| Photos (See all 88 | slideshow) | Videos (see all 19) |
Directed by | |||
| Tom Ford | |||
Writing credits | ||
| Christopher Isherwood | (novel) | |
| Tom Ford | (written for the screen by) & | |
| David Scearce | (written for the screen by) | |
Produced by | |||
| Jason Alisharan | .... | co-producer | |
| Tom Ford | .... | producer | |
| Andrew Miano | .... | producer | |
| Robert Salerno | .... | producer | |
| Chris Weitz | .... | producer | |
Original Music by | |||
| Abel Korzeniowski | |||
Cinematography by | |||
| Eduard Grau | (director of photography) | ||
Film Editing by | |||
| Joan Sobel | |||
Casting by | |||
| Joseph Middleton | |||
Production Design by | |||
| Dan Bishop | |||
Art Direction by | |||
| Ian Phillips | |||
Set Decoration by | |||
| Amy Wells | |||
Costume Design by | |||
| Arianne Phillips | |||
Makeup Department | |||
| Linda Arnold | .... | hair stylist | |
| Kristin Berge | .... | key hair stylist | |
| Kate Biscoe | .... | department head makeup artist | |
| Cydney Cornell | .... | department head hair stylist | |
| Alan D'Angerio | .... | hair stylist: Julianne Moore | |
| Marie Larkin | .... | key hair stylist | |
| Elaine L. Offers | .... | makeup artist: Julianne Moore (as Elaine Offers) | |
| Michael S. Ward | .... | hair stylist | |
| Gigi Williams | .... | key makeup artist | |
| Michael White | .... | hair stylist (uncredited) | |
Production Management | |||
| Craig Ayers | .... | production supervisor | |
| Tim Pedegana | .... | post production supervisor | |
| Robert Salerno | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Brian Avery Galligan | .... | additional second assistant director | |
| Richard Graves | .... | first assistant director (as Richard N. Graves) | |
| Matt Rawls | .... | second second assistant director | |
| Eric Sherman | .... | second assistant director | |
Sound Department | |||
| Wade Barnett | .... | adr recordist | |
| Jeff Blehr | .... | boom operator | |
| Ed Casares | .... | sound utility (as Joe Eddie Casares) | |
| Lori Dovi | .... | production sound mixer | |
| Brian Dunlop | .... | foley editor | |
| David Esparza | .... | sound effects editor | |
| Jack Heeren | .... | foley mixer | |
| Robert Jackson | .... | supervising sound editor (as Robert C. Jackson) | |
| Goro Koyama | .... | foley artist | |
| Travis MacKay | .... | adr mixer | |
| Andy Malcolm | .... | foley artist | |
| Laura Rush | .... | utility sound | |
| Gabriel J. Serrano | .... | sound mix recordist (as Gabe Serrano) | |
| Leslie Shatz | .... | sound designer | |
| Leslie Shatz | .... | sound re-recording mixer | |
| Callie Thurman | .... | assistant sound editor | |
| Don White | .... | foley mixer | |
| Jenna Dalla Riva | .... | foley recording assistant (uncredited) | |
| Mark DeSimone | .... | adr mixer: New York (uncredited) | |
| Peter Gleaves | .... | adr mixer (uncredited) | |
| Rick Gould | .... | adr recordist (uncredited) | |
| Brooke Graeff | .... | foley assistant (uncredited) | |
| Philip Young | .... | adr recordist (uncredited) | |
Special Effects by | |||
| Lori Baillie | .... | special effects office coordinator | |
| Jared Baker | .... | special effects technician | |
| Darrell Burgess | .... | special effects technician | |
| John E. Gray | .... | special effects coordinator | |
| Morgan Guynes | .... | special effects foreman | |
| Roland Hathaway | .... | snow effects | |
| Arthur G. Schlosser | .... | snow effects | |
Visual Effects by | |||
| Ken Busick | .... | digital artist: Engine Room (as Kenneth Busick) | |
| Michael Caplan | .... | visual effects executive producer: Engine Room | |
| Padraic Culham | .... | digital artist: Engine Room (as Padriac Culham) | |
| John Egli | .... | digital artist: Engine Room | |
| Jay Frankenberger | .... | digital artist: Engine Room | |
| Eric Heavens | .... | senior digital compositor: Engine Room | |
| Craig Hilditch | .... | digital artist: Engine Room | |
| Steven Lloyd | .... | digital artist: Engine Room (as Steve Lloyd) | |
| Don Osborne | .... | visual effects editor: Engine Room | |
