A group of friends whose leisurely Mexican holiday takes a turn for the worse when they, along with a fellow tourist, embark on a remote archaeological dig in the jungle where something evil lives among the ruins.
Paul is a U.S. truck driver working in Iraq. After an attack by a group of Iraqis he wakes to find he is buried alive inside a coffin. With only a lighter and a cell phone it's a race against time to escape this claustrophobic death trap.
José Luis García Pérez,
Do You Like My Basement? tracks how one man's creative frustration bore a need to make the perfect horror film. Stanley Farmer was rejected universally by the film world. His frustration ... See full summary »
After kidnapping and brutally assaulting two young women, a gang unknowingly finds refuge at a vacation home belonging to the parents of one of the victims: a mother and father who devise an increasingly gruesome series of revenge tactics.
At Mount Holliston, snowboarders Dan Walker, his girlfriend Parker O'Neil and his best friend Joe Lynch don't have enough money to buy lift tickets. Parker bribes Jason, a lift-worker, with one hundred dollars. When the system is nearing closure, they force Jason to let them have one last pass. However, Jason needs to resolve a problem and his colleague misunderstands his instructions and stops the lift. The trio of skier and snowboarders gets stranded on the chairlift near the top of the mountain. When they see that the lights of the ski resort had been turned off, they need to make a choice: leave the chairlift or freeze to death. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The first night Dan, Joe, and Parker are on the lift, Joe starts a conversation about the worst way to die. Dan says to him, it would be being eaten alive by a shark, which leads to a discussion of the movie Jaws (1975). One of the production companies for "Frozen" is called "A Bigger Boat", a name taken from Sheriff Brody's line from "Jaws" ("You're gonna need a bigger boat). See more »
The snowstorm during the first night on the lift is depicted as being heavy enough to bury the equipment the protagonists threw down to the ground, but subsequent establishing shots of the ski resort show the mountain covered in tracks in the snow left behind by skiers and boarders previously. See more »
A college student goes on a weekend ski/snowboard outing with his girlfriend and his jealous buddy. It was supposed to be just the guys, but Parker came along, much to buddy Lynch's dismay. She is still learning, and as a result of this, the trio spends most of the day on a bunny slope. After some complaining from Lynch, they decide to go on a quick run down the mountain before the day is through, but there's bad weather moving in. They manage to convince the lift operator to let them go, but through a series of unfortunate circumstances, the lift is stopped midway up the mountain leaving them stuck as the place shuts down for the week. With bad weather, the freezing cold and a large drop between them and the ground, the chances for survival are looking slim. And that's not taking the pack of hungry wolves into account.
I caught this at the Parks Mall AMC back in February and thought it was fantastic. It's from the Open Water/Black Water/The Canyon school of survival horror. All of those films are intense portraits of people stuck in some form of wilderness nightmare with little hope of escape, but Frozen may just be my pick for best of the bunch. At one point early on into the trio's predicament, I discovered that I had unknowingly squeezed my hands together so tightly that they had fallen asleep, so it's safe to say that the tension got to me. The characters also really grew on me as the film wore on, and I actually felt really bad for them. This is Emma Bell's first film, and I was quite impressed with her performance. While she has a spotty moment or two, for a first-timer, I'd say she knocked it out of the park. Her standout scene takes place when she's relaying her fears about what might happen to her puppy if she dies on the lift, and if he'd think she abandoned him.
Kudos to Adam Green for shooting this film on location. There are no green-screens or studio sets to be found here. Green and company found an actual lift to go out and shoot on. Equal amounts of kudos must go to the actors, as they were the ones up on the lift braving the elements for the authenticity a film of this type needs. Their hard work and tolerance paid off, as I often felt like I was right there on the lift with the characters. The chilly atmosphere vividly leaps off the screen, the bleak nature of the situation in which these three find themselves never in doubt. This film also hit a little closer to home for me, as I spent a week of skiing, etc. in Winter Park, CO not two months prior to watching this at the theater. With that fresh in my mind, I was left with an even stronger feeling of "What if?".
Also effective is the sparingly used score, usually played over visuals of the abandoned ski park. There are some gruesome bits, particularly the hand scene from the trailer and a discovery towards the film's end, but most of the tension comes from the predicament itself and some of the debasing things the characters have to do. Needing to take a leak while stuck on a ski lift may not be a big deal if you're a guy, but Parker's options aren't so easy.
I didn't think much of Adam Green's Hatchet. Frozen, on the other hand, is worth raving about.
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