| Photos (See all 34 | slideshow) | Videos (see all 8) |
| Richard O'Barry | ... | Himself (as Ric O'Barry) | |
| Louie Psihoyos | ... | Himself | |
| Hardy Jones | ... | Himself | |
| Michael Illiff | ... | Himself | |
| Joji Morishita | ... | Himself | |
| Ian Campbell | ... | Himself | |
| Paul Watson | ... | Himself (as Captain Paul Watson) | |
| Doug DeMaster | ... | Himself | |
| Dave Rastovich | ... | Himself / Surfer | |
| Charles Hambleton | ... | Himself | |
| Hayato Sakurai | ... | Himself | |
| Kazutaka Sangen | ... | Himself | |
| Simon Hutchins | ... | Himself | |
| Joe Chisholm | ... | Himself | |
| Mandy-Rae Cruikshank | ... | Herself / Freediver | |
| Kirk Krack | ... | Himself / Freediver | |
| Roger Payne | ... | Himself | |
| Hideki Moronuki | ... | Himself | |
| Dan Goodman | ... | Himself | |
| Tetsuya Endo | ... | Himself | |
| C. Scott Baker | ... | Himself | |
| Brook Aitken | ... | Himself | |
| John Potter | ... | Himself (as Dr. John Potter) | |
| John Fuller | ... | Himself | |
| Atherton Martin | ... | Himself | |
| Deborah Bassett | ... | Surfer (as Deborah Basset) | |
| Steven Barilotti | ... | Surfer (as Steve Barilotti) | |
| Shannon Sol Carroll | ... | Surfer | |
| Howie Cooke | ... | Surfer | |
| James Cox | ... | Surfer | |
| Hannah Fraser | ... | Surfer | |
| Peter Heller | ... | Surfer | |
| Justin Krumb | ... | Surfer | |
| Chris Lane | ... | Surfer | |
| Andrew Lucas | ... | Surfer | |
| Karlee Mackie | ... | Surfer | |
| Owen J. Newcomb | ... | Surfer | |
| Jeff Pantukhoff | ... | Surfer | |
| Karina Petroni | ... | Surfer | |
| James Pribham | ... | Surfer | |
| Seamon | ... | Surfer | |
| Kuni Takanami | ... | Surfer | |
| Angie Takanami | ... | Surfer | |
| James Triglone | ... | Surfer | |
| Lesley Vogel | ... | Surfer | |
| Isabel Lucas | ... | Herself: Whateman Foundation / Save the Whales | |
| Hayden Panettiere | ... | Herself: Whateman Foundation / Save the Whales | |
| rest of cast listed alphabetically: | |||
| Greg 'Moondog' Mooney | ... | Himself (uncredited) | |
| Hans Peter Roth | ... | Himself (uncredited) | |
Directed by | |||
| Louie Psihoyos | |||
Writing credits(in alphabetical order) | ||
| Mark Monroe | writer | |
Produced by | |||
| Olivia Ahnemann | .... | co-producer | |
| Jim Clark | .... | executive producer | |
| Paula DuPré Pesmen | .... | producer | |
| Charles Hambleton | .... | associate producer | |
| Fisher Stevens | .... | producer | |
Original Music by | |||
| J. Ralph | |||
Cinematography by | |||
| Brook Aitken | |||
Film Editing by | |||
| Geoffrey Richman | |||
Production Management | |||
| Joe Chisholm | .... | unit production manager | |
| Robert Warmflash | .... | post-production supervisor | |
Art Department | |||
| Jeremy Blanchard | .... | graphic designer | |
| Anita Johnston | .... | additional graphic artist | |
| Geoff Lillemon | .... | additional graphic artist | |
| Nate Naylor | .... | additional graphic artist | |
| Dan Ragland | .... | graphic designer | |
| Mike Scalisi | .... | additional graphic artist | |
| Brandon Smith | .... | graphic designer | |
| Reed Smith | .... | artist: blimp | |
Sound Department | |||
| Ryan Collison | .... | foley recordist | |
| Robert Fernandez | .... | sound re-recording mixer (as Roberto Fernandez) | |
| Jim Gardner | .... | director of operations: Sound One | |
| Kelly Garry | .... | sound | |
| Matthew Haasch | .... | foley supervisor | |
| Mickey Houlihan | .... | sound consultant: Wind Over the Earth | |
| Sylvia Menno | .... | dialogue editor | |
| Greg 'Moondog' Mooney | .... | sound | |
| Joe Olson | .... | sound advisor: underwater | |
| Glenfield Payne | .... | sound re-recording mixer | |
| Glenfield Payne | .... | supervising sound editor | |
| Jay Peck | .... | foley artist | |
