A grown man caught in the crossfire of his parents' 15-year divorce discovers he was unknowingly part of a study on divorced children and is enlisted in a follow-up years later, which wreaks new havoc on his family.
A Princeton admissions officer who is up for a major promotion takes a professional risk after she meets a college-bound alternative school kid who just might be the son she gave up years ago in a secret adoption.
Workaholic attorney, Alex [Winstead] is forced to reinvent her life after her husband suddenly leaves. Now faced with the humdrum and sometimes catastrophic events that permeate the fabric ... See full summary »
Mary Elizabeth Winstead,
A.C.O.D. follows a seemingly well-adjusted Adult Child of Divorce (Adam Scott) who is forced to revisit the chaos of his parents' (Catherine O'Hara and Richard Jenkins) bitter divorce all over again after his younger brother (Clark Duke) decides to get married. Written by
The Film Arcade
This is a semi-autobiographical film loosely based on co-writer/director Stu Zicherman's own experience as an Adult Child of Divorce (A.C.O.D.), one who also helped soothe the conflict between his divorced parents when his sibling got married. See more »
(At around 29 minutes.) Trey and Kieko are going over the seating chart for their wedding. When Carter enters, Trey presents his idea about where to seat their parents. The tables that Trey pulls to the center of the chart are colored with white guests and black. After the brief conversation, Carter reaches across and separates the same two tables. This time, both tables from before are now the same and colored with only white guests. See more »
On-screen credits are repeated for Brandon Tonner-Connolly, the first time as Property Master, and the second time as Propmaster. See more »
This is a typical comedy/drama about marriage, love, life, and adultery. It's filmed well, acted reasonably well, and told in a clear style.
But despite all of that, it just sort of sucks. For starters, it's not funny. It's sad. While the story is clear, it's not a good one by any means. In fact, it had me a little bit baffled. Were we supposed to feel sympathy for the main character? Or were we supposed to agree with everyone else' take that there is something wrong with him?
The plot is simple. There is a man who's parents divorced in a very ugly fashion years previous, and made his life miserable growing up, resulting in a well-adjusted young man who is afraid to get married. It seems plausible, but it doesn't carry through well at all. Several characters in the film repeatedly tell the main character that he needs to address his issues. But frankly, I felt throughout the entire movie that it was EVERYONE ELSE that was broken.
You have a ton of people doing bad things to each other with no thought at all about how it effects other people, and it's HIM that needs fixing? It didn't fly. Not even a little bit.
If this movie succeeds in poking fun at anything, it would be that it spends a great deal of time mocking the institution of marriage. An action I felt was neither warranted nor funny.
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