| Kedar Williams-Stirling | ... | Junior | |
| Adam Deacon | ... | Kickz | |
| Ashley Thomas | ... | Rager (as Ashley Bashy Thomas) | |
| Michael Socha | ... | Craze | |
| Jan Uddin | ... | Sweet Boy | |
| Kaya Scodelario | ... | Tasha | |
| Jennie Jacques | ... | Ree Ree | |
| Rheanne Murray | ... | Lexy | |
| Jerome Holder | ... | Tugz | |
| Colin Salmon | ... | Boogie | |
| Terry Stone | ... | Papa | |
| Robbie Gee | ... | Beano | |
| Luke de Woolfson | ... | Whisper | |
| Robert Fucilla | ... | Breezer | |
| Eddie Kadi | ... | Reggae Chef | |
| Aml Ameen | ... | Bus Conductor | |
| Anthony Warren | ... | Paws | |
| Tempa T. | ... | Himself (as Tempa T) | |
| D. Double | ... | Himself (as Double D E) | |
| Lia Saville | ... | Maze | |
| Serena Catapano | ... | Cat | |
| Rebecca Ferdinando | ... | Beanie (as Rebecca Walsh) | |
| Von Adams | ... | Von | |
| Lee Donaghy | ... | Donny | |
| Daniel J.W. Wilson | ... | Bob | |
| Jon Nickoll | ... | Street Pianist | |
| Gabrielle Ryan | ... | Phoenix | |
| Mr. Shaodow | ... | Club Victim | |
| James Helder | ... | Security Guard | |
| Michael Young | ... | Security Guard | |
| Clyde the Pitbull | ... | Dutty | |
| rest of cast listed alphabetically: | |||
| Eric Kolelas | ... | Additional Voices (voice) | |
| Shiden Mezghebe | ... | Gang Member | |
| Gino Picciano | ... | Tramp | |
| Jayme Swiftt | ... | Club Customer | |
| Leila Wong | ... | Poor Girl | |
| Rochelle De-Terville | ... | Slaughter Gurl (uncredited) | |
| Sian Doughty | ... | Tramp (uncredited) | |
| Shezai Fejzo | ... | Guard (uncredited) | |
| Lee Nicholas Harris | ... | Gang Member (uncredited) | |
| Dan How | ... | Boxer (uncredited) | |
| Oleg Kalninsh | ... | Neighbour (uncredited) | |
| Mike Linnane | ... | Delivery driver (uncredited) | |
| Alexandra Lyon | ... | Slaughter Girl (uncredited) | |
| Mel Mills | ... | Armoured Car Driver (uncredited) | |
| Louis Murrall | ... | Riot Cop (uncredited) | |
| Bryony Neylan-Francis | ... | Spectator (uncredited) | |
| Colin Osborne Jr. | ... | Armoured Car Driver (uncredited) | |
| Kingsley Pilgrim | ... | Souljah (uncredited) | |
| Theresa Pope | ... | Gang Member (uncredited) | |
| Raman Rai | ... | Neighbour (uncredited) | |
| Samuel Victor | ... | Gang Member (uncredited) | |
| Gerard Wilkinson | ... | Homeless Man (uncredited) | |
| Christopher Wright | ... | Gang Member (uncredited) | |
Directed by | |||
| Mo Ali | |||
Writing credits(in alphabetical order) | ||
| Paul Van Carter | written by | |
Original Music by | |||
| Chad Hobson | |||
Cinematography by | |||
| Adam Frisch | |||
Film Editing by | |||
| Julian Tranquille | |||
Casting by | |||
| Jane Ripley | |||
Production Design by | |||
| Rob Nicholls | |||
Art Direction by | |||
| Rob Nicholls | |||
Costume Design by | |||
| Avigail Claire | |||
| Damian Collins | |||
Makeup Department | |||
| Elle Baird | .... | makeup artist | |
| Kati Hood | .... | special makeup effects artist | |
| Hannah Jones | .... | makeup artist | |
| Chloe Muton-Phillips | .... | makeup daily | |
| Hannah Phillips | .... | makeup designer | |
| Emma Sheffield | .... | special makeup effects artist | |
Production Management | |||
| Michael S. Constable | .... | production manager | |
| Stan Fus | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Matthew Boyd | .... | third assistant director | |
| Alexander Holt | .... | second assistant director | |
| Lance Roehrig | .... | first assistant director | |
Art Department | |||
| Jermel Daley-Clarke | .... | set dresser | |
| Joe Goulding | .... | set dresser | |
| Stuart May | .... | set dresser | |
| Kate Millner | .... | assistant art director | |
Sound Department | |||
| Howard Bevan | .... | boom operator | |
| Simon Epstein | .... | foley mixer & editor | |
| Nick Foley | .... | adr mixer | |
| Greg Hagen | .... | boom operator | |
| Matthew Hansell | .... | boom operator | |
| Marc Hope | .... | foley editor | |
| Scott Jones | .... | sound re-recording mixer | |
| Richard Kondal | .... | dialogue editor | |
| Claire Mahoney | .... | foley artist | |
| Stefano Marchetti | .... | assistant re-recording mixer | |
| Kieron Teather | .... | sound designer | |
