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Directed by | |||
| Tom Ford | |||
Writing credits | ||
| Christopher Isherwood | (novel) | |
| Tom Ford | (written for the screen by) & | |
| David Scearce | (written for the screen by) | |
Produced by | |||
| Jason Alisharan | .... | co-producer | |
| Tom Ford | .... | producer | |
| Andrew Miano | .... | producer | |
| Robert Salerno | .... | producer | |
| Chris Weitz | .... | producer | |
Original Music by | |||
| Abel Korzeniowski | |||
Cinematography by | |||
| Eduard Grau | (director of photography) | ||
Film Editing by | |||
| Joan Sobel | |||
Casting by | |||
| Joseph Middleton | |||
Production Design by | |||
| Dan Bishop | |||
Art Direction by | |||
| Ian Phillips | |||
Set Decoration by | |||
| Amy Wells | |||
Costume Design by | |||
| Arianne Phillips | |||
Makeup Department | |||
| Linda Arnold | .... | hair stylist | |
| Kristin Berge | .... | key hair stylist | |
| Kate Biscoe | .... | department head makeup artist | |
| Cydney Cornell | .... | department head hair stylist | |
| Alan D'Angerio | .... | hair stylist: Julianne Moore | |
| Marie Larkin | .... | key hair stylist | |
| Elaine L. Offers | .... | makeup artist: Julianne Moore (as Elaine Offers) | |
| Michael S. Ward | .... | hair stylist | |
| Gigi Williams | .... | key makeup artist | |
| Michael White | .... | hair stylist (uncredited) | |
Production Management | |||
| Craig Ayers | .... | production supervisor | |
| Tim Pedegana | .... | post production supervisor | |
| Robert Salerno | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Brian Avery Galligan | .... | additional second assistant director | |
| Richard Graves | .... | first assistant director (as Richard N. Graves) | |
| Matt Rawls | .... | second second assistant director | |
| Eric Sherman | .... | second assistant director | |
Sound Department | |||
| Wade Barnett | .... | adr recordist | |
| Jeff Blehr | .... | boom operator | |
| Ed Casares | .... | sound utility (as Joe Eddie Casares) | |
| Lori Dovi | .... | production sound mixer | |
| Brian Dunlop | .... | foley editor | |
| David Esparza | .... | sound effects editor | |
| Jack Heeren | .... | foley mixer | |
| Robert Jackson | .... | supervising sound editor (as Robert C. Jackson) | |
| Goro Koyama | .... | foley artist | |
| Travis MacKay | .... | adr mixer | |
| Andy Malcolm | .... | foley artist | |
| Laura Rush | .... | utility sound | |
| Gabriel J. Serrano | .... | sound mix recordist (as Gabe Serrano) | |
| Leslie Shatz | .... | sound designer | |
| Leslie Shatz | .... | sound re-recording mixer | |
| Callie Thurman | .... | assistant sound editor | |
| Don White | .... | foley mixer | |
| Jenna Dalla Riva | .... | foley recording assistant (uncredited) | |
| Mark DeSimone | .... | adr mixer: New York (uncredited) | |
| Peter Gleaves | .... | adr mixer (uncredited) | |
| Rick Gould | .... | adr recordist (uncredited) | |
| Brooke Graeff | .... | foley assistant (uncredited) | |
| Philip Young | .... | adr recordist (uncredited) | |
Special Effects by | |||
| Lori Baillie | .... | special effects office coordinator | |
| Jared Baker | .... | special effects technician | |
| Darrell Burgess | .... | special effects technician | |
| John E. Gray | .... | special effects coordinator | |
| Morgan Guynes | .... | special effects foreman | |
| Roland Hathaway | .... | snow effects | |
| Arthur G. Schlosser | .... | snow effects | |
Visual Effects by | |||
| Ken Busick | .... | digital artist: Engine Room (as Kenneth Busick) | |
| Michael Caplan | .... | visual effects executive producer: Engine Room | |
| Padraic Culham | .... | digital artist: Engine Room (as Padriac Culham) | |
| John Egli | .... | digital artist: Engine Room | |
| Jay Frankenberger | .... | digital artist: Engine Room | |
| Eric Heavens | .... | senior digital compositor: Engine Room | |
| Craig Hilditch | .... | digital artist: Engine Room | |
| Steven Lloyd | .... | digital artist: Engine Room (as Steve Lloyd) | |
| Don Osborne | .... | visual effects editor: Engine Room | |
| Shalena Oxley-Butler | .... | coordinator: Engine Room | |
| Sherry Price | .... | digital dirt removal: Company 3 | |
