Jigsaw locks a few unlucky people in a booby trapped shelter and they must find a way out before they inhale too much of a lethal nerve gas and die. But they must watch out, for the traps Jigsaw has set in the shelter lead to death also.
In this third installment of the Final Destination series, a student's premonition of a deadly rollercoaster ride saves her life and a lucky few, but not from death itself which seeks out those who escaped their fate.
Mary Elizabeth Winstead,
In Philadelphia, Detective Bowden is still grieving for his wife and son, killed in a hit-and-run five years ago. When someone jumps from a skyscraper onto a truck, Bowden is sent to investigate. Meanwhile, five strangers are trapped in an elevator in the building where the jumper committed suicide. The communication radio in the elevator is broken but the guards, Lustig and Ramirez, observe the individuals via CCTV as events unfold. Tensions run high among those trapped, so Lustig calls the police and Detective Bowden assumes the case. Without being able to contact the individuals, he tries to work out who they are, but he can only account for four of them. Time is running out for the occupants of the elevator, as Bowden realizes he has to get them out quickly. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The first movie in The Night Chronicles trilogy, which involves the supernatural within modern urban society. See more »
When the crashed car with the cop's family is shown, the kid was thrown through the windshield (there is a hole), although the car was hit on its side. See more »
When I was a child, my mother would tell me a story about how the Devil roams the Earth. Sometimes, she said, he would take human form so he could punish the damned on Earth before claiming their souls. The ones he chose would be gathered together and tortured as he hid amongst them, pretending to be one of them. I always believed my mother was telling me an old wives' tale.
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Upside down shots from a helicopter of a city as the opening credits roll. See more »
After several weaker movies, Shyamalan begin to work on a new trilogy about the presence of supernatural evil in big cities. He concentrated on the script and preferred to let other people direct the movie and so you might expect that this first part of Shyamalan's renaissance must be a well elaborated and twisted masterpiece. Well, this is absolutely not the case, there are no major twists or surprises in the story. But that doesn't mean that this movie is without the glimpse of a doubt a very well done psycho thriller.
Let me mention the negative points first. The movie isn't really long. There are only two minor twists and the first one is not that much surprising while the second one is an interesting turning point of the story but also a little bit predictable towards the end of the movie. The story is not really innovating and this time, Shyamalan really delivers what he announces in the previews. Because of the short running time, not every character is extremely well developed and profound. The critical and philosophic influence that many movies of Shyamalan had is not very present in this movie.
But there are more positive points about this movie. There is a high tension present throughout the whole length of the movie and this is what makes the watching experience breathless and intense, you don't see time pass at all. The movie spares out the unnecessary and goes straight in your face which isn't that usual for Shyamalan's earlier works. That is something new, fresh and innovative coming from him and a little positive surprise for many but maybe also a little deception for some of his more purist fans. The interactions between the characters in the elevator are intense and very interesting. Every character has a very unique and special behaviour and something interesting to hide even if the characters could have been more developed if the movie had maybe twenty minutes more running time. The actions in the movie become more and more intense towards the finish and end up in a well done finale that leaves you with no open questions.
All in all, this is surely not the best of Shyamalan's movies but way better than the last stuff he has done before this movie. It is not a very surprising and philosophical movie, but rather a short and intense psycho thriller. It is a very good movie but far away from being the best movie of the year. It is worth watching it at the cinema or at home, but i wouldn't recommend buying this movie at the full price without having seen it before.
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