A grown man caught in the crossfire of his parents' 15-year divorce discovers he was unknowingly part of a study on divorced children and is enlisted in a follow-up years later, which wreaks new havoc on his family.
When their father passes away, four grown siblings are forced to return to their childhood home and live under the same roof together for a week, along with their over-sharing mother and an assortment of spouses, exes and might-have-beens.
An affable underachiever finds out he's fathered 533 children through anonymous donations to a fertility clinic 20 years ago. Now he must decide whether or not to come forward when 142 of them file a lawsuit to reveal his identity.
A Princeton admissions officer who is up for a major promotion takes a professional risk after she meets a college-bound alternative school kid who just might be the son she gave up years ago in a secret adoption.
A.C.O.D. follows a seemingly well-adjusted Adult Child of Divorce (Adam Scott) who is forced to revisit the chaos of his parents' (Catherine O'Hara and Richard Jenkins) bitter divorce all over again after his younger brother (Clark Duke) decides to get married. Written by
The Film Arcade
A.C.O.D. is at times too amiable and meandering for its own good, but it gets by on a decent number of laughs and a strong cast. I kept waiting for things to escalate but it never quite happened despite the way the characters treat each other. I can't say it was a disappointment as I wasn't really expecting anything from it, but I suppose I just wanted it to be a bit... more.
Director Stuart Zicherman has assembled a cast including such reliably funny actors as Adam Scott, Catherine O'Hara, Jane Lynch and Amy Poehler, and he's co-written (with Ben Karlin) a film that is, to be fair, consistently laugh out loud funny. It's engaging enough, and it ends on a perfect note. I just can't get excited about it.
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