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August: Osage County (2013)

R  |   |  Drama  |  10 January 2014 (USA)
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Ratings: 7.3/10 from 62,307 users   Metascore: 58/100
Reviews: 274 user | 317 critic | 45 from Metacritic.com

A look at the lives of the strong-willed women of the Weston family, whose paths have diverged until a family crisis brings them back to the Oklahoma house they grew up in, and to the dysfunctional woman who raised them.



(screenplay), (play)
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Nominated for 2 Oscars. Another 12 wins & 51 nominations. See more awards »



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Cast overview, first billed only:
Sheriff Deon Gilbeau
Dr. Burke
Liquor Store Owner


Violet Weston (Meryl Streep) has cancer and a propensity for pills and alcohol. She's a difficult woman to deal with and her husband has finally had enough. Violet's family gathers including youngest daughter Ivy, middle daughter Karen (with her new fiancé), eldest daughter Barbara (with her separated husband and teenage daughter), and her sister Mattie Fae (with her husband and son in tow). A family tragedy causes tensions to run high and secrets to come out. The Weston women will be forced to examine themselves and their lives whether they want to or not. Welcome to Osage County, Oklahoma in the sweltering heat of August. Written by napierslogs

Plot Summary | Add Synopsis


Misery loves family.



Motion Picture Rating (MPAA)

Rated R for language including sexual references, and for drug material | See all certifications »

Parents Guide:





Release Date:

10 January 2014 (USA)  »

Also Known As:

Agosto  »

Filming Locations:


Box Office


$25,000,000 (estimated)

Opening Weekend:

$139,915 (USA) (3 January 2014)


$37,738,400 (USA) (2 May 2014)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:



Aspect Ratio:

2.35 : 1
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Did You Know?


Early in the movie while someone is driving, the radio announcer states that the song is by JD & The Straight Shot. That is the band of Cablevision CEO and owner of Madison Square Garden, James L. Dolan. See more »


The sheriff's car bears an Oklahoma County license plate. Oklahoma county is about 2 1/2 hours away from Osage County. See more »


[first lines]
Beverly Weston: Life is very long. T.S. Elliot. Not the first person to say it, certainly not the first person to think it, but he's given credit for it because he bothered to write it down.
Beverly Weston: Now if you say it, you have to say his name after it. "Life is very long." T.S. Elliot. Absolutely goddamn right.
See more »


References The Little Foxes (1941) See more »


Violet's Song
Written by James L. Dolan (as James Dolan) and Marc Copely
Performed by JD & The Straight Shot
Courtesy of JD & The Straight Shot Music
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Eat your Fish
12 January 2014 | by (Dallas, Texas) – See all my reviews

Greetings again from the darkness. Tracy Letts had a very nice year in 2008. He won the Pulitzer Prize and a Tony for writing the play August: Osage County. Since then, he has also written the play and screenplay for Killer Joe, and been seen as an actor in the key role of a Senator in the TV show "Homeland". This time out, he adapts his own play for director John Wells' (The Company Men, TV's "ER") screen version of August: Osage County.

With an ensemble cast matched by very few movies over the years, the screen version begins with what may be its best scene. Weston family patriarch and published poet Beverly (the always great Sam Shepard) is interviewing Johnna for a position as cook and housekeeper when they are interrupted in stunning fashion by Violet (Meryl Streep), Beverly's acid-tongued wife who is showing the effects of chemotherapy and her prescription drug addiction. This extraordinary pre-credits scene sets the stage for the entire movie, which unfortunately only approaches this high standard a couple more times.

Despite the film's flaws, there is no denying the "train-wreck" effect of not being able to look away from this most dysfunctional family. Most of this is due to the screen presence of a steady stream of talented actors: in addition to Streep and Shephard, we get their 3 daughters played by Julia Roberts (Barbara), Julianne Nicholson (Ivy) and Juliette Lewis (Karen); Ewan McGregor and Abigail Breslin as Roberts' husband and daughter; Margo Martindale (Violet's sister), her husband Chris Cooper (Charles) and their son Benedict Cumberbatch.

As with most dysfunctional family movies, there is a dinner table scene ... this one occurring after a funeral. The resentment and regret and anger on display over casseroles is staggering, especially the incisive and "truth-telling" Violet comments and the defensive replies from Barbara. As time goes on, family secrets and stories unfold culminating in a whopper near the end. This is really the polar opposite of a family support system.

Meryl Streep's performance is one of the most demonstrative of her career. Some may call it over the top, but I believe it's essential to the tone of the movie and the family interactions. Her exchanges with Julia Roberts define the monster mother and daughter in her image theme. They don't nitpick each other, it's more like inflicting gaping wounds. Surprisingly, Roberts mostly holds her own ... though that could be that the film borders on campy much of the time. Streep's scene comes as she recalls the most horrific childhood Christmas story you could ever want to hear.

It must be noted that Margo Martindale is the real highlight here. She has two extraordinary scenes ... each very different in style and substance ... and she nails them both. Without her character and talent, this film could have spun off into a major mess. The same could be said for Chris Cooper, who is really the moral center of the family. While the others seem intent on hiding from their past, he seems to make the best of his situation.

The film never really captures the conflicting environments of the old Weston homestead and the wide open plains of Oklahoma. The exception is a pretty cool post-funeral scene in a hayfield where Roberts tells Streep "There's no place to go". The main difference between the film version and stage version is the compressed time and the decision to include all explosive scenes. There is just little breathing room here. Still, it's one of the more entertaining and wild dysfunctional comedy-dramas that you will see on screen, and it's quite obvious this group of fine actors thoroughly enjoyed the ensemble experience.

31 of 46 people found this review helpful.  Was this review helpful to you?

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