| Photos (See all 26 | slideshow) | Videos (see all 18) |
| James Frecheville | ... | Joshua 'J' Cody | |
| Bryce Lindemann | ... | Paramedic #1 | |
| Paul Smits | ... | Paramedic #2 | |
| Jacki Weaver | ... | Janine 'Smurf' Cody | |
| Joel Edgerton | ... | Barry 'Baz' Brown | |
| Luke Ford | ... | Darren Cody | |
| Sullivan Stapleton | ... | Craig Cody | |
| Mirrah Foulkes | ... | Catherine Brown | |
| Anthony Ahern | ... | Armed Robbery Detective | |
| Justin Rosniak | ... | Detective Randall Roache | |
| Michael Vice | ... | Hood #1 | |
| Chris Weir | ... | Hood #2 | |
| Laura Wheelwright | ... | Nicky Henry | |
| Sarah Nguyen | ... | Waitress | |
| Lucia Cai | ... | Cashier | |
| Ben Mendelsohn | ... | Andrew 'Pope' Cody | |
| Ann Michôd | ... | Shopper | |
| Susan Prior | ... | Alicia Henry | |
| Clayton Jacobson | ... | Gus Emery | |
| Tim Phillipps | ... | Const. Daniel Horden | |
| Josh Helman | ... | Const. Peter Simmons | |
| Michael Cody | ... | Police Radio | |
| Kieran Darcy-Smith | ... | John Harrop | |
| Guy Pearce | ... | Sgt Nathan Leckie | |
| Anthony Hayes | ... | Detective Justin Norris | |
| Jack Heanly | ... | Andy Emery | |
| Dan Wyllie | ... | Ezra White | |
| Andy McPhee | ... | Richard Collis | |
| Christina Azucena | ... | Dacinta Collis | |
| Jacqueline Brennan | ... | Sarah Leckie | |
| Ben Ouwehand | ... | Scott Leckie | |
| Bert Labonte | ... | PSG Santo | |
| James Saunders | ... | PSG Gary | |
| Dom Phelan | ... | PSG Tom | |
| Brenda Palmer | ... | Smurf's Neighbour | |
| Anna Lise Phillips | ... | Barrister Justine Hopper | |
| Tom Noble | ... | Court Warden | |
| Daniel Roche | ... | SOG | |
| David Michôd | ... | Reporter | |
| rest of cast listed alphabetically: | |||
| Luke Doolan | ... | Drug Squad Officer | |
| Brendan Bacon | ... | Pasty Guy (uncredited) | |
| Stephen Hannah | ... | Detective Extra (uncredited) | |
| George Iskander | ... | Shopper (uncredited) | |
| Paul Rochford | ... | Sog #2 (uncredited) | |
Directed by | |||
| David Michôd | |||
Writing credits | ||
| David Michôd | (written by) | |
Produced by | |||
| Libby Sharpe | .... | line producer | |
| Vincent Sheehan | .... | executive producer | |
| Bec Smith | .... | executive producer | |
| Liz Watts | .... | producer | |
Original Music by | |||
| Antony Partos | |||
Cinematography by | |||
| Adam Arkapaw | |||
Film Editing by | |||
| Luke Doolan | |||
Casting by | |||
| Kirsty McGregor | |||
Production Design by | |||
| Josephine Ford | (as Jo Ford) | ||
Art Direction by | |||
| Janie Parker | |||
Costume Design by | |||
| Cappi Ireland | |||
Makeup Department | |||
| Simone Albert | .... | hair stylist | |
| Simone Albert | .... | makeup artist | |
| Danni McDowell | .... | hair assistant | |
| Danni McDowell | .... | makeup assistant | |
| Zeljka Stanin | .... | hair stylist (as Zeljkica Stanin) | |
| Kirsten Veysey | .... | hair supervisor | |
| Kirsten Veysey | .... | makeup supervisor | |
Production Management | |||
| Helen Lovelock | .... | post-production supervisor | |
| Andy Pappas | .... | unit manager | |
| Libby Sharpe | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Betty Fotofili | .... | second assistant director | |
| Phil Jones | .... | first assistant director | |
| Kham Soukseun | .... | third assistant director | |
Art Department | |||
| Stephen Carroll | .... | pre-vis | |
| Ashley Fraser | .... | props buyer | |
| Ashley Fraser | .... | set dresser | |
| Anna McEwan | .... | props buyer | |
| Anna McEwan | .... | set dresser | |
| Jordan Molloy | .... | assistant stand-by props | |
