Suzanne is a well married mother, but her bourgeois lifestyle gets her down and she decides to go back to work as a physiotherapist by building an office in their backyard. Then Suzanne falls in love with the man hired to build the office.
An act of revenge takes an unexpected turn in this psychological drama from French writer and director Lola Doillon. Anna (Kristin Scott Thomas) flees a house on the outskirts of Paris and ... See full summary »
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Ruthless executive Christine brings on Isabelle as her assistant, and she takes delight in toying with the young woman's innocence. But when the protégé's ideas become tempting enough for ... See full summary »
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There was little chance, in the year 1971, that Carole, a Paris Spanish teacher and feminist militant, would ever meet Delphine, the daughter of a couple of Limousin farmers. But they did ... See full summary »
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Nathalie and Louise are friends from childhood. While studying drama at University Louise becomes hopelessly obsessed with her friend. Jealous of the male friends she has she breaks up the ... See full summary »
Happily married with a daughter, Marc is a successful real estate agent in Aix-en-Provence. One day, he has an appointment with a woman to view a traditional country house. A few hours ... See full summary »
Suzanne is a well to do married woman and mother in the south of France. Her idle bourgeois lifestyle gets her down and she decides to go back to work as a physiotherapist. Her husband agrees to fix up a consulting room for her in their backyard. When Suzanne and the man hired to do the building meet, the mutual attraction is sudden and violent. Suzanne decides to give up everything and live this all engulfing passion to the fullest. Written by
Powerful themes, painfully restrained despite the emotional highs
A very dry slice of life, and a common and awful slice of life--the breakup of a seemingly okay marriage. It's a very modern, well off, pan European series of events, mostly taking place in the south of France. There is devastation, violence, sex, hurt children, hurt friends, and mostly a lot of pain between the ecstasies. And I suppose that's how it really goes down. Fair enough.
But not necessarily the most engaging movie. I'm not talking about being entertained, but about being lifted, or made to rethink something serious, or maybe even be swept away in something lyrical. Not so. This is deliberately (or not) a study in realism, and yet a glossy one, with some neat ends tied up here and there. I mean, it may be a series of fairly realistic events, but this is a simplified, "nice" world.
The one really solid reason to watch this is the stellar, nuanced, deeply felt performance by British actress Kristin Scott Thomas. The range of moods is amazing, and moving, if you can get absorbed otherwise.
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