Thirty years ago, Andrei Simoniovich Filipov, the renowned conductor of the Bolshoi orchestra, was fired for hiring Jewish musicians. Now a mere cleaning man at the Bolshoi, he learns by ...
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In 1980 the black Falashas in Ethiopia are recognised as genuine Jews. In turn they are secretly carried to Israel. The day before the transport the son of a Jewish mother dies. In his ... See full summary »
Lisa and her adopted sister Marine are inseparable. With Lisa's mother, Millie, they've forged a deep bond and offer security to Lisa's son. When Marine falls in love the family is thrown ... See full summary »
Jack is encouraged to take the romantic Paris vacation he won, despite just being dumped by his girlfriend. His trip soon devolves into chaos and adventure, when his luggage is swapped for ... See full summary »
Lucrèce, the best killer in the business, accepts a final job: eliminate an opera singer who threatens the interests of a corporation. She's hired as a soprano for a festival her target is singing in, but things don't happen as planned.
Pierre, a professional dancer, suffers from a serious heart disease. While he is waiting for a transplant which may (or may not) save his life, he has nothing better to do than look at the ... See full summary »
Thirty years ago, Andrei Simoniovich Filipov, the renowned conductor of the Bolshoi orchestra, was fired for hiring Jewish musicians. Now a mere cleaning man at the Bolshoi, he learns by accident that the Châtelet Theater in Paris invites the Bolshoi orchestra to play there. He decides to gather together his former musicians and to perform in Paris in the place of the current Bolshoi orchestra. As a solo violin player to accompany his old Jewish or Gypsy musicians he wants Anne-Marie Jacquet, a young virtuoso. If they all overcome the hardships ahead this very special concert will be a triumph. Written by
Melanie Laurent started learning to play the violin only a few months before production. For the concert scenes, she learned all the bow movements, so her bow would always be on the correct string and move convincingly. However, her left hand (and sometimes arm) were digitally added/replaced in post-production. See more »
I liked Le Train De La Vie, but i loved Le Concert. Mihaileanu keeps things simple and withholds just a couple of info, in order to reveal the actual truth at the end of the movie. He creates a drama without forcing you into tears from the beginning, consolidating every dramatic moment with a gag, joke or just a funny face. He builds funny characters, that you can enjoy seeing without being worn off by their problems or issues.
He was able to make a 2 hours film that envelopes so much about drama, failure, communism, music and dedication that is quite impossible not to appreciate. This movie was quite a joy.
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