| Jorge Plana | .... | sound | |
| Gus Skinas | .... | sound consultant: Audio Center | |
| Steve F.B. Smith | .... | sound consultant: Dolby | |
| Stuart Stanley | .... | dialogue editor | |
| Reilly Steele | .... | sound re-recording mixer | |
| Jeffrey Stern | .... | sound effects editor | |
| Edward Thacker | .... | sound | |
| Mark Venezia | .... | sound consultant: Wind Over the Earth | |
| Chris Wright | .... | sound consultant: Audio Center | |
| Olaf Mierau | .... | dubbing director (uncredited) | |
Visual Effects by | |||
| Nelson Hall | .... | rock camera housing: Kerner Optical | |
| Danny Wagner | .... | rock camera housing: Kerner Optical | |
| Kevin Wallace | .... | rock camera housing supervisor: Kerner Optical | |
Camera and Electrical Department | |||
| Eric Peter Abramson | .... | additional cameraman | |
| Peter Blakely | .... | still photographer | |
| Joe Chisholm | .... | additional cameraman (as Joseph Chisholm) | |
| Eduardo Cruz Coke | .... | camera crew: Chile (as Eduardo Cruz-Coke) | |
| Santiago De La Cruz Monreal | .... | camera crew: Chile | |
| Pablo Del Rio | .... | camera crew: Chile | |
| David Doubilet | .... | still photographer | |
| Dennis Flippin | .... | additional cameraman | |
| Charles Hambleton | .... | additional cameraman | |
| Miles Hubley | .... | additional cameraman | |
| Simon Hutchins | .... | additional cameraman | |
| Goh Iromoto | .... | additional cameraman | |
| Kirk Krack | .... | additional cameraman | |
| I. Kelly Mason | .... | videographer: SavaJapanDolphins.org | |
| Richard O'Barry | .... | additional cameraman | |
| Kioshi Ota | .... | still photographer | |
| Louie Psihoyos | .... | additional cameraman | |
| Michael Ramsey | .... | additional cameraman | |
| Hans Scherer | .... | camera crew: Chile | |
| Diana Thater | .... | videographer: SavaJapanDolphins.org | |
| Tom White | .... | additional cameraman | |
| Todd Williams | .... | additional cameraman | |
Animation Department | |||
| Damon Ciarelli | .... | animator: Ice Cold Milk | |
| Mike Scalisi | .... | additional animator | |
| Boo Wong | .... | animator: Ice Cold Milk | |
Editorial Department | |||
| Will Cox | .... | digital intermediate colorist | |
| Corey Drayton | .... | additional assistant editor | |
| Dennis Flippin | .... | additional editor | |
| Miles Hubley | .... | assistant editor | |
| Ben Laffin | .... | on-line editor | |
| Kristen Molina | .... | digital intermediate producer | |
| Mike Scalisi | .... | associate editor | |
| Tom White | .... | assistant editor | |
| Russ Wiltse | .... | additional editor (as Russell Wiltse) | |
| David Zieff | .... | creative consultant | |
Music Department | |||
| Brian Binsack | .... | second scoring engineer | |
| Paul Crowder | .... | musician: drums | |
| Liz Gallacher | .... | music supervisor | |
| Kathleen Hasay | .... | music supervision assistant | |
| Alexandra Hill | .... | music supervision executive | |
| Bub Jess | .... | music arranger | |
| Bub Jess | .... | music producer | |
| Bub Jess | .... | scoring engineer | |
| Bub Jess | .... | scoring mixer | |
| Ric Markmann | .... | composer: theme music | |
| Richard Markmann | .... | composer: additional music | |
| Richard Markmann | .... | music producer | |
| Richard Markmann | .... | musician | |
| Gary Morris | .... | music studio coordinator | |
| Papaginou | .... | musician: buduk, world woodwinds & flutes | |
| Arthur Pingrey | .... | music co-producer | |
| Arthur Pingrey | .... | pro-tools and computer programming | |
| Dan Pinnella | .... | composer: additional music (as Danny Pinnella) | |
| Dan Pinnella | .... | music producer (as Danny Pinnella) | |
| Dan Pinnella | .... | musician (as Danny Pinnella) | |
| Chris Wagner | .... | composer: additional music | |
| Chris Wagner | .... | music producer | |
