Six years after Michael Myers last terrorized Haddonfield, he returns there in pursuit of his niece, Jamie Lloyd, who has escaped with her newborn child, for which Michael and a mysterious cult have sinister plans.
Heidi, a radio DJ, is sent a box containing a record - a "gift from the Lords". The sounds within the grooves trigger flashbacks of her town's violent past. Is Heidi going mad, or are the Lords back to take revenge on Salem, Massachusetts?
Sheri Moon Zombie,
Three years after he last terrorized his sister, Michael Myers confronts her again, before traveling to Haddonfield to deal with the cast and crew of a reality show which is being broadcast from his old home.
Michael Myers is still at large and no less dangerous than ever. After a failed reunion to reach his baby sister at their old home, Laurie Strode is immediately taken to a hospital to be treated by the wounds that had been afflicted by her brother a few hours ago. However, Michael isn't too far off and will continue his murdering 'Halloween' rampage until he gets his sister all to himself. Written by
(at around 2 mins) The shirt that Laurie wore in the beginning of the film when she's walking with the gun and being pulled through the hospital, it's obviously not the same shirt used in the first movie. See more »
21st Century grindhouse retelling of John Carpenter's classic
If you're a fan of Rob Zombie's other films *House of 1,000 Corpses, The Devil's Rejects, and Halloween*, I honestly can't see any reason why you wouldn't like this movie as well. The weird visions/dreams that Laurie Strode receives are very reminiscent of HO1C, it has the gritty look and feel of Devil's Rejects, and it takes the characters from the previous Halloween and instead of retreading the same story again, Zombie puts them into something entirely new and uncharted that was never attempted in the John Carpenter originals. Yes, it's extremely brutal and violent, but, it IS a horror movie, and a Rob Zombie one to boot, so what did you really expect out of it? Zombie said from the get-go that he set out to take the Halloween story and make it his own vision, which is exactly what he's accomplished with his two entries into this franchise. It's not high art, nor does it set out to be. It's a pure escapist, pop-corn genre flick, much in the vein of the exploitation movies that Mr. Zombie was weened on, and I applaud him for making it in such a fashion. Kudos.
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