| Shalena Oxley-Butler | .... | coordinator: Engine Room | |
| Sherry Price | .... | digital dirt removal: Company 3 | |
| Dan Schmit | .... | visual effects supervisor: Engine Room | |
| Jeff Varga | .... | digital artist: Engine Room | |
| Cyrena Vladish-Addison | .... | controller: Engine Room | |
| Seb Caudron | .... | visual effects supervisor (uncredited) | |
| Thomas Kuo | .... | digital film scanner (uncredited) | |
| Prasanna Siddharthan | .... | digital compositor (uncredited) | |
Stunts | |||
| Jeff Danoff | .... | stunts | |
| Rick Marcus | .... | stunts | |
| Rife Sibley | .... | stunts | |
| Patrick J. Statham | .... | stunt coordinator (as Pat Statham) | |
| Rick Marcus | .... | stunt double: Colin Firth (uncredited) | |
| Derick Pritchard | .... | stunts (uncredited) | |
Casting Department | |||
| Tineka Becker | .... | casting associate | |
| Mariann H.W. Lee | .... | extras casting (as Mariann Lee) | |
| Wendy Washbrook | .... | extras casting (as Wendy Treese) | |
Costume and Wardrobe Department | |||
| Robert Iannaccone | .... | key costumer (as Bob Iannaccone) | |
| David Page | .... | key set costumer | |
| Maida Pirich | .... | seamstress (as Maida C. Pirich) | |
| Wendy Polutanovich | .... | cutter/fitter | |
| Reiko Porter | .... | set costumer (as Reiko Ann Endo Porter) | |
| Jonny Pray | .... | costume supervisor | |
| Carin Richardson | .... | assistant costume designer | |
| Christian W. Snell | .... | costume production assistant (as Christian Snell) | |
| Lizz Wolf | .... | costumer | |
| Emily Dominguez | .... | costumer (uncredited) | |
| Liz Larson | .... | set costumer (uncredited) | |
| Anne Sweeney | .... | costume assistant (uncredited) | |
Editorial Department | |||
| J. Cody Baker | .... | digital intermediate assist: Company 3 | |
| Zoe Bower | .... | post production coordinator | |
| Jim Eberle | .... | on-line editor: Company 3 (as James Eberle) | |
| Dan Goslee | .... | digital intermediate assist: Company 3 | |
| Annie Johnson | .... | digital intermediate producer: Company 3 | |
| Jerimiah Morey | .... | digital intermediate assist: Company 3 | |
| Stephen Nakamura | .... | digital film colorist: Company 3 | |
| Stefan Sonnenfeld | .... | digital intermediate executive producer: Company 3 | |
| Ofe Yi | .... | first assistant editor | |
| Daniel Boccoli | .... | assistant editor (uncredited) | |
| Tricia Chiarenza | .... | color timer (uncredited) | |
Music Department | |||
| Christine Bergren | .... | music legal and clearance | |
| Vincent Cirilli | .... | pro tools operator | |
| Sandy DeCrescent | .... | orchestra contractor (as Sandy De Crescent) | |
| Greg Dennen | .... | music recording stage crew: Warner Bros | |
| Jennifer Hammond | .... | music copyist | |
| Joel Iwataki | .... | music score mixer | |
| Randy Kerber | .... | featured pianist | |
| Mina Korzeniowska | .... | composer's assistant | |
| Abel Korzeniowski | .... | score producer | |
| Bryan Lawson | .... | music editor | |
| Bryan Lawson | .... | score producer (as Bryan Elliot Lawson) | |
| Julia Michels | .... | music supervisor | |
| Mike Nowak | .... | conductor (as Michael Nowak) | |
| Jamie Olvera | .... | music recording stage crew: Warner Bros | |
| Julie Pearce | .... | music editor | |
| Ryan Robinson | .... | music recording stage crew: Warner Bros | |
| Peter Rotter | .... | orchestra contractor | |
| Lauren Shotwell | .... | music legal and clearance | |
| Andrew Shulman | .... | featured musician: cello | |
| Stephen Trask | .... | music consultant | |
| Shigeru Umebayashi | .... | composer: additional music | |
| David Walther | .... | featured violinist (as Dave Walther) | |
| Matt Ward | .... | assistant engineer | |
| Rich Wheeler | .... | music recording stage crew: Warner Bros (as Rich Wheele) | |
| Booker White | .... | music copyist | |
| Roger Wilkie | .... | featured violinist | |
Other crew | |||
| Jeremie Adkins | .... | stand-in | |
| Miguel Arroyo | .... | set production assistant | |
| Don Bachardy | .... | creative consultant | |
| Elida Cerda | .... | set medic | |