| Dan Schmit | .... | visual effects supervisor: Engine Room | |
| Jeff Varga | .... | digital artist: Engine Room | |
| Cyrena Vladish-Addison | .... | controller: Engine Room | |
| Seb Caudron | .... | visual effects supervisor (uncredited) | |
| Thomas Kuo | .... | digital film scanner (uncredited) | |
| Prasanna Siddharthan | .... | digital compositor (uncredited) | |
Stunts | |||
| Jeff Danoff | .... | stunts | |
| Rick Marcus | .... | stunts | |
| Rife Sibley | .... | stunts | |
| Patrick J. Statham | .... | stunt coordinator (as Pat Statham) | |
| Rick Marcus | .... | stunt double: Colin Firth (uncredited) | |
| Derick Pritchard | .... | stunts (uncredited) | |
Casting Department | |||
| Tineka Becker | .... | casting associate | |
| Mariann H.W. Lee | .... | extras casting (as Mariann Lee) | |
| Wendy Washbrook | .... | extras casting (as Wendy Treese) | |
Costume and Wardrobe Department | |||
| Robert Iannaccone | .... | key costumer (as Bob Iannaccone) | |
| David Page | .... | key set costumer | |
| Maida Pirich | .... | seamstress (as Maida C. Pirich) | |
| Wendy Polutanovich | .... | cutter/fitter | |
| Reiko Porter | .... | set costumer (as Reiko Ann Endo Porter) | |
| Jonny Pray | .... | costume supervisor | |
| Carin Richardson | .... | assistant costume designer | |
| Christian W. Snell | .... | costume production assistant (as Christian Snell) | |
| Lizz Wolf | .... | costumer | |
| Emily Dominguez | .... | costumer (uncredited) | |
| Liz Larson | .... | set costumer (uncredited) | |
| Anne Sweeney | .... | costume assistant (uncredited) | |
Editorial Department | |||
| J. Cody Baker | .... | digital intermediate assist: Company 3 | |
| Zoe Bower | .... | post production coordinator | |
| Jim Eberle | .... | on-line editor: Company 3 (as James Eberle) | |
| Dan Goslee | .... | digital intermediate assist: Company 3 | |
| Annie Johnson | .... | digital intermediate producer: Company 3 | |
| Jerimiah Morey | .... | digital intermediate assist: Company 3 | |
| Stephen Nakamura | .... | digital film colorist: Company 3 | |
| Stefan Sonnenfeld | .... | digital intermediate executive producer: Company 3 | |
| Ofe Yi | .... | first assistant editor | |
| Daniel Boccoli | .... | assistant editor (uncredited) | |
| Tricia Chiarenza | .... | color timer (uncredited) | |
Music Department | |||
| Christine Bergren | .... | music legal and clearance | |
| Vincent Cirilli | .... | pro tools operator | |
| Sandy DeCrescent | .... | orchestra contractor (as Sandy De Crescent) | |
| Greg Dennen | .... | music recording stage crew: Warner Bros | |
| Jennifer Hammond | .... | music copyist | |
| Joel Iwataki | .... | music score mixer | |
| Randy Kerber | .... | featured pianist | |
| Mina Korzeniowska | .... | composer's assistant | |
| Abel Korzeniowski | .... | score producer | |
| Bryan Lawson | .... | music editor | |
| Bryan Lawson | .... | score producer (as Bryan Elliot Lawson) | |
| Julia Michels | .... | music supervisor | |
| Mike Nowak | .... | conductor (as Michael Nowak) | |
| Jamie Olvera | .... | music recording stage crew: Warner Bros | |
| Julie Pearce | .... | music editor | |
| Ryan Robinson | .... | music recording stage crew: Warner Bros | |
| Peter Rotter | .... | orchestra contractor | |
| Lauren Shotwell | .... | music legal and clearance | |
| Andrew Shulman | .... | featured musician: cello | |
| Stephen Trask | .... | music consultant | |
| Shigeru Umebayashi | .... | composer: additional music | |
| David Walther | .... | featured violinist (as Dave Walther) | |
| Matt Ward | .... | assistant engineer | |
| Rich Wheeler | .... | music recording stage crew: Warner Bros (as Rich Wheele) | |
| Booker White | .... | music copyist | |
| Roger Wilkie | .... | featured violinist | |
Other crew | |||
| Jeremie Adkins | .... | stand-in | |
| Miguel Arroyo | .... | set production assistant | |
| Don Bachardy | .... | creative consultant | |
| Elida Cerda | .... | set medic | |
| Jennifer Clark | .... | first assistant accountant (as Jennifer L. Clark) | |
| Mark Cross | .... | production coordinator | |
| Tristan Daoussis | .... | key assistant location manager | |
