Arising out of the horror of the Spanish Civil War, a candidate for canonization is investigated by a journalist who discovers his own estranged father had a deep, dark and devastating connection to the saint's life.
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A young journalist long ago rejected by his now aged and dying father finds himself investigating one of his father's former friends, a candidate for canonization. Uncovering the two men's complicated relationship from childhood through the horrors of the Spanish Civil War unveils a compelling drama filled with passion, betrayal, love and religion. An action packed story set during a murderous time in history that ultimately serves the present by revealing the importance and timeless power of forgiveness. Written by
Good and deep, really interesting, maybe not a classic, but must seen!
Roland Joffe wakes up after two decades of bad cinema. Like a the phoenix bird he come again with interesting cinema.
The film is technically quite interesting. It starts with a short sequence that shows the deepest Spanish soul in a lost village near France. This sequence has an impeccable cut and setting, and works as introduction of the characters and situation. In my opinion the best sequence (speaking as cinema "freak"). The best thing in the film is the photography, which takes the viewer 1920s Spain.
The script is also quite interesting. Although the main character in the film is the Spanish priest Josemaria Escriva, he is not the protagonist of the story. This makes the film more interesting, as it plays with 2 people weighting their importance by their personality and their role in the story. Josemaria is the alter-ego Manolo, both are attractive persons that keep the attention of the viewer, which at the end should judge. Another success of the script is the usage of time. The main story happens in 1920 and 1930, but it is told as memories in the 80s, when the son of Manolo has to write an article about Josemaria, which is going to be canonized by the Catholic Church. Robert discovers that his father came from the same little village of Josemaria, and asks to his father about him. The answer give the title to the film "there be dragons".
Now let's go with the dragons. The makers knew that the film was going to be surrounded by dragons. Opus Dei, communism, revolution, Catholics and the Spanish Civil War... this film has all the ingredients to be a big scandal. The film has the collaboration of some members of the Opus Dei (at least 2 of the producers are) and the organization has given information and access to the documentation about Josemaria. The film also shows a period of the Spanish history which still is a taboo in this country. In Spain, still today, there are mainly 2 opposite streams: pro-franquists and pro-republicans. The film success- in my opinion- to show that as in any war there were no good and bads (which has shocked the Spanish population), that in both sides there were good and bad people, good goals but bad means. My personal opinion is that it success to show the real left of Spain, breaking with the franquist propaganda of the left as communist criminals, but also breaking the view given to Americans by Hemingway that the left in Spain was the advocate of Democracy and freedom. Maybe the film fails to show the right-side of the war, but nevertheless is- in my opinion- the best representation of the civil war that I have seen in art.
Only a non-Spanish could make such a good representation of the Civil War, and only a person like Joffe could dive enough to make such a good representation. I like Joffe because he takes a field and goes deep enough to explain the reasons. It was shown in the Mission and in Killing Fields, and here we are in front of the same Joffe. I admire him because he forgets his own point of view (I have read that he is agnostic), investigates and tries to find the keystone. Some people has said that this film is the answer of the Opus to the Da Vinci Code well I think it comes to late, because the DVC was released 5 or 6 years ago. On the other hand, if it is an answer, it works well. The DVC shows us a people that, in my opinion, is impossible that are real I don't know but I don't believe that in the World are people so crazy for example they are shown flagellating themselves (which is also shown in There Be Dragons), but in the DVC they are doing so while they know that Christ wasn't God! It makes no sense, no one does something like that to offer to a God, that they know is not God at all As this the film is full of incoherences on the other hand There Be Dragons shows both what they do (not the myth) and also explains why In my opinion this is what makes the difference between good and bad cinema (when your idea is to speak about real things).
I would also like to answer to some of the critics: please speak about the film, because people wants to know about it. If we would like to know about the Opus we could go to their web page, or just write Opus in Google. Here we come to speak about cinema. Also someone said that the rating is not trustful because all the Opus Dei's people will vote 10 well they rate 10 because they liked it as a 10, and have the same right as the people that are not members of the association IMDb works democratically, so their vote counts as well. The only problem would be if they vote without having watched the film, if the organization has commanded to vote in IMDb but well there are some 150 high votes, it doesn't seem to be the result of some strange "conspiracy" Well, my final advice is: you will hear a lot about the film. Some people will speak really well about it, some really bad, and some will just speak about the Civil War or the Opus Dei with this film is gonna be really difficult to know if it is good or not so I suggest you to watch it and make your own opinion. It maybe not one of the best films in the last 10 years, but nevertheless it's a must watch.
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