It's November 30, 1962. Native Brit George Falconer, an English professor at a Los Angeles area college, is finding it difficult to cope with life. Jim, his personal partner of sixteen years, died in a car accident eight months earlier when he was visiting with family. Jim's family were not going to tell George of the death or accident, let alone allow him to attend the funeral. This day, George has decided to get his affairs in order before he will commit suicide that evening. As he routinely and fastidiously prepares for the suicide and post suicide, George reminisces about his life with Jim. But George spends this day with various people, who see a man sadder than usual and who affect his own thoughts about what he is going to do. Those people include Carlos, a Spanish immigrant/aspiring actor/gigolo recently arrived in Los Angeles; Charley, his best friend who he knew from England, she who is a drama queen of a woman who romantically desires her best friend despite his sexual ... Written by
During the DVD commentary, Tom Ford says that when Jennifer (the little neighbor girl) speaks to George in the bank, some of what she says is based on Ford's own childhood. For instance, she has a pet scorpion because Ford and his sister also had a pet scorpion when they were little; her older brother is named "Tom" because Ford's own first name is Tom; she speaks of her brother Tom giving her hair treatments with eggs because that was something Ford did for his own sister many times; and she obliviously says that her brother Tom is "light in his loafers" (a slightly derogatory euphemism for being gay) because Ford is himself gay. See more »
Kenny uses the expressions "cool" and "blows my mind" during the bar conversation. "Cool" was an adjective, not an exclamation, in the early 1960s. It and "mind-blowing" were usages that came in with the Hippy era of the late 1960s. See more »
Do you ever just live in the moment? It's like now, what could be better than being tucked here with you?... I mean, if I died right now it would be OK.
Well it wouldn't be OK with me, so why don't you just shut up and go and change the record.
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A stunning outing for Tom Ford. The images are, clearly, out of an aesthete's mind without being shallow, ever. I believe there is a dramatic reason behind every frame. Colin Firth, looking truly handsome, goes through a day of torment with remarkable civility. I felt involved and shaken and couldn't help but make mine his pain. The flashbacks with Matthew Goode are truly vivid and truthful. This is a step forward in explaining through images that love is love no matter who you are, where you come from or what your circumstances are. It could have been a man and a woman, the fact that it's a man and a man is almost irrelevant. We recognize the feel of it and Colin Firth's performance is the magic stroke that makes that not only possible but natural. It is a sensational debut for fashion star Tom Ford. True to himself an artist that promises great, wonderful things for the future. I can't wait.
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