life so far, including his friends and his parents. He now has to take life by the horns. It can be safely said that he admires Aisha's opinion of him and transforms himself to please her in ways he never knew before, and in the process he matures in his thinking and takes responsibilities seriously. How he nurtures his hobby and utilises it to make a living, thus turning a new leaf in his life forms the rest of the story. Not to mention, he even realises he is in love too, as one is wont to expect.
The actors have all lived up to the expectations. Ranbir Kapoor as Sid is a revelation. This is the first movie i watched of his and i think he has a very bright future, though i would hate to see him go wandering into stereotype bollywood. The way he gets all childish when he has learnt to fry eggs is as admirable as it is funny. He is pleased as a punch and puts a smile on your face. Konkona Sen Sharma as Aisha does here what she knows doing best. She has acted in various roles doing justice to them all and the role of Aisha is no different. You just cant help but admire the various emotions that she can pull-off. A pleasing change from all the eye-candy mainstream actresses who have flooded bollywood of late. Supriya Pathak and Anupam Kher as Sid's parents do an applaudable job. The scene where Supriya Pathak tries to learn English so that she can bond with Sid more as a friend than a mother deserves a special mention. She sure strikes a few emotional chords with the mature audience. Kashmira Shah has very few lines in the movie and she is pleasing on the eye. Hope she had a meatier role. Rahul Khanna as the editor does his job well.
The direction is top-notch, so is the screenplay and acting. Some viewers may find it a bit too long but i think the editing is sharp and the camera work goes a long way to make this movie an interesting watch. Music by Shankar-Ehsaan-Loy is pleasing on the ear without being too imposing. All-in-all its a good movie for a weekend at the cinemas as long as you don't look too deep into the 'same-old-story' aspect.
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