| George W. Bush | ... | Himself (archive sound) | |
| Joe Napolitano | ... | Himself - Interviewe | |
| Kelly Edwards | ... | Herself - Reporter (archive sound) |
Directed by | |||
| Nicole Rittenmeyer | |||
| Seth Skundrick | |||
Produced by | |||
| Katie Deutsch | .... | associate producer | |
| Greg Jacobs | .... | executive producer | |
| Nicole Rittenmeyer | .... | producer | |
| Jon Siskel | .... | executive producer | |
| Sarah Tautin | .... | contributing producer | |
| Susan Werbe | .... | executive producer | |
Original Music by | |||
| Brendon Anderegg | |||
Film Editing by | |||
| John Knauer | |||
| Seth Skundrick | |||
Sound Department | |||
| Seth Skundrick | .... | sound designer | |
| Damon Trotta | .... | production mixer | |
Editorial Department | |||
| John Knauer | .... | on-line editor | |
| Gurevich Lee | .... | on-line editor (as Lee Gurevich) | |
Other crew | |||
| Alfie Alvarado | .... | footage | |
| Richard Bacon | .... | footage | |
| Luigi Cazzaniga | .... | footage | |
| Devin Clark | .... | footage | |
| Hubert Clark | .... | footage | |
| David Corporon | .... | footage | |
| Rose DelCastillo | .... | footage | |
| Darcy Dennett | .... | footage | |
| Caroline Dries | .... | footage | |
| Cheryl Dunn | .... | footage | |
| Evan Fairbanks | .... | footage | |
| Amanda Farinacci | .... | footage | |
| Ilse Fernandez | .... | footage | |
| Max Frankston | .... | footage | |
| Dolores Gavin | .... | developer | |
| Barron Gullette | .... | footage | |
| Jim Huibregtse | .... | footage | |
| Derek Johnson | .... | footage | |
| John Kalymnios | .... | footage | |
| Greg Kelly | .... | footage | |
| Shazia Khan | .... | footage | |
| Noah Klersfeld | .... | footage | |
| Mark Laganga | .... | footage | |
| Keith Lane | .... | footage | |
| Jim McDonald | .... | footage | |
| Brad Miller | .... | footage | |
| Scott Myers | .... | footage | |
| Sam Reigel | .... | footage | |
| William Rexer | .... | footage | |
| Nicole Rittenmeyer | .... | researcher | |
| Antonio Rosario | .... | footage | |
| Matthew Santo | .... | footage | |
| Kevin Segalla | .... | footage | |
| Jenn Shaffer | .... | archive consultant | |
| Adam Shanker | .... | footage | |
| Jeffrey Simmons | .... | footage | |
| Kai Simonsen | .... | footage | |
| Peter Strid | .... | footage | |
| Jeff Sutton | .... | footage | |
| Jack Taliercio | .... | footage | |
| Neil deGrasse Tyson | .... | footage | |
| David Vogler | .... | footage | |
| Kelly Vorrasi | .... | programming coordinator | |
| Mark Wainger | .... | footage | |
| Recent Posts (updated daily) | User |
|---|---|
| Editing | boywiththethorn |
| Is it Howard Stern? | tlcorsello-1 |
| The jumpers | swtcarolinagurly |
| As good as it gets | mngillespie |
| Enjoyable but.... | adriandecleir |
| just watched on c4... | wishrightnow |
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| 9/11 | Flight 93 | Fahrenheit 9/11 | DC 9/11: Time of Crisis | The Path to 9/11 |
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| Full cast and crew | Company credits | External reviews |
| IMDb Documentary section | IMDb USA section |
I remember 9/11, in the UK I just finished college and was getting the bus when some people were saying they got text messages from other friends telling them someone attacked the twin towers. When i got home I found my younger brother glued to the TV telling me one of the towers were burning away, I saw it and I was in disbelief.
In the same way this is how the documentary starts with a surprise on seeing the tower on fire, nobody knowing of yet how it hit at the time. That was at 8:46am people just got up to leave home, and on the other side of the Atlantic I was on my way back home.
The style of the program is cameras from camermen on the ground as well as civilian footage, the reactions of anger, fear and more all seen and absorbed to this footage.
Then you see the fires, the jumpers, the second crash, the fall of the tower, the dust, the second collapse and a final dust sweeping over new york.
What was perhaps the greatest shock was seeing the full devastation the dust brought, covering all streets in dirty brown dust, water is dirty, windows smashed and an entire scenery which bears no resemblance to the New York we all know and love. To be there at time must had been terrifying, and no Hollywood film could replicate the fear the events brought as shown from eyes of ordinary people.
This film serves just as much an educational purpose as it does retelling the events.