| Ruth Thoma Andrews | ... | Martha | |
| Karly Bender | ... | Kellie | |
| Thomas H. Bennett | ... | Edward | |
| Lori Clapper | ... | Elaine Dombrowski | |
| Scott Frisina | ... | Tim | |
| Jennifer Hooper | ... | Kristen | |
| Jacqueline Johnson | ... | Gertie | |
| Don Kirsch | ... | Roger McKenna | |
| Rhia Lyons | ... | Jessica | |
| Courtney Mallen | ... | Kathy | |
| Samuel McAuley | ... | Visiting Family | |
| Amara Arielle Offhaus | ... | Maria | |
| Dick Ropp | ... | Rufus | |
| Craig Schneider | ... | Bob Dombrowski | |
| Melissa Scott | ... | Nurse | |
| Terrence Smith | ... | Neil Woodard | |
| Charmalene Ulmer | ... | Tammy | |
| Natalie Vindivich | ... | Amy | |
| Joshua Werner | ... | Sam |
Directed by | |||
| John C. Lyons | |||
Writing credits(in alphabetical order) | ||
| John C. Lyons | ||
Produced by | |||
| John C. Lyons | .... | co-producer | |
| Dorota Swies-Lyons | .... | co-producer | |
Original Music by | |||
| Andrew Flatley | |||
Cinematography by | |||
| Michael Best | |||
| John C. Lyons | |||
| Dorota Swies-Lyons | |||
Film Editing by | |||
| John C. Lyons | |||
| Dorota Swies-Lyons | |||
Makeup Department | |||
| Nancy Fioretti | .... | head makeup artist | |
Sound Department | |||
| Kirk Daniels | .... | best boy grip | |
| Kirk Daniels | .... | boom operator | |
Camera and Electrical Department | |||
| Michael Best | .... | gaffer | |
| Michael Best | .... | lighting technician | |
Other crew | |||
| Russ Polizzi | .... | script supervisor | |
| William R. Vitanyi Jr. | .... | script supervisor | |
Thanks | |||
| Major Foor | .... | special thanks | |
| Dave Stevens | .... | special thanks | |
| Vicky Wittuck | .... | very special thanks | |
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| Away from Her | The Notebook | The Savages | Bend It Like Beckham | Assisted Living |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section |
Schism is a display of independent film making brilliance.
John Lyons has proved that a moving story beats a big budget in the "Rock, Paper, Scissors" game of film making. In this story of end of life reflection, Mr. Lyons has captured to most intricate nuances of the fragile mind in a graphical depiction that leaves the audience on the edge of their seat.
With the help of seasoned local actors, he dives into his broad wealth of photographic magic to pull out a winner. Cinematography, audio clarity, and creative imagery are helpful, but the synthesis of reality and the dark recesses of the aging mind add an unexpected but very appreciative twist.
Congratulations John, on a moving masterpiece.