| Michael O'Sullivan | .... | stand-by props | |
| Vanessa Younger | .... | art department coordinator | |
Sound Department | |||
| Asha Ardill | .... | sound facilities manager: Soundfirm Australia | |
| Philippe Decrausaz | .... | sound recordist | |
| Bruce Emery | .... | sound consultant: Dolby | |
| James Hardy | .... | boom operator | |
| Leah Katz | .... | dialogue editor | |
| Robert Mackenzie | .... | sound mixer | |
| Andrew Neil | .... | foley editor | |
| Richard Pain | .... | sound effects editor | |
| Sam Petty | .... | sound designer | |
| Sam Petty | .... | sound mixer | |
| Sam Petty | .... | supervising sound editor | |
| Liesl Pieterse | .... | mix assistant | |
| Simon Rosenberg | .... | adr recordist | |
| Alex Stewart | .... | foley recordist | |
| Jenny Sutcliffe | .... | boom operator | |
| Brooke Trezise | .... | assistant sound editor | |
| Brooke Trezise | .... | atmospheres editor | |
| Mario Vaccaro | .... | foley walker | |
| Andy Wright | .... | adr recordist (as Andrew Wright) | |
Special Effects by | |||
| Michael Plummer | .... | special effects technician (as Mick Plummer) | |
| Peter Stubbs | .... | special effects supervisor | |
Visual Effects by | |||
| Simon Alberry | .... | i/o supervisor | |
| Amanda Duncan | .... | optical effects artist | |
| John Durney | .... | optical effects artist | |
| Leo Gomez | .... | i/o operator | |
| Matthew T. Griffin | .... | optical effects artist (as Matthew Griffin) | |
| May Lo | .... | i/o operator | |
| Peter Luczak | .... | i/o operator | |
| Peter Polyzoidis | .... | optical effects artist | |
| Doug Roberts | .... | optical effects artist | |
| Nathan Smith | .... | i/0 operations liaison | |
| Robert Stollar | .... | optical effects artist | |
| Takahiro Suzuki | .... | optical supervisor | |
| Takahiro Suzuki | .... | visual effects supervisor | |
| Henry Yekanians | .... | senior i/o operator | |
Stunts | |||
| Zev Eleftheriou | .... | stunt coordinator | |
| Zev Eleftheriou | .... | stunt driver: Gus | |
| Beau Hurren | .... | stunt double: J | |
| Beau Hurren | .... | stunts: Detective #1 | |
| Graham Jahne | .... | stunt double: Pope | |
| Graham Jahne | .... | stunts: SOG #1 | |
| Paul Rochford | .... | stunts: SOG #2 | |
| Jesse Rowles | .... | stunts: Detective #2 | |
| Beau Hurren | .... | assistant stunt coordinator (uncredited) | |
Camera and Electrical Department | |||
| Glenn Arrowsmith | .... | key grip | |
| Emily Jade Barr | .... | camera attachment | |
| Sky Davies | .... | clapper loader | |
| Karl Engeler | .... | gaffer | |
| Adrian Goodwin | .... | assistant grip | |
| Dale Henderson | .... | Steadicam operator | |
| Andrew Jerram | .... | focus puller | |
| Tony Mott | .... | still photographer | |
| Sascha Obermaier | .... | electrics | |
| Jem Rayner | .... | first assistant camera | |
| Bronwyn Rennex | .... | still photographer | |
| Mark Rogers | .... | poster photographer | |
| Narelle Sheean | .... | still photographer | |
| John Tsiavis | .... | still photographer | |
| Anthony Veith | .... | best boy | |
Casting Department | |||
| Angie Fielder | .... | extras casting | |
| Jonny Kennerley | .... | casting assistant | |
| Stevie Ray | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Michael Davies | .... | costume supervisor | |
| Sarah Parr | .... | costume attachment | |
| Maria Pattison | .... | costume buyer | |
| Carolyn Wells | .... | stand-by costume (as Carolyn 'Ruby' Wells) | |
Editorial Department | |||
| Christine Cheung | .... | first assistant editor | |
| Brad Dunn | .... | digital intermediate conformer | |
