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Directed by | |||
| Michael J. Weithorn | |||
Writing credits(in alphabetical order) | ||
| Michael J. Weithorn | screenplay | |
Produced by | |||
| Sirad Balducci | .... | line producer | |
| Joe Gressis | .... | producer | |
| Dena Hysell | .... | producer | |
| Glen Trotiner | .... | associate producer | |
| Michael J. Weithorn | .... | producer | |
Original Music by | |||
| Austin Wintory | |||
Cinematography by | |||
| Tom Harting | (as Thomas M. Harting) | ||
Film Editing by | |||
| Joe Gressis | |||
Casting by | |||
| Russell Boast | |||
| Richard Pagano | |||
Production Design by | |||
| Kelly McGehee | |||
Set Decoration by | |||
| Kelley Burney | |||
Costume Design by | |||
| Jenny Gering | |||
Makeup Department | |||
| John Jack Curtin | .... | key hair stylist | |
| Dierdre Harris | .... | additional hairstylist | |
| Mark Schmidt | .... | hair department head | |
| Ande Yung | .... | makeup department head | |
Production Management | |||
| Michael Reichman | .... | unit production manager | |
| Thomas J. Whelan | .... | unit production manager | |
Art Department | |||
| Michael Cory | .... | property master | |
| Eddie DeCurtis | .... | on-set dresser | |
| Sean Haines | .... | on-set dresser | |
| Matthew W. Herschel | .... | assistant production designer | |
| Alicia Leatherbury-Lamberti | .... | scenic charge | |
| Marina Parker | .... | props production assistant | |
| Maia Rose | .... | set dresser | |
| Michelle Schluter-Ford | .... | set dec buyer | |
| Nicole Scoppa | .... | assistant property master | |
| Maria Sylvania | .... | set dresser | |
Sound Department | |||
| Antonio L. Arroyo | .... | sound mixer | |
| Kevin W. Buchholz | .... | foley recordist | |
| Steven Cahill | .... | supervising sound editor | |
| Richard B. Larimore | .... | foley artist | |
| Richard B. Larimore | .... | sound designer | |
| Samuel Lehmer | .... | sound re-recording mixer | |
| Anton Verenitch | .... | foley editor | |
| Anton Verenitch | .... | foley recordist | |
| Anton Verenitch | .... | sound editor | |
Stunts | |||
| Damian Achilles | .... | stunts | |
| Mike Burke | .... | stunt driver | |
| Chris Colombo | .... | assistant stunt coordinator | |
| Joanne Lamstein | .... | stunt double: Jenna Fischer | |
| Manny Siverio | .... | stunt coordinator | |
| Aaron Vexler | .... | stunt double: Chris O'Donnell | |
Camera and Electrical Department | |||
| Doug Brantner | .... | lighting technician | |
| Oliver Cary | .... | b-camera operator | |
| Caswell Cooke | .... | key grip | |
| Dylan Crawshay-Williams | .... | grip | |
| Darren Frohlich | .... | rigging gaffer | |
| David Ganczewski | .... | key grip | |
| Ted Goodwin | .... | electric | |
| Travis Hottinger | .... | electrician | |
| Travis Hottinger | .... | lighting technician | |
| Matthew Jacobs | .... | dolly grip | |
| Quenell Jones | .... | additional camera operator | |
| Keitt | .... | first assistant camera: "b" camera | |
| Kate Larose | .... | first assistant camera | |
| Rachael Levine | .... | camera operator | |
| Larry Lewinn | .... | best boy electric | |
| Frank Love | .... | second assistant camera | |
| Toby Miller | .... | electrician | |
| Ryan Minelli | .... | electrician | |
| William Newell | .... | gaffer | |
| Nate Slevin | .... | additional red camera technician | |
| Brian Smith | .... | best boy grip | |
| Daniel Stilling | .... | director of photography: second unit | |
| Daniel Stilling | .... | steadicam operator | |
| Daniel Wallenstein | .... | key grip: additional | |
| Jacob Wasserman | .... | camera production assistant | |
Casting Department | |||
| Megin T. Boyles | .... | cast assistant | |
| Robb Fitzgerald | .... | extras casting assistant | |
| Tiffany Moon | .... | extras casting director | |
| Aimée Musil | .... | casting assistant | |
| J. Mitchell White | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Arlynn Abseck | .... | wardrobe supervisor | |
| Havi Elkaim | .... | costume assistant | |
| Mary Gierczak | .... | set costumer | |
| Jennifer Schilling | .... | set costumer | |
Editorial Department | |||
| Cristina Esteras-Ortiz | .... | digital intermediate producer | |
| Michael Smollin | .... | digital intermediate colorist | |
Music Department | |||
| Celeigh Chapman | .... | musician: vocals | |
| Greg Ellis | .... | musician: drums | |
| Liz Gallacher | .... | music supervisor | |
| Darrell Hall | .... | music editor | |
| Alexandra Hill | .... | music supervision executive | |
| Steve Juliani | .... | music preparation | |
| Steve Kempster | .... | music scoring mixer | |
| Trevon Kezios | .... | music consultant | |
| Larry Mah | .... | digital score recordist | |
| Roger Manning | .... | musician: piano | |
| Alexis Marsh | .... | assistant to composer | |
| Justin Meldal-Johnsen | .... | musician: electric and upright bass | |
| Tom Strahle | .... | musician: guitars | |
| Billy White Acre | .... | musician: electric guitars | |
| Austin Wintory | .... | orchestrator | |
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| Before the Devil Knows You're Dead | Birth | Igby Goes Down | Margot at the Wedding | My One and Only |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
"What's a cooler way to die, 9/11 or a arrhythmia thing?" Laura (Fischer) and Bob (O'Donnell) have a strained marriage. Bob works all the time and Laura drinks a lot. Their 12 year old son is stuck in the middle but prefers the dad. After an argument leads to Bob's death, Laura is left to figure out how to raise her son and support her family. This is a movie that is very different from the preview. The preview makes it look like a comedy, while there are some funny parts this is more of a drama. That said this is one fantastic movie. Watching each character deal with the situation is great to watch. There are parts that you laugh at that you feel like you shouldn't. This is also one of the best mother-son bonding movies I have ever seen, and there are scenes with her family that will make you mad. The fact that you have these feeling marks the sign of a good movie. This is one of the biggest surprise movies of the year. You expect one thing, it's another, but an absolutely fantastic movie to watch. Overall, an extremely entertaining and enjoyable movie to watch that won't disappoint. I give it an A.