7.3/10
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156 user 256 critic

Animal Kingdom (2010)

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A seventeen year-old navigates his survival amongst an explosive criminal family and the detective who thinks he can save him.

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3,594 ( 197)
Nominated for 1 Oscar. Another 38 wins & 54 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Bryce Lindemann ...
Paramedic #1
Paul Smits ...
Paramedic #2
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...
...
...
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Anthony Ahern ...
Armed Robbery Detective
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Detective Randall Roache
...
Hood #1
Chris Weir ...
Hood #2
...
Sarah Nguyen ...
Waitress
Lucia Cai ...
Cashier
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Storyline

Despite being no saint herself, Julia Cody has shielded her seventeen year old son, Joshua "J" Cody, from her Melbourne-based criminal relatives who they have not seen in years. After Julia dies in front of J's eyes from a self-inflicted heroin overdose, J, who is slightly detached from life, feels he has no choice but to contact his maternal grandmother, Janine "Smurf" Cody, the family matriarch, for a place to live. Smurf rules the family with a borderline incestuous love over her three sons, the quietly menacing Andrew "Pope" Cody, the hyperactive Craig Cody, and the barely of age Darren Cody. Pope and his best friend, Barry "Baz" Brown, are armed robbers, with Darren their up and coming apprentice, while Craig is a mid level drug dealer. Melbourne's Armed Robbery Squad is after specifically Pope, who is hiding out. But when the standoff between the Codys and the Armed Robbery Squad is brought up a notch, an all out war ensues, with some casualties and J caught in the middle. The ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

A crime story.

Genres:

Crime | Drama

Motion Picture Rating (MPAA)

Rated R for violence, drug content and pervasive language | See all certifications »

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Release Date:

3 June 2010 (Australia)  »

Also Known As:

Carstvo životinja  »

Filming Locations:


Box Office

Budget:

AUD 5,000,000 (estimated)

Opening Weekend:

$61,968 (USA) (13 August 2010)

Gross:

$1,043,798 (USA) (11 March 2011)
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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Two of the film's principals - writer/director David Michôd and supporting actor Joel Edgerton - are members of Australia's Blue-Tongue Films movie-making collective. See more »

Quotes

Andrew 'Pope' Cody: [Last words before being killed, and last words of the film] It's a crazy fucking world.
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Connections

Featured in Ebert Presents: At the Movies: Episode #1.3 (2011) See more »

Soundtracks

All Out of Love
Written by Graham Russell & Clive Davis
Performed by Air Supply
(c) All Rights Reserved on behalf of Nottsongs
Administered by Warner Chappell Music Australia Pty Ltd
By kind permission of Warner CHappell Music Australia Pty Ltd
Courtesy of Big Time Phonograph Recording Co Pty Ltd
Under license from EMI Music Australia Pty Ltd
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User Reviews

 
Great crime story
7 June 2010 | by (Australia) – See all my reviews

After his mother dies, 17 year old J comes to live with his estranged grandmother and uncles, a family of felons. He enters the animal kingdom of suburban crime and stumbles through a minefield of sociopaths, cops and lawyers, all claiming to protect him. J soon learns though that trust means nothing when people are desperate.

This is a dramatic, well-made film that haunts the mind. Highly cinematic, meticulously crafted, thrilling and poignant in equal measure. The director emphasises realistic dialogue, multi-dimensional characters and underplays violence. Still, the film is palpably tense, there are scenes that will leave you shaking, even where there is no bloody payoff. As the body count builds even a car slowly reversing down a driveway becomes a menacing sight. The ending is satisfying.

The film is very well acted, young Frecheville keeps it natural and holds his own amongst titanic performances from veteran Aussies. Mendelsohn as Uncle Pope is particularly brilliant, dressed at Christmas from Lowes, this dorky suburban thug bullies the weak (including his passive younger brother Darren, unhappily entrenched in a life he cannot escape from), and who's confrontational behaviour springs from a deep well of paranoia. His maladjusted moral compass so skewed he frequently crosses into psychopathic territory. And yet he remains all too human, he's a mundane monster. Weaver too, leaves a memorable impression, where revelations abound in the film's third act.

My only complaint is that I would have liked to have seen a courtroom scene that is left to the imagination, we see corrupt police in action, why not a demonstration of hypocrisy in the justice system too? But this is a minor whinge in the grand scale of this ambitious story.


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