A group of friends whose leisurely Mexican holiday takes a turn for the worse when they, along with a fellow tourist, embark on a remote archaeological dig in the jungle where something evil lives among the ruins.
Paul is a U.S. truck driver working in Iraq. After an attack by a group of Iraqis he wakes to find he is buried alive inside a coffin. With only a lighter and a cell phone it's a race against time to escape this claustrophobic death trap.
José Luis García Pérez,
Do You Like My Basement? tracks how one man's creative frustration bore a need to make the perfect horror film. Stanley Farmer was rejected universally by the film world. His frustration ... See full summary »
After kidnapping and brutally assaulting two young women, a gang unknowingly finds refuge at a vacation home belonging to the parents of one of the victims: a mother and father who devise an increasingly gruesome series of revenge tactics.
At Mount Holliston, snowboarders Dan Walker, his girlfriend Parker O'Neil and his best friend Joe Lynch don't have enough money to buy lift tickets. Parker bribes Jason, a lift-worker, with one hundred dollars. When the system is nearing closure, they force Jason to let them have one last pass. However, Jason needs to resolve a problem and his colleague misunderstands his instructions and stops the lift. The trio of skier and snowboarders gets stranded on the chairlift near the top of the mountain. When they see that the lights of the ski resort had been turned off, they need to make a choice: leave the chairlift or freeze to death. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Fascinating... a very hard trick to pull off with no human adversary!
The magic of Frozen is that there's no badguy. It's just humans against nature. I was worried at first that the film would be slow paced. I mean, how many things can happen within such a small space?
It turns out: plenty. Although time passes during the movie, the film does not give in to drawn out melodramatic sequences. They fight against nature, but the film is structured to attack them from all sides at once, but also in a way that's not transparently unrealistic. (Although personally I feel that nobody would have survived the cold and dehydration of the first night.)
We even learn a little about the characters, in a way that's more convincing than most disaster films, I am thinking for example of The Poseidon Adventure. There are no stereotypes here.
And they make mistakes. This isn't like Die Hard where the protagonist cleverly thinks of everything. Everything about the film, including their being trapped up so high, falls together like a series of coincidences, and that makes it even more horrific, because you start to believe that it might actually happen. There's even a little comedy to offset the horror, towards the beginning.
There is some gore in the film, but hugely less than I was led to believe. This is no Quentin Tarantino film and no slasher film either.
So having said what it's not, what is it? It's a thrilling look at how, even though we humans have extended ourselves into nature with technology, how reliant we are on that technology. It's an intellectual thriller rather than a supernatural or a serial killer freakshow thriller. It's normal people without heroic powers stuck in a situation that is near to real, the "Lost in Translation" of horror films.
I though it was fantastic. I'll give Frozen a 9 out of 10.
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