| Rebecca Dunn | .... | digital intermediate operations | |
| Jamie Hediger | .... | digital intermediate colorist | |
| Gordon MacPhail | .... | digital intermediate production liaison | |
| Darryl McKee | .... | digital intermediate production liaison | |
| Matthew North | .... | digital intermediate supervisor (as Matthew Maxfield North) | |
| Basia Ozerski | .... | additional assistant editor | |
| Jonathan Taylor | .... | first assistant editor | |
| Neil Wood | .... | colorist: dailies | |
| Alex Seymour | .... | editorial production assistant (uncredited) | |
Music Department | |||
| Laura Bishop | .... | arranger: organ music | |
| Wes Chew | .... | music producer | |
| Wes Chew | .... | music recordist | |
| Tim Chung | .... | musician: counter tenor | |
| Phillip Hartl | .... | musician: violin (as Phil Hartl) | |
| Andrew Lancaster | .... | musician: guitar | |
| Jono Ma | .... | additional programming & producing | |
| Jono Ma | .... | musician: treated guitars & synths | |
| David McCormack | .... | musician: guitar | |
| Brett McKern | .... | musician: organ | |
| Phil McLeod | .... | musician: cello (as Philip McLeod) | |
| Antony Partos | .... | music arranger | |
| Jim Pennell | .... | musician: guitar | |
| Sam Petty | .... | composer: additional music | |
| Justin Shave | .... | additional programming & producing | |
| Stefan Karrer | .... | soundtrack album producer (uncredited) | |
Transportation Department | |||
| Patrick Bourchier | .... | unit driver | |
| Clare Hollins | .... | driver | |
| Hamish Macleoud | .... | unit driver | |
| Paul Mahoney | .... | vehicle wrangler | |
| Steve Mahoney | .... | vehicle co-ordinator | |
Other crew | |||
| Lance Anderson | .... | safety officer | |
| Tony Arapoglou | .... | unit assistant | |
| Jeremy Atcliffe | .... | production accountant | |
| Mark Barlow | .... | unit assistant | |
| Manuel Caracciolo | .... | production runner (as Manny Caraccido) | |
| Daniel F. Cardone | .... | production secretary (as Daniel Cardone) | |
| Stephen Carroll | .... | assistant: director | |
| Tom Coltraine | .... | safety officer | |
| Raymond Devitt | .... | script editor | |
| Luke Doolan | .... | title designer | |
| Angie Fielder | .... | assistant: producer | |
| Keith Fish | .... | caterer | |
| Max Fish | .... | caterer | |
| John Fox | .... | armorer | |
| Michele Freccero | .... | script supervisor (as Mimi Freccero) | |
| Serena Gattuso | .... | production coordinator | |
| Tony Gibbs | .... | insurance: HW Wood | |
| Danielle Karalus | .... | epk & begind the scenes | |
| Jo Kennedy | .... | drama coach | |
| Adrian Kortus | .... | safety officer | |
| Pam Kreuger | .... | unit nurse | |
| Sharon Menzies | .... | representative: Fulcrum Media Finance | |
| Linda Micsko | .... | assistant to producer | |
| Kim Millerick | .... | film dailies processing: Deluxe Malbourne | |
| Sara Moroney | .... | assistant accountant | |
| Tom Noble | .... | script consultant | |
| Drew Rhodes | .... | location manager | |
| Jill Ryan | .... | post production accountant (as Jill Dures) | |
| Greg Saunders | .... | drama coach | |
| Jeremy Saunders | .... | title designer | |
| Emile Sherman | .... | representative: Fulcrum Media Finance | |
| Surya Slatter | .... | caterer | |
| Annette Smith | .... | unit publicist | |
| Corrie Soeterboek | .... | completion guarantor: First Australian Completion Bond Company | |
| Nina Stevenson | .... | legal | |
| Guy Sutherland | .... | location assistant | |
| Duncan Thompson | .... | script editor | |
| John Thompson | .... | location assistant | |