| Chris Wagner | .... | musician | |
| Tracy Waname | .... | musician: woodwinds (as Tracey Wanamae) | |
Other crew | |||
| Peter Abel | .... | production supplier: Abel Cine Tech | |
| Anne S. Atkinson | .... | legal counsel | |
| C. Scott Baker | .... | dna analysis: Marine Mammal Institute, Oregon State University | |
| Sergio Ballivian | .... | production assistant | |
| Robert Barrel | .... | location guide | |
| Kim Beddall | .... | location guide | |
| Max Benjamin | .... | location guide | |
| Greg Beyette | .... | location guide | |
| Jeremy Blanchard | .... | website designer | |
| Chris Brandson | .... | location guide | |
| Fabricio Carbo | .... | location guide | |
| Lou Ciccone | .... | legal counsel | |
| Michael Clark | .... | underwater assistant | |
| Mandy-Rae Cruikshank | .... | freediver | |
| Karen Dawson | .... | bookkeeping services | |
| Marina Dellestaing | .... | location guide | |
| Ralph DePalma | .... | legal counsel (as Ralph Depalma) | |
| Nelson Diaz | .... | location guide | |
| Andrew Driver | .... | diving equipment and training | |
| Nancy Easterbrook | .... | location guide | |
| Shigeo Ekino | .... | scientific advisor: Kumamoto University | |
| John J. Ellerbrook | .... | underwater camera supplier (as John J Ellerbrock) | |
| Mark T. Elliott | .... | assistant: Fisher Stevens (as Mark Elliot) | |
| Tetsuya Endo | .... | scientific advisor: HSU of Hokkaido | |
| Stew Esposito | .... | location guide | |
| Jon Gauvin | .... | underwater camera supplier | |
| Julie Goldman | .... | production consultant | |
| Wyndham Hannaway | .... | production supplier: GW Hannaway & Associates | |
| Wyndham Hannaway | .... | technical advisor | |
| Masazumi Harada | .... | scientific advisor: Kumamoto Gakuen University | |
| Sakae Hemmi | .... | japanese consultant | |
| Mark Higashino | .... | japanese translator | |
| Matthias Hoffmann-Kuhnt | .... | scientific advisor: National University of Singapore (as Dr. Matthias Hoffman-Kuhunt) | |
| Simon Hutchins | .... | director of expeditions | |
| Goh Iromoto | .... | japanese interpreter | |
| Pasqul Jaqut | .... | location guide (as Pascal Jaqut) | |
| Peter Jaszi | .... | intellectual property counsel | |
| Jeffrey C. Johnson | .... | legal counsel | |
| Anita Johnston | .... | title designer | |
| Burt Jones | .... | location guide | |
| Krysanne Katsoolis | .... | production consultant | |
| Kirk Krack | .... | freediver | |
| Hidemi Kumai | .... | scientific advisor: Fisheries Lab Kinki University | |
| Elizabeth Landon | .... | production assistant | |
| Geoff Lillemon | .... | title designer | |
| James Mack | .... | blimp pilot | |
| James Mack | .... | helicopter pilot | |
| Junko Mackert | .... | japanese translator | |
| Lorenzo Martinez | .... | location guide | |
| John Miller-Monzon | .... | archival researcher | |
| Aileen Mioko Smith | .... | advisor: Green Action | |
| Brett Monroe | .... | infared technology: Monroe Infared Technologies | |
| Burke Mooney | .... | diving equipment and training | |
| Greg 'Moondog' Mooney | .... | marine technician | |
| Nate Naylor | .... | title designer | |
| Lincoln O'Barry | .... | assistant: Ric O'Barry | |
| Lincoln O'Barry | .... | assistant: Richard O'Barry | |
| Richard O'Barry | .... | advisor: Earth Island Institute | |
| Joseph R. Olsen | .... | scientific advisor: Cetacean Research Technology | |
| Bob Olson | .... | diving equipment and training | |
| Kiyoshi Ota | .... | japanese interpreter | |
| Adam A. Pack | .... | scientific advisor: The Dolphin Institute | |
| Julie Palmer | .... | transcription services | |
| Raymond Para | .... | location guide | |
| Jim Pasa | .... | travel assistance: Odyssey Travel | |
| Thomas Perceval | .... | location guide | |
