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Directed by | |||
| Lorene Scafaria | |||
Writing credits(in alphabetical order) | ||
| Lorene Scafaria | screenplay | |
Produced by | |||
| Nicole Brown | .... | executive producer | |
| Steve Golin | .... | producer | |
| Joy Gorman | .... | producer | |
| Nathan Kahane | .... | executive producer | |
| Kelli Konop | .... | co-producer | |
| Patty Long | .... | line producer | |
| Steven M. Rales | .... | producer | |
| Mark Roybal | .... | producer | |
Original Music by | |||
| Jonathan Sadoff | |||
| Rob Simonsen | |||
Cinematography by | |||
| Tim Orr | |||
Film Editing by | |||
| Zene Baker | |||
Casting by | |||
| Nicole Abellera | |||
| Jeanne McCarthy | |||
Production Design by | |||
| Chris L. Spellman | |||
Set Decoration by | |||
| Kathy Lucas | |||
Costume Design by | |||
| Kristin M. Burke | |||
Makeup Department | |||
| David LeRoy Anderson | .... | makeup artist: Steve Carell (as David L. Anderson) | |
| Nancy Baca | .... | additional makeup artist (as Nancy C. Baca) | |
| Brooke Baron | .... | additional makeup artist: additional production period | |
| April M. Chaney | .... | additional makeup artist: additional production period | |
| JoAnn Gerard | .... | additional hair stylist (as Jo Ann Gerard) | |
| Roxane Griffin | .... | co-key hair stylist (as Roxanne Griffin) | |
| Angela Gurule | .... | co-key hair stylist: additional makeup artist: additional production period | |
| Camille Henderson | .... | additional makeup artist | |
| Rolf John Keppler | .... | additional makeup artist | |
| Peter Kukla | .... | additional hair stylist (as Peter Kukal) | |
| Lisa Meyers | .... | additional hair stylist | |
| Margarita Pidgeon | .... | additional hair stylist | |
| Peter Tothpal | .... | co-key hair stylist | |
| Laurel Van Dyke | .... | additional hair stylist | |
| Jeanne Van Phue | .... | makeup department head | |
Production Management | |||
| Sharon C. Dietz | .... | production manager | |
| Nancy Kirhoffer | .... | post-production supervisor | |
| Marsha L. Swinton | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Erik J. Carpenter | .... | second second assistant director | |
| Kristin Graham | .... | second assistant director | |
| Reza Lackey | .... | additional second second assistant director | |
| Kyle LeMire | .... | second assistant director | |
| John McKeown | .... | first assistant director | |
| William Ostroff | .... | additional second assistant director | |
Art Department | |||
| Brian S. Childs | .... | propmaker | |
| Randy L. Childs | .... | construction coordinator | |
| Dan Colegrove | .... | general foreman (as Dan Colgrove) | |
| John Herbert | .... | paint supervisor | |
| W.D. Hogan | .... | storyboard artist (as David Hogan) | |
| Cynthia Kershaw | .... | art department coordinator | |
| Gay Perello | .... | property master | |
| Aaron G. Rodriguez | .... | stand-by painter | |
| Dori Hana Scherer | .... | art department assistant | |
| Jefry Shebroe | .... | props | |
| Jeffrey D. Stevens | .... | construction medic | |
| Julie Witherington | .... | on set property master | |
| Julie Witherington | .... | prop master | |
Sound Department | |||
| Kyle Billingsley | .... | foley mixer | |
| Nick Carbone | .... | sound utility | |
| Rene Defrancesch | .... | additional sound utility | |
| Richard Dwan Jr. | .... | supervising dialogue editor | |
| John Guentner | .... | foley mixer | |
| Kaspar Hugentobler | .... | sound re-recording mixer | |
| Trevor Metz | .... | sound effects editor | |
| Andrew Morgado | .... | foley/adr mixer | |
| Benjamin Patrick | .... | sound mixer | |
| Perry Robertson | .... | supervising sound editor | |
| John Ross | .... | sound re-recording mixer | |
| Timothy P. Salmon | .... | boom operator | |
| Ken Strain | .... | boom operator | |
| Noel Vought | .... | foley artist | |
| Brian Wittle | .... | boom operator | |
| James Wright | .... | dolby sound consultant (as Jim Wright) | |
| Kevin Zimmerman | .... | first assistant sound editor | |
| Kevin Zimmerman | .... | sound editor | |
Special Effects by | |||
| Robert Cole | .... | special effects | |
| Donald Frazee | .... | special effects coordinator | |
| J.J. Osbun | .... | special effects | |
Visual Effects by | |||
| Jason Baldari | .... | digital compositor | |
| J. David Everhart | .... | visual effects producer | |
| Aaron McLane | .... | visual effects | |
| J.J. Osbun | .... | visual effects artist | |
| Ryan Wilmott | .... | visual effects | |
| Matt Zell | .... | visual effects compositor | |
Stunts | |||
| Damien Bray | .... | stunts | |
| Stacey Carino | .... | stunt double: keira knightley | |
| Shawn Crowder | .... | stunts | |
| Eddie J. Fernandez | .... | stunts | |
| Erik Solky | .... | stunt double: steve carell | |
| Gary J. Wayton | .... | stunt coordinator | |
Casting Department | |||
| Claire Benjamin | .... | extras casting | |