| Kieron Teather | .... | sound recordist | |
| Keith Tinman | .... | sound designer | |
Visual Effects by | |||
| Fawnda Denham | .... | visual effects line producer | |
Stunts | |||
| Simon Berry | .... | stunts | |
| Andy Butcher | .... | stunt driver | |
| Dave Judge | .... | stunt coordinator | |
| Gary Surreal Lawrence | .... | stunt double (as Gary Lawrence) | |
Camera and Electrical Department | |||
| Eva Arnold | .... | first assistant camera | |
| Phil Aylward | .... | grip | |
| Craig Bekker | .... | daily grip | |
| Chris Brennan | .... | additional gaffer | |
| Mark Brennan | .... | gaffer | |
| Paul Brennan | .... | additional gaffer | |
| Kriss Dallimore | .... | daily second assistant camera: b camera | |
| Mark Dempsey | .... | digital imaging technician | |
| Jack Foran | .... | trainee grip | |
| Leo Holba | .... | daily first assistant camera: b camera | |
| Zack Lyon | .... | spark | |
| Warren Markert | .... | daily camera trainee | |
| Alex Mott | .... | daily grip | |
| Roland C. Phillips | .... | second assistant camera (as Roland Phillips) | |
| Rupert Power | .... | steadicam operator | |
| Mark Surridge | .... | still photographer | |
| Fran Weston | .... | daily first assistant camera | |
| Sophie Wilson | .... | daily first assistant camera | |
Editorial Department | |||
| Mike Andrews | .... | digital film technician | |
| Tim Drewett | .... | digital film technician | |
| Justin Lanchbury | .... | di film consultant | |
| Paul O'Reilly | .... | assistant editor | |
| Katy Piggott | .... | digital intermediate technician | |
| Andy Richards | .... | supervising DI conform editor | |
| Gemma Townsend | .... | digital intermediate technician | |
| Tim Waller | .... | senior colorist | |
Music Department | |||
| Elisa Kustow | .... | music production coordinator | |
| Ashley Thomas | .... | music supervisor (as Ashley Bashy Thomas) | |
Other crew | |||
| Anita Atwal | .... | additional runner | |
| Hannah Daisy Boyd | .... | production coordinator | |
| Alex Darby | .... | runner | |
| Lawrence Dunant | .... | floor runner: dailies | |
| Emma Falkner | .... | additional runner | |
| Lee Francis | .... | key floor runner | |
| Peter Glover | .... | floor runner | |
| Nicole Gregory | .... | unit publicist | |
| Richard Hardwick | .... | supervising location manager | |
| Katherine Hitchcock | .... | cast coordinator | |
| Alexander Huish | .... | additional runner | |
| Natasha Jones | .... | additional runner | |
| Philip Lobban | .... | location scouting | |
| Amanda Long | .... | location scout | |
| Jessica Squires | .... | script supervisor | |
| Abigael Taiwo | .... | additional runner | |
| Samantha Tansey | .... | production assistant | |
| Richard Turner | .... | production accountant | |
| Harry Young-Jamieson | .... | floor runner | |
Thanks | |||
| Lahan Biodun | .... | special thanks | |
| Andy Burton | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb UK section |
With an opening sequence copied from DISTRICT 13 and an entire storyline and setting copied from KIDULTHOOD, there's nothing remotely original about SHANK. It juts and jumps all over the place, telling a storyline of revenge and brotherhood that's been done to death a zillion times already. It makes you feel like this particular genre of gritty, London-set gangster film is dead in the water, although a film came along a year later that proved there was still life in the genre yet: I'm talking about 2011's ATTACK THE BLOCK, of course.
Sadly, SHANK is nothing like ATTACK THE BLOCK. The script is dead-headed stupid, the characters clichéd and the frenzied editing actually nausea-inducing. The obnoxious leading characters are repulsive in the extreme and their quest to undertake revenge seems to go absolutely nowhere; by the time the film ends, absolutely nothing has happened to any of them. There are no character arcs whatsoever.
I don't know what's worse, actually: Paul Van Carter's wannabe-hip script or Mo Ali's drug-addled direction. Put together they provide a nauseating example of all that's wrong with British cinema when a successful film comes along and the inevitable rip-offs follow.