A loan officer who evicts an old woman from her home finds herself the recipient of a supernatural curse. Desperate, she turns to a seer to try and save her soul, while evil forces work to push her to a breaking point.
Anna Rydell returns home to her sister (and best friend) Alex after a stint in a mental hospital, though her recovery is jeopardized thanks to her cruel stepmother, aloof father, and the presence of a ghost in their home.
In Philadelphia, Detective Bowden is still grieving for his wife and son, killed in a hit-and-run five years ago. When someone jumps from a skyscraper onto a truck, Bowden is sent to investigate. Meanwhile, five strangers are trapped in an elevator in the building where the jumper committed suicide. The communication radio in the elevator is broken but the guards, Lustig and Ramirez, observe the individuals via CCTV as events unfold. Tensions run high among those trapped, so Lustig calls the police and Detective Bowden assumes the case. Without being able to contact the individuals, he tries to work out who they are, but he can only account for four of them. Time is running out for the occupants of the elevator, as Bowden realizes he has to get them out quickly. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
In its first weekend of release in the United States it was able to gain back its entire production budget. See more »
When the crashed car with the cop's family is shown, the kid was thrown through the windshield (there is a hole), although the car was hit on its side. See more »
When I was a child, my mother would tell me a story about how the Devil roams the Earth. Sometimes, she said, he would take human form so he could punish the damned on Earth before claiming their souls. The ones he chose would be gathered together and tortured as he hid amongst them, pretending to be one of them. I always believed my mother was telling me an old wives' tale.
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Upside down shots from a helicopter of a city as the opening credits roll. See more »
Let me first start off by saying that I am in no shape, way or form a fan of M. Night Shylaman. From the get go with sixth sense I called that twist ending in the film;s first ten minutes and what remained for me was highly over rated. He followed that up the unintentionally laughable Unbreakable, and than with signs which was overly generic but executed well. Than came the questionable attempt lady in the water, the mega let down but nicely executed village and finally the big kick in the face the happening. Without a doubt one of the worst films ever made. But he should not be a deciding factor when it comes to this film because he's only come up with the story outline and he produced under his new production company. The main people responsible for this film are Brian Nelson who write the brilliant Hard Candy and John Erick Dowdle of The Poughkeepsie Tapes and Quarantine. So with that combo I had some expectations going in and the stylish and effective trailer and TV spots had spiked my interest to say the least. And here's what I thought. It just blew me away. This tightly executed psychological horror thriller left me speechless. From the opening credits which feature a reverse Philadelphia and an astounding classic thriller score I was intrigued. And as the film introduced it's story line and characters I became completely engaged. And as the film moved into it's main agenda I was on the edge of my seat with ample anticipation. And the finale well I'll just keep my mouth shut. But here's what I have to say with solid performances, suspenseful pacing, a clever and original story line and really good direction Devil is without a doubt one of the most effective genre pieces to come out in some time. Like it's characters you are held captive for it's entire running time. It's one of those classic suspense thrillers thats character based and just keeps working its angles and keeps you guessing until the very end. Sadly the movie is not without flaws but you should know to truly enjoy it you must succumb to the goofiness of its plot and some of the scenes that need to be inserted to move the film along. That being said what remains is a nifty, clever, sweaty palm inducing, intelligent exercise in fear and hysteria well worth the price of admission.
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