| Chris Bustard | .... | extras casting | |
| Jaime Harlan | .... | casting | |
| Eve Streger | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Valentina Aulisi | .... | costumer: Steve Carell | |
| Leighton Bowers | .... | assistant costume designer | |
| Heidi Higginbotham | .... | costume supervisor | |
| Dayna Pink | .... | costume designer: Steve Carell | |
| Julie Shack | .... | costumer | |
| Daphne Vardakis | .... | costumer | |
| Gillian Zwick | .... | costume assistant | |
Editorial Department | |||
| Joe Greenberg | .... | editorial department | |
| Ryan Prouty | .... | colorist: dailies | |
| Mark Sahagun | .... | digital intermediate editor | |
| David Townsend | .... | post-production coordinator | |
| Michael A. Webber | .... | additional film editor | |
Music Department | |||
| Duncan Blickenstaff | .... | assistant to composers | |
| Neal Desby | .... | music consultant | |
| Jessica Dolinger | .... | music license administrator | |
| Jon Mooney | .... | music editor | |
| Satoshi Mark Noguchi | .... | score mixer | |
| Edward Trybek | .... | music consultant | |
Transportation Department | |||
| Ernesto A. Luna | .... | driver: honeywagon | |
| Michael Perrotti | .... | transportation coordinator | |
| John Bojorquez | .... | driver (uncredited) | |
Thanks | |||
| Katherine Silberman | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
We've seen dramatic and extreme post-apocalyptic thrillers almost as many times as we've survived the Rapture, and it is hard to imagine that anyone can interpret the theme in a way that would make a movie more enjoyable. However, none of the previous films starred Steve Carrell or stayed completely in the pre-apocalyptic world. As it turns out, these two facts make a huge difference.
Dodge (Carrell) learns that nothing can be done to prevent the imminent destruction of the world while in the car with his wife, Linda (Nancy Carrell, formerly Nancy Walls and hilarious without saying a word). Linda then literally runs away, and so begins the story of Dodge's terrible misfortune. He is a modern-day adult version of Charlie Brown likable, but not extraordinary in any sense except for his ability to attract sadness. Seeking then shows how everyone else is coping with the news, and Dodge doesn't seem very interested in surfing, sex, or suicide, so he just meanders through the madness sipping his cough syrup. He probably would have done that for the entire three weeks left of his life were it not for a his neighbor Penny (Keira Knightley), a flighty girl trying to get a flight back to her family in England. The two escape a riot (and Penny's loser boyfriend, perfectly played by Adam Brody) and set out on an adventure so that Dodge can say goodbye to his high school sweetheart and Penny can get to England by way of Dodge's friend who owns a plane.
The commercials portray this film as more of a comedy, and it is delightfully funny in some spots, but this film is far more emotionally and intellectually stimulating than it is amusing. I remember thinking at the end of 2005's War of the Worlds, "I wish they had spent more time focusing on humanity." The human experience of facing the end of life is so complex and so unique to every individual, and Director Loren Scafaria succeeds in showing the despair, decadence, and delusions that people would definitely be wrapped up in were this to occur in real life.
Carrell is brilliant as usual with his effortless self-effacing humor. He seems to have worked on his deadpan skills as his funniest moments include reacting to crazy events with a blank stare or monotone comment. Knightley manages to be an effervescent and bubbly realist without being annoying, which makes Penny a completely plausible running buddy for Dodge, who can't take much more agitation. These two stars have a chemistry that allows Dodge to come out of his shell and live the last days of his life the way he wished he had lived all along. A few people live in less inspiring ways to awesome comedic effect. Elsa, Dodge's housekeeper, still diligently comes to clean his house and even instructs him to get more "Windows" while shaking a nearly empty bottle of glass cleaner. Warren (fellow Daily Show alum Rob Corddry) celebrates the end of responsibility by boozing it up and sharing his drinks freely, even with little kids. These scenes, however, are merely distractions from how Dodge and Penny learn more than they ever imagined about life and the world simply because it is all coming to an end. Despite the hokey-ness, I must admit that I got teary-eyed as the characters realized what matters most.
Focus Features does a great job of producing equally thought-provoking and heartstring-pulling films and Seeking is no exception. You'll laugh, you'll cry, and with any luck, you'll leave the theater thankful that you most likely have more than three weeks to make the most of your life.