Based on the novel 'Les Liaisons Dangereuses,' this film is set in aristocratic 18th-century Korea at the end of the Chosun Dynasty. The irresistible temptress Lady Cho asks her cad of a ... See full summary »
Two brothers, Ho-jin and Dae-jin, were the only family they had. The older brother Ho-jin married Eun-soo, extending their family to three, and they all lived happy, tranquil days together.... See full summary »
Newly-hired gofer Young-Jak Joo becomes a key pawn in a powerful South Korean corporate-crime family obsessed with sex, money, and intrigue. The family bribes a government official to take ... See full summary »
(Korean with English subtitles) Blending politics with romance, noted director of "The Housewife" weaves a story of two activists in hiding in a remote shack. The intimate setting proves to be fertile ground for hidden desires.
In order to let things cool down from their latest heist, Popeye and his group of thieves go to Macau on a job. But the mastermind behind this job is none other than Popeye's old partner ... See full summary »
Eun-yi is a playful young woman, a good match for a job as nanny to a precocious child, Nami, the daughter of a wealthy couple, Hae-ra and Hoon. Hae-ra will soon have twins as well. The majordomo, Mrs. Cho, is the household's cold stone center. Before long, Hoon seduces Eun-yi, and when Mrs. Cho tells Hae-ra's mother about the affair, Eun-yi is up against women with wealth, power, and no conscience. Can Eun-yi maintain her dignity and perhaps even put the family in their place? Written by
An early draft of the screenplay was written by Soo Hyun Kim, but after director Sang-soo Im had edited the script so heavily that Kim considered it to be entirely Im's own work, she decided to leave the project and publicly expressed her dissatisfaction. See more »
The body harness is visible during the hanging. See more »
One evening in a busy city center, a restaurant worker, Eun-yi, witnesses a young woman preparing to throw herself from the upper floor of an apartment block, and the incident leads her to change her way of life. She takes the position of housemaid to a wealthy tycoon, who lives in a luxurious residence with his beautiful pregnant wife, their precocious young daughter and a strict housekeeper. Eun-yi likes the job, but it's soon apparent she and her handsome employer are attracted to one another - and one night he shows up in her room, offers her wine and commands her to pleasure him orally. Later he adds a bonus to her salary, and Eun-yi is not displeased when he returns on a subsequent night to have sex with her. Unfortunately the housekeeper observes them and informs her boss's wife - whereupon the wheels of intrigue are set in motion with a vengeance.
The luminous De-yeon Jeon portrays Eun-yi as a character full of interesting contradictions in an assured, sensitive performance, and the first half of 'The Housemaid' is filmed in a sumptuous style of Korean noir that provides a fine showcase for her acting skills. Each scene is beautifully composed and shot at a measured pace - but as the conspiracies and chicanery accumulate in the second half, the film transforms into Gothic melodrama - until the final moments when it descends into the lurid Grand Guignol of Asia Extreme. It's a disappointing conclusion to a story that had promised far greater substance and sophistication.
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