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Halloween II (2009)
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Halloween II (2009)

R  |   |  Horror  |  28 August 2009 (USA)
4.9
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Ratings: 4.9/10 from 33,439 users  
Reviews: 486 user | 213 critic

Laurie Strode struggles to come to terms with her brother Michael's deadly return to Haddonfield, Illinois; meanwhile, Michael prepares for another reunion with his sister.

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Cast

Cast overview, first billed only:
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Young Michael (as Chase Vanek)
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Storyline

Michael Myers is still at large and no less dangerous than ever. After a failed reunion to reach his baby sister at their old home, Laurie Strode is immediately taken to a hospital to be treated by the wounds that had been afflicted by her brother a few hours ago. However, Michael isn't too far off and will continue his murdering 'Halloween' rampage until he gets his sister all to himself. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

You can run. You can hide. Or, you can fight... LIKE HELL. See more »

Genres:

Horror

Motion Picture Rating (MPAA)

Rated R for strong brutal bloody violence throughout, terror, disturbing graphic images, language, and some crude sexual content and nudity | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

28 August 2009 (USA)  »

Also Known As:

H2  »

Filming Locations:

 »

Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend:

$16,349,565 (USA) (28 August 2009)

Gross:

$33,386,128 (USA) (20 November 2009)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (unrated director's cut)

Sound Mix:

| |

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Jesse Dayton recorded an album as Captain Clegg, the album was produced by Rob Zombie and released on August 18, 2009. A music video for the song 'Zombie A Go Go' was directed by Don Swaynos and released online, while several other videos, directed by Zombie, were included on the film's DVD / Blu-Ray release. See more »

Goofs

During Loomis's interview in front of the dilapidated Myer's house it is obviously not the same house used in the previous film. See more »

Quotes

Deborah Myers: You know who I am, Angel. Now, repeat after me: I love you, Mommy.
[Laurie being held down by young Michael in her mind]
Deborah Myers: I LOVE you, Mommy.
Laurie Strode: [Laurie stops struggling and whispers... ] I love you, Mommy.
See more »

Crazy Credits

Stills of crime scene photographs of Michael's murders are shown over the credits. See more »


Soundtracks

Violin Sonata No. 2 in A Major
Written by Ludwig van Beethoven
Performed by Takako Nishizaki (as Tanako Nishizaki) (violin) and Jenõ Jandó (piano)
Courtesy of Naxos
By Arrangement with Source/Q
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Killer Instincts
29 August 2009 | by (Hellfudge, Pennsylvania) – See all my reviews

In my review of Quentin Tarantino's "Inglourious Basterds," I wrote that those put off by "Death Proof" would also likely be put off by his latest. Go figure that one week later, I am applying the same notion to Rob Zombie's sequel to his 2007 remake of "Halloween." One of the most heatedly derided remakes to date, I found Zombie's take impassioned and sincere while transcending John Carpenter's minimal, workmanlike low-budget-horror-flick terrain. While not a perfect film, "Halloween" epitomized (to me, anyway) the creative potential of the remake when placed in the right hands.

"Halloween II" finds Zombie returning to the Michael Myers maelstrom while tightening already-established character arcs, employing a harshly gritty style (courtesy of DP Brandon Trost), and topping it all off with a heapin' helpin' of carnage. Whereas "Halloween" focused on the inception and evolution of Michael Myers (Tyler Mane) from a murderous youth to the hulking masked madman we all know and love, Zombie's thematic focus this time out is "family" (and its many incarnations), using the traumatized character of Laurie Strode (Scout Taylor-Compton) as its axis.

Picking up one year after the fateful night her brother decided to come home, Laurie has become a punked-out version of her former virginal suburbanite self, and now resides with Sheriff Lee (Brad Dourif, sporting a Ted Nugent hairdo) and Annie Brackett (Danielle Harris). Meanwhile, the Eve of All Hallows is looming over Haddonfield like a shadowy blanket, with a rejuvenated, hooded-angel-of-death Michael Myers making a pilgrimage back home, guided by the specters of his younger self (Chase Wright Vanek) and his mother, Deborah (Sheri Moon Zombie). In the meantime, Dr. Sam Loomis (Malcolm McDowell) has become a pop-psychology celebrity, authoring yet another book on his last run-in with the notorious Myers.

With "Halloween II," Zombie drops the slick, polished look of the initial film, replacing instead with dark, grainy stock punctuated by flashes of neon and the soft focus of black & white. In many ways, the director has created a film that, like his characters, is schizophrenic in its style, cleverly threading complex dream sequences into reality, and cutting away from scenes with little warning. While the employment of dream sequences in most films is a cheap tactic for a "GOTCHA!" moment, Zombie keeps his motives ambiguous: do the dreams represent a psychic link between Laurie and Michael? the erosion of Laurie's sanity? Michael's distorted concept of pilgrimage? Either (and every) way, they give the proceedings a richly layered psychological weight that, in addition to their shock value, make us feel that the characters each have something at stake. The events leading up to the brilliantly-staged climax are both unpredictable and surprisingly affecting.

Unlike the "Saw" sequels (which have become the bane of the discriminating horror fan's existence), bathed in a hypocritical morality amid all the twisted flesh, spilled blood, and dungeon locations, Zombie is cognizant of death as something horrifying and destructive--the murders in "Halloween II" are played straight, executed with a fury that is disquieting; Myers has become a driven beast whose path of destruction possesses a joyless, workmanlike quality, removing any potential glamorization from the act. Every flesh-tearing slash, every helpless scream, cuts to the bone.

Quite admirably, Zombie uses his second go-'round with Myers as a chance to tie up character arcs and plot threads that felt truncated in the over-ambitious "Halloween": Loomis, who seems detached from most of the main plot, is given a chance to redeem his greedy, bottom-feeder ways; Sheriff Brackett gets to exhibit a paternal side, but also an authoritarian mentality once the code of law is broken (he has several great, emotionally wrenching scenes near the end of the film); as Deborah, Sheri Moon Zombie's detached, trancelike performance is apt for the physical manifestation of the voice guiding a psychotic mind. Amid the carnage of his corpse-strewn landscape, Zombie's interest in character interaction and moral ambiguity gives "Halloween II" a depth that, for those with the stomach to take it, is downright refreshing.


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