| Guin Dill | .... | animal trainer: Paws for Effect | |
| Dinesh Fernando | .... | assistant cook | |
| Cori Galpern | .... | public relations | |
| Michael George | .... | marine crew (as Mike George) | |
| Michael Glaser | .... | assistant location manager | |
| Karen Golden | .... | script supervisor | |
| Christopher Hall | .... | set production assistant | |
| Jim Hartz | .... | studio teacher | |
| H. Alex Hernandez | .... | assistant craft service | |
| Hernan A. Hernandez | .... | craft service | |
| Jake Hicks | .... | marine crew (as Jake T. Hicks) | |
| Elizabeth Himelstein | .... | dialect coach | |
| John Jabaley | .... | location manager | |
| Sherman Kaplan | .... | immigration | |
| Virginya Keehne | .... | accounting clerk (as Virginia Keehne) | |
| Ivan Kerum | .... | assistant cook | |
| Tony Kerum | .... | caterer: Tony's Catering | |
| Dora M. Komura | .... | immigration: Gonzales & Harris | |
| Richard Kopenheffer | .... | labor attorney: McDermott, Will & Emery | |
| Shaun Laird | .... | marine crew | |
| Jessamyn Land | .... | set production assistant | |
| Jackie Lee | .... | vice president feature sales: Company 3 | |
| Heather Longerbeam | .... | production secretary | |
| Bryan Macrina | .... | stand-in | |
| Kent Matsuoka | .... | key assistant location manager | |
| Ryan McGonnigal | .... | office production assistant | |
| Shane McGonnigal | .... | office production assistant | |
| Jorge Menjivar | .... | assistant craft service | |
| Robin E. Michels | .... | medic: construction (as Robin Michels) | |
| Michael Miller | .... | second assistant accountant | |
| Kevin Mills | .... | marine crew | |
| James Mitchell-Clyde | .... | marine crew | |
| Meghan Mowery | .... | assistant post-production accountant | |
| Michael Neipris | .... | marine coordinator | |
| Alexandra Rose Nourafchan | .... | assistant: Tom Ford | |
| Julie M. Philips | .... | production attorney | |
| David Roker | .... | assistant: Chris Weitz | |
| Nick Rufca | .... | assistant production coordinator | |
| Antonio Caetano Santos | .... | assistant: Robert Salerno | |
| David Scearce | .... | creative consultant | |
| Lisa Schiek | .... | public relations | |
| Tim Shuler | .... | office production assistant | |
| Ivan Siebel | .... | assistant location manager | |
| Steve Solomon | .... | animal trainer: Paws for Effect (as Steve M. Solomon) | |
| Caroline Stephenson | .... | production secretary | |
| Jack Stern | .... | studio teacher | |
| Mary Sunshine | .... | production accountant | |
| Sean Taylor | .... | body double: Kenny | |
| Chris Vargas | .... | set production assistant | |
| Brenda Vogel | .... | assistant: Andrew Miano | |
| Liam Waters | .... | set production assistant | |
| Bob Weber | .... | post-production accountant | |
| Larry Wells | .... | medic: construction (as Larry A. Wells) | |
| Josh Wever | .... | key set production assistant (as Joshua Wever) | |
| Subhashan Withanage | .... | assistant cook | |
| Patrick Albani | .... | production assistant (uncredited) | |
| Nicholas Beard | .... | production assistant (uncredited) | |
| Brad Wm. Clark | .... | assistant post-production accountant (uncredited) | |
| Angie Conners | .... | international marketing (uncredited) | |
| Adam Green | .... | production assistant (uncredited) | |
| Charles Heaphy | .... | production financing (uncredited) | |
| Peter D. Johnston | .... | production assistant (uncredited) | |
| Tim Shuler | .... | water safety (uncredited) | |
Thanks | |||
| Joan Aguado | .... | the producers wish to thank | |
| Michael Anderson | .... | the producers wish to thank | |
| David Bamber | .... | the producers wish to thank | |
| Doug Braunstein | .... | the producers wish to thank | |
| Richard Buckley | .... | for | |
| Michael Clyne | .... | the producers wish to thank | |
| Kristin Dewey | .... | the producers wish to thank | |
| Eric Eisner | .... | the producers wish to thank | |
| Jay Fiondella | .... | the producers wish to thank | |
| David Geffen | .... | the producers wish to thank | |
| Jaqui Getty | .... | the producers wish to thank | |
| Judy Herwig | .... | the producers wish to thank | |
