2 items from 2016
As we began talking about editorial content we could publish to celebrate the release of Hail, Caesar!, the latest film from Joel and Ethan Coen, we realized that none of us had the same top five lists, and that it seems unusual for that to be the case. The Coens have had such a rich and varied career that it is impossible to pin them down to one style or one theme or one type of storytelling. Some people love their comedies. Some people love it when they get dark. Some people love the underdogs, the least-liked of their films. But what's clear is that every film they've made has its fans, and even their worst films are beloved by someone. There are few artists like the Coen Brothers, and we were delighted to get lists from each of our special guest contributors this time. The diversity of the replies »
- HitFix Staff
John Williams’ themes from “Star Wars” and “Jurassic Park.” Bill Conti’s “Rocky” fanfare. Vince Guaraldi’s music for TV’s “Charlie Brown” cartoons. The John Barry arrangement of Monty Norman’s “James Bond Theme.” Lalo Schifrin’s “Mission: Impossible.”
These are iconic film and TV themes, and viewers of today’s sequels, spinoffs and franchises might well feel cheated if they didn’t hear the music that is so indelibly associated with these franchises. But where to use them? And how to adapt them into a larger, original score?
That was the challenge faced by several composers this past year, only one of whom was actually working with his own themes: the venerable John Williams, who has been composing for more than half a century and whose original “Star Wars” music was written 38 years ago.
- Jon Burlingame
2 items from 2016
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