The Beaver (2011)

A troubled husband and executive adopts a beaver hand-puppet as his sole means of communicating.

Director:

Jodie Foster

Writer:

Kyle Killen

Stars:

Mel Gibson, Cherry Jones, Jodie Foster

1 win & 1 nomination.

Cast

Cast overview, first billed only:
Mel Gibson	...	Walter Black
Cherry Jones	...	Vice President
Jodie Foster	...	Meredith Black
Anton Yelchin	...	Porter Black
Riley Thomas Stewart	...	Henry Black
Zachary Booth	...	Jared
Jennifer Lawrence	...	Norah
Jeff Corbett	...	Volunteer Dad
Baylen Thomas	...	Skeptical Man
Sam Breslin Wright	...	Man
Kelly Coffield Park	...	Norah's Mom
Michael Rivera	...	Hector
Kris Arnold	...	Waiter
Elizabeth Kaledin	...	Reporter
Matt Lauer	...	Matt Lauer

Storyline

Walter Black ('Mel Gibson' ) is depressed and sleeps most of the day. It's driving his family crazy, and his wife Meredith (Jodie Foster) kicks him out. Walter starts carrying a beaver puppet and tries to commit suicide (unsuccessfully). He uses the puppet to talk to himself, trying to bolster his spirits, and is trying to rebuild his life. Through the beaver, the family begins to learn about Walter's history and problems, and as he continues rebuilding, the beaver shows us all a way to cope.

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Plot Keywords:

puppet | beaver puppet | title directed by female | depressive disorder | animal in title | 

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Taglines:

He's here to save Walter's life.

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Genres:

Drama

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Motion Picture Rating (MPAA)

Rated PG-13 for mature thematic material, some disturbing content, sexuality and language including a drug reference

Details

Official Sites:

Official site [jp] Summit Entertainment [us]

Country:

USA United Arab Emirates

Language:

English

Release Date:

19 May 2011 (Germany)

Also Known As:

Mi otro yo

Filming Locations:

1125 Grand Concourse, Bronx, New York City, New York, USA

Box Office

Budget:

$21,000,000 (estimated)

Opening Weekend:

$107,577 (USA) (6 May 2011)

Gross:

$958,319 (USA) (24 June 2011)

Company Credits

Production Co:

Summit Entertainment, Participant Media, Imagenation Abu Dhabi FZ

Technical Specs

Runtime:

91 min

Sound Mix:

DTS Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

Jodie Foster's first film as director shot in 2.35.

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Goofs

When Meridith, Henry, and Porter are moving out they are shown packing things. Porter is shown removing his map that covers the hole in the wall, he rolls it up and puts it away. Then Mel Gibson is on The Today Show his son Porter is shown sitting in his room watching television with the map back up and covering the hole in the wall. In the following scenes the map is removed.

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Quotes

[first lines]
Walter Black: This is a picture of Walter Black, a hopelessly depressed individual. Somewhere inside him is a man who fell in love. Who started a family. Who ran a successful company. That man has gone missing. No matter what he's tried, and he's tried everything, Walter can't seem to bring him back. It's as if he's died, but hasn't had the good sense to take his body with him. So mostly what he does is sleep.

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Connections

Referenced in The Tonight Show with Jay Leno: Episode #19.111 (2011)

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Soundtracks

"Kung Fu Underscore"
Composed by Jim Helms

User Reviews

Gibson is great, the movie is not

Walter Black (Mel Gibson) is a chronically depressed, miserable man who has been lost in a dark cloud of despair for years. He has driven the toy company his father founded to the brink of bankruptcy and that's nothing compared to the damage he's done to his family. His youngest son (Riley Thomas Stewart) doesn't essentially doesn't have a father, his oldest son (Anton Yelchin) despises him, and his wife (Jodie Foster) has kicked him out of the house. As the voice-over tells us, Walter died inside long ago but his body didn't have the decency to follow suit. On a serious bender, Walter finds a beaver hand puppet in a dumpster and when he comes to after a failed suicide attempt, he begins to speak to himself through the beaver (with a British accent, no less). He develops his own form of therapy, speaking only through the beaver and begins to reintegrate himself into the lives of his family members and his company with great success. Before long, however, Walter can no longer find the line of reality between himself and the beaver and watches as all the progress he had made washes away.

The similarities between Walter and Gibson himself are obvious and significant. Add in some unfortunate voicemail rants and a touch of anti-Semitism and this could play as a Gibson documentary. These similarities are also where "The Beaver" makes its money. Walter's transition seems authentic (to a point) as if Gibson himself is undergoing the therapy along with his character. He exhibits the right character traits of man who has lost his way and is struggling to find a way back and the work he does with facial expressions, body language, etc. is rich. It's quite possible that, as a Gibson fan and someone who wants to see him get back on track, I could be exaggerating the overall quality of his performance but I think a great deal is asked of him in this roll and he delivers. I wouldn't go so far as to call this a superb performance but it is solid and compelling and an example of just how good Gibson can be when he gives himself a chance.

The other elements within "The Beaver" represent a decisive step down from the work done by Gibson. Foster's character never really finds a foothold to become substantial and her work as director is satisfactory but unspectacular. Kyle Killen's script is uneven, too drawn out in some parts but rushed in others resulting in a film that doesn't develop quite the way I believe it was supposed to. And while I am generally down with a darker narrative, "The Beaver" is almost overwhelmed with it to the point of frustrating bleakness. Yelchin and Jennifer Lawrence (the Valedictorian cheerleader) have some nice moments together but their relationship is poorly developed and is treated at times like a distraction from the storyline involving Walter. A lot could have been done with Yelchin's character and his relationship with Walter but it stagnates early on and just barely reaches for redemption in the end. All totaled, "The Beaver" is a good movie with one great performance that carries the film much further than it could have gone otherwise. It is a worthwhile viewing but not one that I'd look forward to seeing again.

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