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An action film for the youth generation, set in a decaying future London. A gang set out on a chase to avenge the murder of one of their own.

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Cast

Cast overview, first billed only:
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Rager (as Ashley Bashy Thomas)
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Rheanne Murray ...
Jerome Holder ...
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Luke de Woolfson ...
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Eddie Kadi ...
Reggae Chef
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Storyline

Set in a dystopic future London in 2015, where society has fallen apart, gangs have taken over and the economy is in complete anarchy. The story follows Junior and his older brother, Rager, who are in charge of a local gang, "The Paper Chaserz". They try to stay out of trouble and refuse to kill as part of their 'moral code', which is especially enforced by the strong but defensive Rager. Rager leads his gang, "The Paper Chaserz" and they plan to steal goods out of a local van. The robbery is successful, but a rival gang called The Soldiers, who are notorious and bloodthirsty in trying to take-over all other postcodes in the London area, attempt a theft. The "Paper Chaserz" escape, except for Junior who is stranded and cornered by The Soldiers. Rager reappears and saves his brother by beating all the rival gang members, telling Junior to leave. As Junior flees, Rager is attacked by the crews leader Tugz, who stabs Rager in the back multiple times. Junior now teams up with the rest of ... Written by Sandeep Shetty

Plot Summary | Add Synopsis

Taglines:

Mad Max with Hoodies. See more »


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Details

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Release Date:

26 March 2010 (UK)  »

Also Known As:

Çete Savaslari  »

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Box Office

Budget:

£385,000 (estimated)
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Company Credits

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

One of the intentions of director Mo Ali was to imbue his young cast with a superhero vibe. See more »

Goofs

Kickz says his going to 'cotch' and leans on the pole but the seen right after he is behind the group waiting. See more »

Quotes

Tasha: Call me sket again, I will punch you in your balls.
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Connections

References Kidulthood (2006) See more »

Soundtracks

REPPIN HARD
Performed by Klashnekoff Featuring Skriblah & K9
© Control
Appears courtesy of Tanglade LTD T/A Abstract Urban
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User Reviews

 
A film editor's version of an orgy
22 October 2011 | by (United Kingdom) – See all my reviews

London 2015. Society has split in two leaving the economy and most basic services in the hands of private corporations. The city itself has been split between the well-off and the rest. Within the cut-off squalors of the capital's streets gangs of hoodlums divide and rule the limited wealth. Food has become the most important commodity: munchies are worth life and death. The Paper Runners, led by Rager (Ashley Bashy Thomas), is a small gang of misfits with a knack for getting stuff without bloodshed (don't cause any harm and no harm can come to you). Rager is a role model for his little brother, Junior (Kedar Williams-Stirling), a get-away specialist, as well as the remainder of the crew: Kickz (Adam Deacon), Craze (Michael Socha) and Sweet Boy (Jan Uddin). However in this dog-eat-dog world not everyone has such scruples and youngling Tugz (Jerome Holder) is the worst of the lot...

"Shank" is an explicit orgy of sound and images pasted together with an initial headache reaction. After the initial onslaught the fast editing and video-clip montage on acid does recede a couple of notches, so the story can be fleshed out. But even than we are input sequence after sequence of rapturous music and occasional computer-inspired scenes drowning out the plot and most of the character development. At times the movie actually feels more like a filmed video game (or more like a singular mission/level of it), where occasional power bars and animations fit effortlessly as part of the experience. This all-action approach did however cause many key moments of the movies to lack enough contemplation - Mo Ali was unable to take a breath and let the moment sink emotionally into the viewers. The occasionally uninspiring derivative plotting and/or dialogue don't help to overcome this obstacles either...

Nonetheless this unrelenting storytelling isn't all amiss, as in between this overzealous approach to innovative methods of telling a film story, you find a decent amount of subtexts and brilliant ideas. Unfortunately for Mo Ali his incapability to show restraint (and unwillingness to use some more classical artistic tools) hindered the intriguing concept of a boy being unable to properly identify feelings of emptiness and anguish, instead channelling them into revenge and anger. Also several scenes were extremely inspiring in their capability of mixing emotions or simple storytelling with a modern cutting edge freshness to them. Despite being uneven and at times lazy it does however warrant a look, as there are several gems hidden inside its chaotic shell.

Despite everything said the movie is at least a brilliant score to the movie, which shows that England remains the epicentre of adventurous music.


4 of 5 people found this review helpful.  Was this review helpful to you?

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