| Tony Hoffman | .... | the producers wish to thank | |
| Peter Ireland | .... | the producers wish to thank | |
| Chez Jay | .... | the producers wish to thank | |
| Harry Lumer | .... | the producers wish to thank | |
| Peter Marshall | .... | the producers wish to thank | |
| Buster McCoy | .... | the producers wish to thank | |
| Steven R. Molen | .... | the producers wish to thank | |
| Lynda Obst | .... | the producers wish to thank | |
| Wally Park | .... | the producers wish to thank | |
| Ariel Penn | .... | the producers wish to thank | |
| Simon Perry | .... | the producers wish to thank | |
| Kathy Ruff | .... | the producers wish to thank | |
| Chuck Shapiro | .... | the producers wish to thank | |
| Stacey Snider | .... | the producers wish to thank | |
| Shelly Strong | .... | the producers wish to thank | |
| Matt Tambor | .... | the producers wish to thank | |
| Donna Washington | .... | the producers wish to thank | |
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| Milk | All Good Things | The Witnesses | Persepolis | Little Ashes |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Tom Ford, you surprised me. I don't really follow the fashion world too closely at all, so although I naturally knew his name, I wasn't familiar with his creations. I haven't read the Christopher Isherwood novel (yet), so Colin Firth and Julianne Moore were the ones who actually got me excited for this project. And I wasn't disappointed it actually exceeded all my expectations, and alongside Jane Campion's "Bright Star" (which unfortunately is being almost completely overlooked this awards season), it's the most poetic 2009 film I have seen so far.
Firth, always elegant and fascinating, plays George Falconer, a British professor in 1960's Los Angeles trying to cope with the death of his long-term partner, Jim (Matthew Goode). It's been eight months since Jim's death, and George decided to end his life by the end of the day and it's this day we see in this admirable film. George spends time with his best friend Charley (the always wonderful Julianne Moore), with whom he had something in the past (and still has hopes of winning him over again), and now is an unhappy divorcée. A young pupil, Kenny (Nicholas Hoult, who has grown up a lot since "About a Boy" and "The Weather Man"), who clearly is infatuated with George, harasses him until he finally gives him the attention he craves. These two different encounters will be decisive for George. As sad as the overall tone and the theme of mourning can be, "A Single Man" is by no means depressing. Ford uses and abuses of "artsy", but very efficient and intriguing camera angles, and a classy score by Polish composer Abel Korzeniowski. Eyes, lips are shown in evidence throughout the film, and naturally, the costumes are all superb.
George's long day's journey reminds me a lot of Virginia Woolf's classic "Mrs. Dalloway". Marleen Gorris was able to do a correct but somewhat cold adaptation of Woolf's novel in 1997 (scripted by Woolf scholar and talented actress Eileen Atkins, featuring the magnificent Vanessa Redgrave in the title role), but I thought she wasn't much to blame for the film's coldness since that's one of the most complex novels to be translated to the screen. After seeing "A Single Man", I even dare to say Tom Ford could do an interesting and very personal adaptation of "Mrs. Dalloway". Also, this is one of the sexiest films since Alfonso Cuaron's "Y Tu Mama Tambien" (2001) and Bernardo Bertolucci's "The Dreamers" (2003), and Nicholas Hoult's incandescent presence has a lot to do with that. He gives an efficient, brave performance for an actor his age, and although I'm sure Jamie Bell ("Billy Elliot"), who was the first choice for the role, would've been terrific, Hoult doesn't disappoint. It's not every day we're given a film with such emotional intensity and exuberant sensuality, and "A Single Man" proves that Tom Ford is certainly a promising director, having given us not just a great first film, but one also one of the year's finest and most unusual creations. A film to be felt and celebrated, and I can't wait for the DVD - it's a keeper. 10/10.