John is taken on a murder-fueled ride by a mysterious stranger that transforms the weak-willed, disillusioned husband and father into a desperate hero willing to go to any length to protect his family.
Samuel L. Jackson,
It's 1949 Los Angeles, the city is run by gangsters and a malicious mobster, Mickey Cohen. Determined to end the corruption, John O'Mara assembles a team of cops, ready to take down the ruthless leader and restore peace to the city.
A thief with a unique code of professional ethics is double-crossed by his crew and left for dead. Assuming a new disguise and forming an unlikely alliance with a woman on the inside, he looks to hijack the score of the crew's latest heist.
In 2028 Detroit, when Alex Murphy - a loving husband, father and good cop - is critically injured in the line of duty, the multinational conglomerate OmniCorp sees their chance for a part-man, part-robot police officer.
An advertising executive is kidnapped and held hostage for 20 years in solitary confinement. When he is inexplicably released, he embarks on an obsessive mission to discover who orchestrated his punishment, only to find he is still trapped in a web of conspiracy and torment. Written by
The scene where Josh Brolin rides a colored bike to chase his jailer probably is a tribute to the movie the Goonies: also in that movie Josh Brolin rides a children bike in a very funny scene. See more »
When Joe sneaks into Edwina Burke's (Evergreen Headmistress) home while she's talking to Marie, he pulls out a yearbook. He looks into the yearbook and the name says "Adrian Pryce". Then when the shot zooms in, it says "Adrian Doyle Pryce". When Joe and Marie return back to the motel, Marie takes a picture of the yearbook photo where it now returns back to just "Adrian Pryce". See more »
[as Joe straps him down and interrogates him with a knife blade]
[Joe continues to cut his neck]
Ow! Ow! Motherfucker. OW! SHIT!
YOU NO-DICK, ASS-LICKING SON OF A BITCH! FUCK YOU!
No, fuck you!
[Joe cuts him more]
OH! YOU BOOGER-EATING, PISS-DRINKING MOTHERFUCKER! If you stop now you may get out of here alive!
[...] See more »
Why would they remake a film by the master? The whole idea behind remaking films is to remake something that was maybe a good idea but had bad execution. The original Oldboy is a 10 top to bottom, story, script, action, actors, direction, why did they try to remake perfection.
Josh Brolin is good but when you start comparing him to the pain and anguish Min-Sik Choi convaed in the Korean version there is no way to compare the two. Also I like Spike Lee and some of his work but he was the wrong choice for this.
Still not sure who thought this was a good idea, it's like eating a McRib when you can have Korean BBQ, which one sounds better to you. Watch the Korean version.
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