Thirty years ago, Andrei Simoniovich Filipov, the renowned conductor of the Bolshoi orchestra, was fired for hiring Jewish musicians. Now a mere cleaning man at the Bolshoi, he learns by ...
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Thirty years ago, Andrei Simoniovich Filipov, the renowned conductor of the Bolshoi orchestra, was fired for hiring Jewish musicians. Now a mere cleaning man at the Bolshoi, he learns by accident that the Châtelet Theater in Paris invites the Bolshoi orchestra to play there. He decides to gather together his former musicians and to perform in Paris in the place of the current Bolshoi orchestra. As a solo violin player to accompany his old Jewish or Gypsy musicians he wants Anne-Marie Jacquet, a young virtuoso. If they all overcome the hardships ahead this very special concert will be a triumph. Written by
Melanie Laurent started learning to play the violin only a few months before production. For the concert scenes, she learned all the bow movements, so her bow would always be on the correct string and move convincingly. However, her left hand (and sometimes arm) were digitally added/replaced in post-production. See more »
Violin Concerto in D Major op. 35
Composed by Pyotr Ilyich Tchaikovsky (1878)
Performed by Budapest Symphony Orchestra
(P) 2010 Les Productions Du Tresor / Oi Oi Oi Productions Under Exclusive License To Milan Entertainment, Inc See more »
I received warm recommendations before going to see "Le concert" and, as a consequence, was prepared to like it.
I must admit that hearing one of my favourite classical pieces at the beginning induced a positive outlook; however, as I am rather critical, this would not have made up for a boring experience afterwards.
Yet the rest was delightful, and there was no moment left for fatigue or dissatisfaction. Those clichés criticized by some are still well understood in Eastern Europe; as to the exacerbated kitsch - it can be found today, with no difficulty, within the society I live in.
The plot may have seemed straightforward, but a whirlwind of colour, wonderful music, sadness and humour carried me swiftly to the end and to the applause of the audience in the cinema.
It may not be the best film I have seen, but it certainly possesses the "je ne sais quoi" that makes you want to see it again, that makes you feel different for having experienced it. And for this, I think "Le Concert" should be accepted and loved just as it is.
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