| Tio Hardiman | ... | Himself | |
| Ameena Matthews | ... | Herself | |
| Toya Batey | ... | Herself | |
| Cobe Williams | ... | Himself | |
| Gary Slutkin | ... | Himself | |
| Earl Sawyer | ... | Himself | |
| Bud Oliver | ... | Himself | |
| Kenneth Oliver | ... | Himself | |
| Caprysha Anderson | ... | Heraelf | |
| Sheikh Rasheed | ... | Himself | |
| Alfreda Williams | ... | Herself | |
| Mildred Jones | ... | Herself | |
| Mildred Williams | ... | Herself | |
| Lillian 'Madea' Smith | ... | Herself | |
| Rashida | ... | Herself | |
| Malcolm Malik | ... | Himself | |
| Bob Jackson | ... | Himself | |
| Anjanette Albert | ... | Herself | |
| Rhaea Albert | ... | Herself | |
| Eddie Bocanegra | ... | Himself | |
| Andrea Williams | ... | Herself | |
| Quinn Williams | ... | Himself | |
| Latrell Williams | ... | Himself | |
| Qu'vonnay Williams | ... | Herself | |
| Dre Williams | ... | Himself | |
| Norman L. Kerr | ... | Himself | |
| James 'China Joe' Lofton | ... | Himself | |
| Flamo | ... | Himself | |
| Rodney Hot Rod' Phillips | ... | Himself | |
| Joel Sanchez | ... | Himself | |
| Spencer Leak | ... | Himself | |
| 'Lil' Mikey' Davis | ... | Himself | |
| La Shawn K. Ford | ... | Himself | |
| Fernando Bocanegra | ... | Himself | |
| Alex Bocanegra | ... | Himself | |
| Paula Bocanegra | ... | Herself | |
| Kathryn Saclarides | ... | Herself | |
| rest of cast listed alphabetically: | |||
| Derrion Albert | ... | Himself (archive footage) | |
| Richard M. Daley | ... | Himself (archive footage) | |
| Arne Duncan | ... | Himself (archive footage) | |
| Jeff Fort | ... | Himself (archive footage) | |
| Eric Holder | ... | Himself (archive footage) | |
| Jesse Jackson | ... | Himself (archive footage) | |
Directed by | |||
| Steve James | |||
Writing credits(in alphabetical order) | ||
| Alex Kotlowitz | New York Times magazine article | |
Produced by | |||
| Raney Aronson | .... | series senior producer: Frontline (as Raney Aronson-Rath) | |
| David Fanning | .... | executive producer: Frontline | |
| Sally Jo Fifer | .... | executive producer: ITVS | |
| Steve James | .... | producer | |
| Alex Kotlowitz | .... | producer | |
| Teddy Leifer | .... | executive producer | |
| Justine Nagan | .... | executive producer | |
| Zak Piper | .... | co-producer | |
| Gordon Quinn | .... | executive producer | |
| Michael Sullivan | .... | executive producer: Frontline, special projects (as Mike Sullivan) | |
| Paul Taylor | .... | executive producer | |
Original Music by | |||
| Joshua Abrams | |||
Cinematography by | |||
| Steve James | |||
Film Editing by | |||
| Steve James | |||
| Aaron Wickenden | |||
Production Management | |||
| Aaron Wickenden | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Richard O'Connell | .... | director of production: ITVS | |
Art Department | |||
| Damon Locks | .... | poster designer | |
| Sheila Sachs | .... | typesetting: poster | |
| Dan Sharkey | .... | graphic designer | |
| Matt Sharkey | .... | graphic designer | |
Sound Department | |||
| Steven Aguilar | .... | audio post assistant | |
| Alex Kotlowitz | .... | additional sound recordist | |
| John Mathie | .... | additional sound recordist | |
| Zak Piper | .... | sound recordist | |
| Rich Pooler | .... | additional sound recordist | |
| Risé Sanders-Weir | .... | audio producer (as Risé Sanders) | |
| Martin Stebbing | .... | audio post assistant | |
| Patrick Tillmann | .... | additional sound recordist (as Pat Tillman) | |
| Drew Weir | .... | sound re-recording mixer | |
Camera and Electrical Department | |||
| Damon Hennessey | .... | additional camera | |
| Jackson James | .... | additional camera | |
| Dana Kupper | .... | additional camera | |
| Zak Piper | .... | additional camera | |
| Mirko Popadic | .... | additional camera assistant: "a" camera | |
| Adam Singer | .... | additional camera | |
| Keith Walker | .... | additional camera | |
| Aaron Wickenden | .... | still photographer | |
Editorial Department | |||
| Joe Flanagan | .... | producer: Nolo Digital Film | |
| Nora Gully | .... | assistant editor | |
| Michael Matusek | .... | digital colorist: Nolo Digital Film | |
| Elliot Rudmann | .... | assistant: Nolo Digital Film | |
| Elliot Rudmann | .... | on-line editor | |
| Boris Seagraves | .... | engineer: Nolo Digital Film | |
| Boris Seagraves | .... | on-line editor | |
Music Department | |||
| Joshua Abrams | .... | music recordist | |
| Joshua Abrams | .... | musician: acoustic bass, electric bass, percussion, drums, MPC, piano, Wurltzer, MS20 | |
| Jason Adasiewicz | .... | musician: marimba, vibes | |
| David Boykin | .... | musician: bass clarinet | |
| Linda Cohen | .... | music supervisor | |
