A look at the lives of the strong-willed women of the Weston family, whose paths have diverged until a family crisis brings them back to the Oklahoma house they grew up in, and to the dysfunctional woman who raised them.
An elderly Margaret Thatcher talks to the imagined presence of her recently deceased husband as she struggles to come to terms with his death while scenes from her past life, from girlhood to British prime minister, intervene.
Richard E. Grant
A married woman realizes how unhappy her marriage really is, and that her life needs to go in a different direction. After a painful divorce, she takes off on a round-the-world journey to "find herself".
A former British Army officer, who was tormented as a prisoner of war at a Japanese labor camp during World War II, discovers that the man responsible for much of his treatment is still alive and sets out to confront him.
Violet Weston (Meryl Streep) has cancer and a propensity for pills and alcohol. She's a difficult woman to deal with and her husband has finally had enough. Violet's family gathers including middle daughter Ivy, youngest daughter Karen (with her new fiancé), eldest daughter Barbara (with her separated husband and teenage daughter), and her sister Mattie Fae (with her husband and son in tow). A family tragedy causes tensions to run high and secrets to come out. The Weston women will be forced to examine themselves and their lives whether they want to or not. Welcome to Osage County, Oklahoma in the sweltering heat of August. Written by
Academy Award winners Julia Roberts and Chris Cooper first appeared on-screen together in Miami Vice: Mirror Image (1988), the fourth year's season finale cliffhanger in which Detective James "Sonny" Crockett, played by Don Johnson, is stricken with amnesia during in an explosion and believes himself to be his undercover persona of Burnett. Roberts plays Polly Wheeler, a socialite art dealer who falls for Burnett, and Cooper plays Jimmy Yagovitch, a corrupt police detective investigating Burnett's background. See more »
The sheriff's car bears an Oklahoma County license plate. Oklahoma county is about 2 1/2 hours away from Osage County. See more »
Life is very long. T.S. Elliot. Not the first person to say it, certainly not the first person to think it, but he's given credit for it because he bothered to write it down.
Now if you say it, you have to say his name after it. "Life is very long." T.S. Elliot. Absolutely goddamn right.
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Livin' La Vida Loca (Pablo Flores English Radio Edit)
Written by Desmond Child and Draco Rosa (as Robi Rosa)
Performed by Ricky Martin
Courtesy of Columbia/SMI Holland
By Arrangement with Sony Music Licensing See more »
Beats my family gatherings for verbal mud wrestling.
"My wife takes pills, and I drink. That's the bargain we've struck." Beverly Watson (Sam Shepherd)
Let the acting begin: As if the race had begun to determine the most disaffected member of the most dysfunctional family ever depicted on film, August: Osage County is the most violent film this year without a drop of visible blood.
In order to pull off this Eugene O'Neil-Tennessee Williamsl-Sam Shepherd-like dramatic version of Tracy Letts' play (Letts is the screenwriter as well), director John Wells needed to have an A-list cast; he does just that. In arguably the best acting of the year, Meryl Streep plays Violet Weston, the drug-addled schizophrenic matriarch of a family where dinners end up with broken plates and hearts. Although her performance is a tour de force (when are hers not?), the Oscar may elude her this time because her character is so unlikeable, and, well, she eats most of the available scenery.
Heading the rest of the cast is Julia Roberts as daughter Barbara Weston, a soon-to-be-divorced realist absorbing the punches of mom and Barbara's Pippi-Longstocking-chasing husband (Ewan McGregor) until she almost can't take it anymore. This is the best acting of Roberts' career.
As if the challenges were not enough for a Thanksgiving in any of our families, Juliann Nicholson's Ivy Watson is so vulnerable that she has fallen for first cousin, Charles (Benedict Cumberbatch), a liaison discouraged by the family rank and file, whose ethical button is pushed by such irregularity but never their alcoholism and verbal abuse buttons.
The ultra-emotional violence and the pervasive shouting may turn away some delicate-souled audience members, but for me a language lover, sparring at the dinner table is delightful out-of-control wit. Acerbic to be sure, but not dull.
Barbara encapsulates the horror of the family: "Thank God we can't tell the future, or we'd never get out of bed."
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