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Wushu Warrior (2010)

PG-13  |   |  Action  |  2 March 2010 (USA)
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Ratings: 4.2/10 from 373 users  
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China, 1862: Lord Lindsey rules the opium trade and enslaves the innocent. The only hope for the oppressed nation is a covert group of trained Wushu Warriors - The Red Lotus Society - who will fight to restore justice to its people.



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Cast overview, first billed only:
Lord Edward Lindsey
Jonathan Elders
Priscilla Lindsey (as Amber Mullin)
Gang Zhao ...
Uncle Pei
Lok-Tung Po ...
Qian Hua (as Pu Pu)
Yuan Fang ...
Luke Liu Zhi Gang ...
Peng Zhen Zhong ...
Eddy Yihua Lin ...
Chow Fung
Xiao Lung Ding ...
Master Li (as Din Xiao Long)
Cui Yue Ming ...
Lai (as Cue Yue Ming)
Matthew Bloomfield ...
Reverend Elders
Hai Bin ...
Ding Lan
Joseph Cannell ...
Young Jonathan (age 10)
Captain Reynolds (as Karl Dominik Ignaczak)


China, 1862: Lord Lindsey rules the opium trade and enslaves the innocent. The only hope for the oppressed nation is a covert group of trained Wushu Warriors - The Red Lotus Society - who will fight to restore justice to its people.

Plot Summary | Add Synopsis

Plot Keywords:

martial arts | See All (1) »


He was the one they feared the most!



Motion Picture Rating (MPAA)

Rated PG-13 for some violence and drug content | See all certifications »




Release Date:

2 March 2010 (USA)  »

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Did You Know?


In a scene that alternates back and forth between the girl locked in a room and the hero working out by himself, in one of his spin kicks towards the end of the routine, you can see that his foot strikes some kind of curtain that contains the background image. See more »

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User Reviews

"Go play with your foreign devil!"
10 May 2015 | by (United States) – See all my reviews

Eager for a new face in the kung fu genre, I had kept this Tod Fennel vehicle on my radar for the longest time before finally renting it, and in the aftermath, I'm just glad that I didn't buy it. WUSHU WARRIOR is an occasionally pretty but consistently substandard effort to make a Hong Kong period piece thru European production companies. In its heart of hearts, the film wants to be a martial arts version of DANCES WITH WOLVES but ends up so bereft of its own identity that I'll be surprised if I can still remember it in a week from now.

The story: When his father is killed for interfering in the opium operation of the devious Lord Lindsey (Matt Frewer), Jonathan Elders (Fennel) - a British boy living in China during the 19th century - is raised by a group of rebels and learns the art of wushu to enact vengeance on the evil lord.

I'm not sure what medium this movie was produced for (theaters, video, TV?), but it has a curiously contained look. I'm pretty certain that the entire film comprises less than ten whole sets, and while generally nice-looking, they're all relatively small. Stylistically, the picture makes me think of a small-scale version of SON OF THE DRAGON, and instead of David Carradine, we have young Tod Fennel in the lead. Tod seems to be a good martial artist, but his screen presence leaves a lot to be desired: were it not for his singularly awful haircut, he'd be completely faceless. Then again, such is the case with most performers in the movie, the majority of which are Chinese first-timers. Veteran Matt Frewer is a rare exception, though he too isn't on top of his game: the scene wherein he intimidates and then shoots a guard ought to have been impressive and foreboding, but because of the inauspicious script and blocking, it just looks contrived.

The martial arts content likewise ends up being pretty forgettable - not terrible, just not worth much notice. A karate practitioner in real life, Fennel gets the wushu moves down pretty good, but the choreography tends to be basic and unambitious. There's a lot less wirework than I had expected (what's there is pretty silly, though), and I appreciate how many of the five matches remain grounded, but I can't point to a single one that rises higher than numbingly average in quality; there's just not a lot of cool things going on in them. Likely realizing this, the filmmakers addressed the problem via some really laughable CGI inserts throughout. In the film's universe, martial arts seem to be synonymous with magic, and as a result, one character (Gang Zhao) is inexplicably able to teleport while Tod manages to conjure a wispy dragon which blasts Matt Frewer against a wall, DRAGON BALL Z style.

On an offhand note, the film managed to surprise me with the treatment of the character played by Amber Goldfarb, taking her in a different direction than convention intended. Needless to say, this isn't enough to make the movie worth watching, and I can't recommend this to too many people. Its PG-13 rating may make it accessible to younger fu fans, but I can't think of anybody who'd genuinely appreciate this one.

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