After a drunken house party with his straight mates, Russell heads out to a gay club. Just before closing time he picks up Glen but what's expected to be just a one-night stand becomes something else, something special.
In a suburb of London, young Jamie is escaping sport hours, to avoid being the victim of his comrades. Young Ste, his neighbor, is beaten by his father, and comes to sleep overnight. They discover new feelings, sleeping in the same bed.
It's November 30, 1962. Native Brit George Falconer, an English professor at a Los Angeles area college, is finding it difficult to cope with life. Jim, his personal partner of sixteen years, died in a car accident eight months earlier when he was visiting with family. Jim's family were not going to tell George of the death or accident, let alone allow him to attend the funeral. This day, George has decided to get his affairs in order before he will commit suicide that evening. As he routinely and fastidiously prepares for the suicide and post suicide, George reminisces about his life with Jim. But George spends this day with various people, who see a man sadder than usual and who affect his own thoughts about what he is going to do. Those people include Carlos, a Spanish immigrant/aspiring actor/gigolo recently arrived in Los Angeles; Charley, his best friend who he knew from England, she who is a drama queen of a woman who romantically desires her best friend despite his sexual ... Written by
Kenny uses the expressions "cool" and "blows my mind" during the bar conversation. "Cool" was an adjective, not an exclamation, in the early 1960s. It and "mind-blowing" were usages that came in with the Hippy era of the late 1960s. See more »
I have you, and if you weren't such a God damned poof we could have all been happy!
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I loved Isherwood's novel (it's a novel, not a short story as a previous poster claimed) ever since it appeared back in 1964, to scathing reviews. Gay love wasn't taken seriously back then. Stonewall was five years away. But Isherwood was always his own man. Over the years I've mentioned the book to gay filmmakers, several of whom knew it and liked it. But all were chary of adapting a stream-of-consciousness narrative to the screen. That Tom Ford (of all people) has taken it on and done so well by it is rather astonishing. Yes, being the Fashion God that he is the film looks lovely. But it isn't all "look." Ford really understands what Isherwood was driving at. And while casting an actor as great as Colin Firth is a logical production decision, knowing what to do with him requires real talent. And Ford has talent by the ton. Matthew Goode is lovely. Nicholas Hoult a real surprise -- especially if you know him only for "About a Boy." And Julianne Moore is perfect as always. So much better (and more important) than "Brokeback Mountain."
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