A loan shark gives ex-con Nick a period of 24 hours in order to pay back the money he owes. Up against it, Nick involves his best mate on a multi-part mission in order to raise the cash ... See full summary »
A gun-for-hire known only as Agent 47 hired by a group known only as 'The Organization' is ensnared in a political conspiracy, which finds him pursued by both Interpol and the Russian military as he treks across Russia and Eastern Europe.
When a Las Vegas performer-turned-snitch named Buddy Israel decides to turn state's evidence and testify against the mob, it seems that a whole lot of people would like to make sure he's no longer breathing.
A loan shark gives ex-con Nick a period of 24 hours in order to pay back the money he owes. Up against it, Nick involves his best mate on a multi-part mission in order to raise the cash before it's too late for them both. Written by
When Nick and Bing are stopped by police on the M6 motorway the officer tells Nick he was doing 92 in a 70 zone. London taxis are speed limited to 70mph. Furthermore British police do not patrol motorways on motorcycles because it is too dangerous. See more »
Performed by The Prodigy
Written by Liam Howlett (as Howlett) / Keith Flint (as Flont) / Maxim Reality (as Maxim)
Published by EMI / Virgin Music Publishing, EMI Music Universal / MCA Music
Licensed Courtesy of XL Recordings Ltd
(P) 1997 XL Recordings Limited
ISRC No: GB-BKS-97-00074
Also available on the album 'Their Law The Singles 1990-2005' XLCD 190 See more »
I wasn't expecting great things from this movie and I wasn't disappointed. The plot is very two-dimensional but done reasonably well, the film is well-paced and directed competently with a fair bit going on in its 90-ish minute runtime. It's never going to trouble the Academy but it pretty much does what it says on the tin as a run-of-the-mill UK gangster flick.
The performances leave a little bit to be desired, however. Danny Dyer, who now seems hopelessly typecast, really phones in his performance and it would be nice to see him given a role which might stretch him. If he keeps taking roles like this one, though, it ain't going to happen. Here Dyer is reunited with his co-star from 'The Business' (ten times the film that 'Dead Man Running' is, by the way) Tamer Hassan. Hassan, again, means well but again he's given very little to work with. It's a shame as both he and Dyer have, I feel, more to offer than this formulaic 'good-guys-gone-a-little-bad' buddy-buddy nonsense.
The chief baddie is 'played' by Curtis 'fifty pence' Jackson and it's not good, people. I'm not a fan of his music but he undeniably has talent, just not on the boards. His performance is borderline embarrassing but thankfully he doesn't take up much screen time.
Not a great movie, not a disaster either. Just average.
I did chuckle when I saw the name of footballer Rio Ferdinand in the credits as an 'executive producer' and the Jar-Jar Binks lookalike even gets a dedicated (and very clunky) line in the script. Rio's got his insipid 'Number 5' online magazine going on and now fancies himself as a mover and shaker in the film world but someone really ought to take the big man to one side and quietly explain to him that he is not in any way 'cool', nor will he ever be. Stick to football, Rio, you're quite good at that (recent performances aside).
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