| Don Poe | .... | production supplier: People Productions | |
| John Potter | .... | scientific advisor: Underwater Acoustics Consultant (as Dr. John Potter) | |
| Maclaren Prior | .... | location guide | |
| Nicholas Psihoyos | .... | udnerwater assistant | |
| Sam Psihoyos | .... | underwater assistant | |
| Viki Psihoyos | .... | communication director: OPS | |
| Lyda Reeves | .... | production assistant: Japan | |
| Diana Reiss | .... | scientific advisor: Dolphin Cognition and Intelligence, Hunter College, City University of NY (as Dr. Diana Reiss) | |
| Paul Remijan | .... | underwater camera supplier | |
| Scott Roche | .... | production supplier: Coupe Studios | |
| Kimberly Rogers | .... | production coordinator | |
| Jay Rubin | .... | business affairs manager: Sound One | |
| Carl Saieva | .... | underwater camera supplier | |
| Mike Scalisi | .... | title designer | |
| Theresa Schaller | .... | transcription services | |
| Sarah Diane Selby | .... | legal counsel (as Sarah Selby) | |
| Mishigo Shibuya | .... | interpreter: Japanese | |
| Mishigo Shibuya | .... | japanese interpreter | |
| Beverly Silva | .... | travel assistance: The Hotel Boulderado | |
| Brandon Smith | .... | website designer | |
| Sarah Stearns | .... | production assistant | |
| Robert Stein | .... | legal counsel (as F. Robert Stein) | |
| Caroline Stevens | .... | production consultant | |
| Neil Sullivan | .... | production supplier: GW Hannaway & Associates | |
| David Sundstrom | .... | blimp pilot | |
| David Sundstrom | .... | helicopter pilot | |
| Georgia Terry | .... | travel assistance: James Travel Points | |
| Osaldo Emiddio Vasquez Ravelo | .... | location guide | |
| Philippa Ward | .... | location guide | |
| Phillipa Ward | .... | location guide | |
| W. Wilder Knight II | .... | legal counsel | |
| Jason Williamson | .... | location guide | |
| Marianne Yee | .... | travel assistance: Tulips Travel | |
| Michiko Zentoh | .... | japanese translator | |
| Michiko Zentoh | .... | location coordinator: Japan | |
| David Zieff | .... | creative consultant | |
Thanks | |||
| Katya Bassil | .... | special thanks | |
| Natalie Boudreau | .... | special thanks | |
| Julie Bowett | .... | special thanks | |
| Chris Columbus | .... | special thanks | |
| Griffin Dunne | .... | special thanks | |
| Thomas Jernoluk | .... | very special thanks | |
| Iain Kerr | .... | special thanks: Ocean Alliance | |
| Andrew Kershaw | .... | special thanks | |
| Yoji Kita | .... | special thanks | |
| Ken Olin | .... | thanks | |
| Roger Payne | .... | special thanks: Ocean Alliance | |
| Bill Pullman | .... | thanks | |
| Robert Redford | .... | special thanks | |
| Jay Rubin | .... | special thanks | |
| Richard E. Schaden | .... | very special thanks | |
| Richard F. Schaden | .... | very special thanks | |
| Liev Schreiber | .... | thanks (as Liev Schrieber) | |
| Gore Verbinski | .... | special thanks | |
| Nadine Weil | .... | special thanks | |
| Lars Wolloe | .... | special thanks | |
| Steven Zaillian | .... | thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
It saddens me to watch The Cove, because unless your heart is made of stone, it's unlikely not to become unaffected by it, when it shows how evil man can be. It also boggles the mind when you mull over whether the perpetrators know exactly what they're doing in committing such atrocities, that extinction of species boil down to those who are indifferent, inhumane, and corrupted by the smell of profits that highlights Man's propensity for destruction. To claim superiority over another by explanation of the preservation of culture, is bullshit at best, and it just shows how consciously ignorant we can sometimes get due to either lack of understanding, or just simply refusing to change incorrect mindsets.
