When Corde Christopher gets a visit from legendary pimp, he's delighted as he just happens to be broke. He gets sucked into a dangerous game of prostitution, money and murder and ends up ... See full summary »
A private detective is hired to find a missing stripper but the job turns complicated when everyone he questions ends up dead. From the mean streets of Los Angeles to the desolate desert of New Mexico, Cruz must contend with a brutal Russian Boxer, three brash LAPD detectives, an aged billionaire looking for the Big Bang, and the billionaire's stunningly gorgeous wife. The solution to the mystery will cost ten lives, net $30 million and just might explain - well - everything. Written by
Who was it? Who crashed the party?
Well, that... that... that's simple. The guys who had been shadowing Anton, then tailing me... the guys in the Lincoln Town car. I can describe them. One is a fucking sociopath, who never finished first grade and who nobody likes. Another is a broken down family man, with nothing... nothing to show for his life. And the third guy... wears brown shoes and a black suit because he can't tell the difference between right and wrong.
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I'm not quite sure how to rate this movie. It's very well made, with excellent (if somewhat typecast) acting from all involved. The direction shows a real sense of style, making bold use of color, hue, saturation, surreal environments, and dream-like sequences... yet all of these seem directly lifted from a David Lynch movie. Indeed, the director has even produced a Lynch movie (Mulholland Drive). The dreamy yet rocking score from Johnny Marr really gives life to the movie, yet constantly sounds like lost tracks from Achtung Baby, the U2 album. And then there's the story. I love the story, but I loved it even better when it was a Wim Wenders movie called Until the End of the World.
This movie is pure plagiarism, right down to the soundtrack (Johnny Marr, what happened?!), but it's excellently made. As an unauthorized and uncredited American remake of Wim Wenders' awesome 1991 movie, there's both a lot to love and a lot to hate.
Someone should be facing a lengthy legal battle right now, and it's a shame, because this movie is so well done. Maybe next time the director will find his own vision, instead of plagiarizing his idols.
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