Thirty years ago, Andrei Simoniovich Filipov, the renowned conductor of the Bolshoi orchestra, was fired for hiring Jewish musicians. Now a mere cleaning man at the Bolshoi, he learns by ... See full summary »
Lucrèce, the best killer in the business, accepts a final job: eliminate an opera singer who threatens the interests of a corporation. She's hired as a soprano for a festival her target is singing in, but things don't happen as planned.
Jack is encouraged to take the romantic Paris vacation he won, despite just being dumped by his girlfriend. His trip soon devolves into chaos and adventure, when his luggage is swapped for ... See full summary »
Lisa and her adopted sister Marine are inseparable. With Lisa's mother, Millie, they've forged a deep bond and offer security to Lisa's son. When Marine falls in love the family is thrown ... See full summary »
In 1980 the black Falashas in Ethiopia are recognised as genuine Jews. In turn they are secretly carried to Israel. The day before the transport the son of a Jewish mother dies. In his ... See full summary »
Thirty years ago, Andrei Simoniovich Filipov, the renowned conductor of the Bolshoi orchestra, was fired for hiring Jewish musicians. Now a mere cleaning man at the Bolshoi, he learns by accident that the Châtelet Theater in Paris invites the Bolshoi orchestra to play there. He decides to gather together his former musicians and to perform in Paris in the place of the current Bolshoi orchestra. As a solo violin player to accompany his old Jewish or Gypsy musicians he wants Anne-Marie Jacquet, a young virtuoso. If they all overcome the hardships ahead this very special concert will be a triumph. Written by
This movie goes a long way to heal my nostalgia for the good films of old. A lot of the "modern" eastern European movies try very hard to be so soul searching, so psycho-dramatic, as if they are on a mission to turn and twist their bewildered audience in the hope of some intellectual and metaphysical gratification (or maybe just the hope of a Palme D'Or). Radu Mihaileanu is the master of story telling, touching souls in the best way possible, really. Yes you can pick faults, like with most movies, but if you really pay attention and let you and your feelings move with the flow of the movie, you will be in for a great soul experience. The inaccuracies, the factual errors won't matter anymore. What it does matter is that the author is pretty much exact in retrieving the atmosphere of an era which some of us actually experienced.
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