American Scary is a look at the nation's tradition of horror hosting, from Ghoulardi to Ghoul-A-Go-Go. Follow this American folk art form from its glamorous beginnings, through repeated ... See full summary »
John E. Hudgens
George 'E-Gor' Chastain
You've heard of Hollywood, a town of tinsel and glamour, the town of Paramount, Columbia and MGM. But there is another Hollywood, a place where maverick independent EXPLOITATION FILMMAKERS... See full summary »
A naive and innocent teenage girl is blackmailed into modeling in the nude for a photographer who is in league with a teenage gang whose boss illegally sells photos of teenage girls being abused and degraded.
Herschell Gordon Lewis
Allison Louise Downe,
Lawrence J. Aberwood
A documentary that follows the evolution of the 'Halloween' movies over the past twenty-five years. It examines why the films are so popular and revisits many of the original locations used... See full summary »
Film Noir burrows into the mind; it's disorienting, intriguing and enthralling. Noir brings us into a gritty underworld of lush morbidity, providing intimate peeks at its tough, scheming ... See full summary »
This documentary explores the hidden history of the American Exploitation Film. The movie digs deep into this often overlooked category of U.S. cinema and unearths the shameless and occasionally shocking origins of this popular entertainment. Written by
I really, really enjoyed this. At the same time, though entertaining and informative, it leaves one yearning for so much more. The clips from the films shown are usually VERY short, and quite often, they are not directly discussed by the commentators. Instead, they are used to "illustrate" a more general discussion of one of the sub-genres covered her (ie: pre-code; nudist camp, nudie cuties, etc). I look forward to someone expanding upon this introduction to provide us with a film exploring each of the sub-genres in more depth.
Finally, I was pleased to hear John Landis refer to PASSION OF THE Christ as an Exploitation film, as that's exactly how I viewed it... with total delight, I must say. In fact, given it and APOCALYPTO, an argument could be made for Mel Gibson as the greatest Exploitation film director of the past decade... even if he does not exactly see his own films in that light.
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