| Jennifer Clark | .... | first assistant accountant (as Jennifer L. Clark) | |
| Mark Cross | .... | production coordinator | |
| Tristan Daoussis | .... | key assistant location manager | |
| Guin Dill | .... | animal trainer: Paws for Effect | |
| Dinesh Fernando | .... | assistant cook | |
| Cori Galpern | .... | public relations | |
| Michael George | .... | marine crew (as Mike George) | |
| Michael Glaser | .... | assistant location manager | |
| Karen Golden | .... | script supervisor | |
| Christopher Hall | .... | set production assistant | |
| Jim Hartz | .... | studio teacher | |
| H. Alex Hernandez | .... | assistant craft service | |
| Hernan A. Hernandez | .... | craft service | |
| Jake Hicks | .... | marine crew (as Jake T. Hicks) | |
| Elizabeth Himelstein | .... | dialect coach | |
| John Jabaley | .... | location manager | |
| Sherman Kaplan | .... | immigration | |
| Virginya Keehne | .... | accounting clerk (as Virginia Keehne) | |
| Ivan Kerum | .... | assistant cook | |
| Tony Kerum | .... | caterer: Tony's Catering | |
| Dora M. Komura | .... | immigration: Gonzales & Harris | |
| Richard Kopenheffer | .... | labor attorney: McDermott, Will & Emery | |
| Shaun Laird | .... | marine crew | |
| Jessamyn Land | .... | set production assistant | |
| Jackie Lee | .... | vice president feature sales: Company 3 | |
| Heather Longerbeam | .... | production secretary | |
| Bryan Macrina | .... | stand-in | |
| Kent Matsuoka | .... | key assistant location manager | |
| Ryan McGonnigal | .... | office production assistant | |
| Shane McGonnigal | .... | office production assistant | |
| Jorge Menjivar | .... | assistant craft service | |
| Robin E. Michels | .... | medic: construction (as Robin Michels) | |
| Michael Miller | .... | second assistant accountant | |
| Kevin Mills | .... | marine crew | |
| James Mitchell-Clyde | .... | marine crew | |
| Meghan Mowery | .... | assistant post-production accountant | |
| Michael Neipris | .... | marine coordinator | |
| Alexandra Rose Nourafchan | .... | assistant: Tom Ford | |
| Julie M. Philips | .... | production attorney | |
| David Roker | .... | assistant: Chris Weitz | |
| Nick Rufca | .... | assistant production coordinator | |
| Antonio Caetano Santos | .... | assistant: Robert Salerno | |
| David Scearce | .... | creative consultant | |
| Lisa Schiek | .... | public relations | |
| Tim Shuler | .... | office production assistant | |
| Ivan Siebel | .... | assistant location manager | |
| Steve Solomon | .... | animal trainer: Paws for Effect (as Steve M. Solomon) | |
| Caroline Stephenson | .... | production secretary | |
| Jack Stern | .... | studio teacher | |
| Mary Sunshine | .... | production accountant | |
| Sean Taylor | .... | body double: Kenny | |
| Chris Vargas | .... | set production assistant | |
| Brenda Vogel | .... | assistant: Andrew Miano | |
| Liam Waters | .... | set production assistant | |
| Bob Weber | .... | post-production accountant | |
| Larry Wells | .... | medic: construction (as Larry A. Wells) | |
| Josh Wever | .... | key set production assistant (as Joshua Wever) | |
| Subhashan Withanage | .... | assistant cook | |
| Patrick Albani | .... | production assistant (uncredited) | |
| Nicholas Beard | .... | production assistant (uncredited) | |
| Brad Wm. Clark | .... | assistant post-production accountant (uncredited) | |
| Angie Conners | .... | international marketing (uncredited) | |
| Adam Green | .... | production assistant (uncredited) | |
| Charles Heaphy | .... | production financing (uncredited) | |
| Peter D. Johnston | .... | production assistant (uncredited) | |
| Tim Shuler | .... | water safety (uncredited) | |
Thanks | |||
| Joan Aguado | .... | the producers wish to thank | |
| Michael Anderson | .... | the producers wish to thank | |
| David Bamber | .... | the producers wish to thank | |
| Doug Braunstein | .... | the producers wish to thank | |
| Richard Buckley | .... | for | |
| Michael Clyne | .... | the producers wish to thank | |
| Kristin Dewey | .... | the producers wish to thank | |
| Eric Eisner | .... | the producers wish to thank | |