I'm sure many of us will agree that dolphins are very beautiful water-based mammals, and the lucky few who have gotten to chance upon them in their natural habitat will attest to the fact that it's awe-inspiring to have seen them in action. From time to time we read about the heroic nature of our mammal counterparts in saving human lives, so what would warrant such untold cruelties toward those blessed by Nature with a smile and an extremely gentle, docile nature, or cursed as the filmmakers would say, because they are unable to project outwardly their feelings of pain, sadness and betrayal by humankind?
Director Louie Psihoyos had crafted an incredible documentary which isn't just another save- this-species film, or just another wildlife conservation flick. Somehow, The Cove stands above those that I've seen which have run along those lines, in that it contains footages that the team had managed to wrangle out in a quest for the truth. It contains scenes of murder most foul, which will start again in the month of September, unless people around the world make some noise beyond puppet worldwide organizations fueled by corrupt bureaucrats bent on smug thinking that half-baked nonsensical answers can keep the truth under wraps.
What also added that emotional weight to the film, is the inclusion of Richard O'Barry, who could be infamously credited with sparking the interest in dolphin-aquariums and shows around the world, simply because of his involvement in the Flipper television series, where he had responsibility in capturing and training 5 dolphins used for that successful series, and henceforth spawned an industry of sorts where dolphins are captured en masse by confusing them and leading them into man-made traps, then allowing trainers around the world to come and choose those with potential. Think of it like the slave trade which we have abhorred, but now transferred to the animal kingdom, with a murderous act of slaughtering thousands of those which don't make the theme-park cut. Who are we to decide those that cannot entertain, only deserves to be chopped up in cold blood for the supermarkets?
O'Barry is now an activist set on releasing every dolphin in captivity, but only because of a personal, profound loss of a dolphin in his arms that have jolted him into action. He's quite forthright in his interviews, and his transformation as explained is nothing less than heart- wrenching. His crusade led him to Taiji, Japan, which is the source of the trade, with over- zealous Japanese fishermen bordering on counter-surveillance, muscling in on local police influence, to try and keep O'Barry at bay from interrupting their profitable trade, and of course putting a dampener on O'Barry's search for redemption.
Most of the film then centered on the filmmakers and their assembling of a few good men and women with specific skill sets, such as free-diving and prop-making, acoustics experts to covert camera operations, in an attempt to expose the truth from The Cove, an area designed by natural geography and exploited by the fishermen to perform their most heinous acts. It's akin to a heist movie with intense preparation work and danger lurking around every corner, but the images obtained are nothing less than shocking the indiscriminate slaughter without remorse and plenty of laughter, a very affecting sea waters filled with red from the bloodbath, and frenetic cries for help and unsuccessful flight from death. It'll make the most stoic of men, shed tears.
The film also had touched upon another aspect of how Man is offending Nature through our polluting ways, but Psihoyos deftly included that portion in because it's also related, but never letting it detract its focus from the main story. While dolphin meat doesn't appeal, being slyly packaged as something else is nothing less than cheating. Also, the high levels of mercury found in the meat not only endangers whoever is putting it on their dinner plate, but just emphasizes the entire polluted food chain with the fact that we are the #1 pollutants on this planet, and poisoning of marine life, or rapid consumption of food from the sea, is something that will impact us in time to come very soon, unless we wake up.
One of the world's most intelligent creatures getting slaughtered indiscriminately, and you can do something about it. Undoubtedly as a film this is very well made, and have received countless of accolades, but if audiences were to stop at this point then nothing will change and everything will be lost, starting from the efforts from the activists. This film is set to break into my top films of the year as well, but even that rings hollow.
What we can do, at the very least, is to vote with our wallet. Make some noise, talk about it, spread the word and get people go watch the film, and take affirmative action. With demand and attendances to sea-world-like or dolphin theme parks come crashing down because we choose not to patronize them, then demand for dolphins to perform at these locations will no longer be viable.