Thanks | |||
| Tony Ayres | .... | special thanks | |
| Nick Batzias | .... | special thanks | |
| Alice Bell | .... | special thanks | |
| Sally Browning | .... | special thanks | |
| Jan Chapman | .... | special thanks | |
| Michael Cody | .... | special thanks | |
| Alexandre de Franceschi | .... | thanks | |
| Nash Edgerton | .... | special thanks | |
| Mirrah Foulkes | .... | special thanks | |
| Glendyn Ivin | .... | special thanks | |
| Keri Light | .... | thanks | |
| Charlotte Mickie | .... | special thanks | |
| Spencer Susser | .... | special thanks | |
| Paul Wiegard | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb Australia section |
I will be honest, I have always found it hard to get excited about seeing an Aussie movie. I'm of the general opinion that the Oz film industry is normally too wrapped up in being 'true blue' that they forget to make films with a universal theme and subsequently building an output that strays very little. Well hasn't 2010 proved me wrong. First there was the breath of fresh air that was Bran Nue Dae followed by the memorable American-set debut by Sydney director Andrew Lancaster, Accidents Happen, and the moving WWI drama Beneath Hill 60. Then, like the final dose of a patriotic inoculation to my anti-Oz entertainment views of old, comes first-timer David Michod's Sundance winning Animal Kingdom, gaining my first five-star rating for the year.
With nary a flaw to be found, this crime-drama unfolds at a terrifically slow-burning yet somehow exhilarating pace. The intricately detailed tale has been crafted with such care and dedication that every single frame seems to be oozing with importance, whilst the amazing soundtrack significantly adds to the immersive atmosphere. Drawing you in from the very first scene and never letting you go, you can't help but think about what happens long after the final credits roll. The ambitious movie-making and successful result is even more remarkable when you consider that Michod never resorts to gratuitousness (with violence or sex) or over-the-top, colourful personalities fallback devices for many modern 'gangster' pictures instead allowing his immaculately constructed story and deeply invested characters, all of whom share a layered relationship with one another, to sweep us away.
Jacki Weaver has received numerous critical plaudits for her unnerving performance as Grandma Smurf a resourceful, persevering women who'll stop at nothing to protect her boys and deservedly so; the powerful handle she has on her sons and her willingness to embrace the criminal environment is deeply disturbing and chilling. Also tremendous, and for me the acting highlight of the picture, is Mendelsohn. An eerily quiet felon that can explode into unhinged and desperate violence at any moment, the monstrous Pope commands every bit of our attention. Witnessing his calm exterior when being arrested by the cops for a heinous crime either because he assumes he'll go free or because going to prison just doesn't faze him is extraordinary. Elsewhere youngsters Frecheville and Ford do a commendable job holding their own against such an experienced cast; Stapleton is fascinating as the drug-fuelled middle sibling; adding class and impact as always is international star Pearce whilst the immensely talented Edgerton presents a likable and charismatic alternative as Cody family friend Barry.
A triumph of Australian cinema, this could very well be one of our nation's greatest.
5 out of 5 (1 - Rubbish, 2 - Ordinary, 3 - Good, 4 - Excellent, 5 - Classic)