| Nicole Mitchell | .... | musician: flute, alto flute, bass flute | |
| Jeff Parker | .... | musician: guitar | |
| Tomeka Reid | .... | musician: cello | |
| Neil Strauch | .... | music mixer | |
| Neil Strauch | .... | music recordist | |
Other crew | |||
| Yvonne Afable | .... | bookkeeper: Kartemquin | |
| Claire Aguilar | .... | vice president of programming: ITVS | |
| Jacinta Banks | .... | production staff: Kartemquin Films | |
| Ethan Barnowsky | .... | intern: Kartemquin | |
| Jennifer Bjornberg | .... | legal council: Kartemquin Films | |
| Jim Bracciale | .... | series manager: Frontline | |
| Jessica Bradish | .... | intern: Kartemquin | |
| Mia Capodilupo | .... | bookkeeper: Kartemquin | |
| Ranjani Chakraborty | .... | intern: Kartemquin | |
| Sonya Childress | .... | outreach and civic engagement | |
| Kate Donalek | .... | intern: Kartemquin | |
| Latoya Flowers | .... | intern: Kartemquin | |
| Michael Foley | .... | intern: Kartemquin | |
| Nick Fraccaro | .... | intern: Kartemquin | |
| Kevin Fullam | .... | intern: Kartemquin | |
| Brett Hanover | .... | intern: Kartemquin | |
| Emily Hart | .... | researcher | |
| Tim Horsburgh | .... | communications manager: Kartemquin | |
| Shelly Hubman | .... | translator | |
| Dylan James | .... | transcriber | |
| Peter Jaszi | .... | fair use consultant | |
| Liz Kaar | .... | technical consultant | |
| Ian Robertson Kibbe | .... | translator (as Ian Kibbe) | |
| John Kostka | .... | intern: Kartemquin | |
| Robert Labate | .... | legal council: Kartemquin Films | |
| Lauren Makholm | .... | translator | |
| Aaron McGrath | .... | transcriber | |
| Jim Morrissette | .... | technical supervisor | |
| Elizabeth Neufeld | .... | production staff: Kartemquin Films | |
| Aubyn Niemi | .... | intern: Kartemquin | |
| Lesley Onstott | .... | transcriber | |
| Manu Pandey | .... | production assistant: RISE Films | |
| Allison Pichert | .... | intern: Kartemquin | |
| Brittany Piper | .... | transcriber | |
| Joe Riina-Ferrie | .... | transcriber | |
| Hannah Rothman | .... | intern: Kartemquin | |
| Cate Ryan | .... | bookkeeper: Kartemquin | |
| Dinesh Sabu | .... | production staff: Kartemquin Films | |
| L. Anton Seals Jr. | .... | outreach and civic engagement | |
| Robby Sexton | .... | transcriber | |
| Ayesha Siddiqi | .... | intern: Kartemquin | |
| Philister Sidigu | .... | intern: Kartemquin | |
| Leslie Simmer | .... | production staff: Kartemquin Films | |
| John Stack | .... | production assistant: RISE Films | |
| Tristan Steinfeld | .... | intern: Kartemquin | |
| Anne Stulz | .... | publicist | |
| Lisa Sullivan | .... | contracts manager: Frontline | |
| Emily Thomas | .... | intern: Kartemquin | |
| Stanzi Vaubel | .... | intern: Kartemquin | |
| Cassie Wierenga | .... | intern: Kartemquin | |
| Adora Wilson-Eye | .... | intern: Kartemquin | |
| Shuling Yong | .... | intern: Kartemquin | |
| David Magdael | .... | publicist (uncredited) | |
Thanks | |||
| Claire Aguilar | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
Only 9 reviews?!! This movie needs to be seen!
I live in Chicago, and every morning the Chicago Tribune has a headline tallying the overnight wounded and dead. It's not at all unlike the beginning days of the Gulf War, where every news hour would begin with the number of soldiers killed that day. The difference being that those stories gradually subsided as the numbers dwindled, and they were based on deaths in an actual military conflict. There are neighborhoods in Chicago that are as much like war zones as any area of Afghanistan, but no one is paying attention.
"The Interrupters" doesn't really try to address why no one is paying attention. It doesn't need to, because everyone pretty much knows the answer even if they're not willing to admit it to themselves. These aren't rural white kids getting killed for their country; these are poor, disenfranchised black kids who most people don't care about. Instead, this documentary follows a few members of CeaseFire, a nonprofit group comprised of past gang members, street criminals, etc. who are now using a tactic of intervention to stop chains of violence before they spiral out of control. These people are deeply admirable. They're not trying to break up gangs, they're not police informers. They're simply trying to make one person understand how pointless it is to shoot another person, no matter what grievances are at play.
This film is by Steve James, the same director who did the tremendous "Hoop Dreams," and if it doesn't have that film's epic scope, it has a more immediate sense of urgency.
After watching "The Interrupters" my wife and I were instantly online looking into ways to support CeaseFire. I hope others do the same.
Grade: A+