Six years after Michael Myers last terrorized Haddonfield, he returns there in pursuit of his niece, Jamie Lloyd, who has escaped with her newborn child, for which Michael and a mysterious cult have sinister plans.
Three years after he last terrorized his sister, Michael Myers confronts her again, before traveling to Haddonfield to deal with the cast and crew of a reality show which is being broadcast from his old home.
Heidi, a radio DJ, is sent a box containing a record - a "gift from the Lords". The sounds within the grooves trigger flashbacks of her town's violent past. Is Heidi going mad, or are the Lords back to take revenge on Salem, Massachusetts?
Sheri Moon Zombie,
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Michael Myers is still at large and no less dangerous than ever. After a failed reunion to reach his baby sister at their old home, Laurie Strode is immediately taken to a hospital to be treated by the wounds that had been afflicted by her brother a few hours ago. However, Michael isn't too far off and will continue his murdering 'Halloween' rampage until he gets his sister all to himself. Written by
Scout Taylor-Compton was personally approached by an Academy Award winner Meryl Streep because they were so moved by her portrayal of a PTSD victim in this movie. See more »
(at around 1h 17 mins) When Laurie and Mya find Annie near death upstairs, Laurie tells Mya to go and call the police. Mya agrees, and slowly walks off screen, as Laurie turns away. The next shot shows Mya sprinting from that spot, with Laurie completely out of sight, not even standing in the door frame. But in the shot after, Laurie is clearly standing in the door frame, which was completely visible in the previous shot. See more »
[at the beginning before the opening credits] WHITE HORSE - Linked to instinct, purity and the drive of the physical body to release powerful and emotional forces, like rage with ensuing chaos and destruction. --excerpt from the Subconscious Psychosis of Dreams. See more »
I knew going into this movie that it was not a John Carpenter flick. If I wanted to see that version, I could have Netflix'd it and saved myself a few bucks. I wanted to see Zombie's take on the movie, and I wasn't let down. Like all of Zombie's films, there are no Beaver Cleavers (haha... cleaver) or Mr. Wilsons... They are just the type of people that you see every day and your average white collar worker wants to stay away from. The movie is meant to make you uncomfortable, and it does this fabulously. I honestly don't know what everyone is upset about, it's a movie! I appreciate RZ's effort to take a classic such as this and put his own demented, modern twist into it. Great movie, highly recommended, but if you want to see the Carpenter version, go to Blockbuster!
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