| Jay Fiondella | .... | the producers wish to thank | |
| David Geffen | .... | the producers wish to thank | |
| Jaqui Getty | .... | the producers wish to thank | |
| Judy Herwig | .... | the producers wish to thank | |
| Tony Hoffman | .... | the producers wish to thank | |
| Peter Ireland | .... | the producers wish to thank | |
| Chez Jay | .... | the producers wish to thank | |
| Harry Lumer | .... | the producers wish to thank | |
| Peter Marshall | .... | the producers wish to thank | |
| Buster McCoy | .... | the producers wish to thank | |
| Steven R. Molen | .... | the producers wish to thank | |
| Lynda Obst | .... | the producers wish to thank | |
| Wally Park | .... | the producers wish to thank | |
| Ariel Penn | .... | the producers wish to thank | |
| Simon Perry | .... | the producers wish to thank | |
| Kathy Ruff | .... | the producers wish to thank | |
| Chuck Shapiro | .... | the producers wish to thank | |
| Stacey Snider | .... | the producers wish to thank | |
| Shelly Strong | .... | the producers wish to thank | |
| Matt Tambor | .... | the producers wish to thank | |
| Donna Washington | .... | the producers wish to thank | |
|
|
|
|
|
| Milk | All Good Things | The Witnesses | Persepolis | Little Ashes |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
I attended the North American Premiere of "A Single Man" at the 2009 Toronto International Film Festival. This is the first foray into film for esteemed fashion designer Tom Ford, directing from his own script based on the Christopher Isherwood novel. In a word, "A Single Man" is a triumph.
It is easily one of the most Oscar-deserving films of the year. Colin Firth's performance screams "Best Actor" (which he did win at the Venice Film Festival), Julianne Moore is exquisite, and Nicholas Hoult (About a Boy, Skins) is on his way to stardom. I was simply awestruck.
The curtain rises on a despondent George (Firth) having lost his longtime partner. Sapped of energy and will, he struggles to wake each day and function as the brilliant college professor he's expected to be. Few notice the change in him, but one student sees George as a magnet pulling him forward to a place even he doesn't understand. Kenny (Hoult) seems to glow like an angel in George's dark world and, yet, is a puzzle and presents a challenge which he doesn't necessarily want to confront at this stage in his life. As is his custom, he turns to Charlotte (Moore) for a warm shoulder but the temperature drops amidst the chill surrounding George's bleak existence.
Everything about this film -- the look, colors, pacing, shots, composition, cinematography, costumes, soundtrack -- says that an extraordinary amount of love and care went into it. Special mention to director of photography Eduard Grau and editor Joan Sobel for their keen abilities to work lockstep with Ford in projecting his vision onto the screen. Abel Korzeniowski's score is haunting and moving. Despite his design genius, Ford was generous enough to entrust costume designer Arianne Phillips with the freedom to work unencumbered. Production designer Dan Bishop, with art direction by Ian Phillips and set decorator Amy Wells, created two worlds -- a cold, stark one in which George sees only hopelessness, and another warm, colorful one in which he has hope.
What stays with the viewer, though, is the enigmatic friendship between George and Kenny. Nicholas Hoult is absolutely mesmerizing in this. The way Ford shot him made people gasp. He's lit, framed, and shot like an Adonis. Of course, that's the idea here. This will definitely be a break out role for the 19-year-old. The camera loves him, and it's a pretty daring performance.
Most of all, this is a tour de force for Firth and a stunning achievement which is destined to be a highlight of his distinguished career. The range of emotions and the extent to which his character must convey them through his eyes and facial expressions, with the copious use of long takes without dialogue, left me wide-eyed with wonder.
This is the stuff of great movies. They don't get much better than this.