50/50

A light hearted touch on a depressing subject ..loved it ,

How many drama movies about cancer treatment, with suffering performances and a true story of overcoming have been made and even became tiresome way? Well, the young director Jonathan Levine and Will Reiser (screenplay) found a formidable new vision of it all.

The film tells the story of Adam (Joseph Gordon-Levitt), a young man of twenty-seven years working for a radio company in Seattle. He is informed that he has a rare form of cancer called "Neurofibrosarcoma", and is told he only has a 50% chance to live with him. Frustrated, but moving day to day with a seemingly calm, with the help of his friend Kyle (Seth Rogen), Adam continues his long journey of recovery. Only to be bothered by his irritating, selfish girlfriend Rachel (Bryce Dallas Howard). But with the help of the, half embarrassed but very helpful, psychologist Katherine (Anna Kendrick). Adam then proceeds to deal with their illness and can remain calm during most part of the film.

There are so many forms of cancer, rare and common, harmless and that their chances of getting it are very high. Start is random, but dealing with it is even more difficult. While "50/50" is a moving, and sometimes it is emotion-test and tearful, he still has a strong comic relief thanks to Seth Rogen, and several occasions that Adam and Kyle meddle.

The film is a drama, that works as a comedy very well written. Some may find this a defect, but rather a quality. Adam throughout the film faces its situation near death in a lively manner. It's as if the film were telling us, "if it is your last minutes, let then be smiling!".

The cast is terrific, even comic, Seth manages to have an interesting dramatic performance; Anna Kendrick formidable as ever; Angelica Houston and Serge Houde as Adam's parents with great performances; but who shines above everyone is Joseph Levitt with a fantastic performance, proving to be an very promising actor.

Thanks to a wonderful third act, in terms of direction and screenplay that never fail or work against the film at any time, the public has an emotional breakdown all of the characters and the story itself and fantastic to witness.

Adam (Gordon-Levitt) is a rule-following, mild-mannered twentysomething who lives in Seattle with his girlfriend, Rachael (Bryce Dallas-Howard), and works at Seattle Public Radio. His life takes a sudden and dramatic turn when he is diagnosed with a rare form of cancer that has taken over his spine. A laidback kind of guy, Adam handles each hurdle with surprising ease and levity while engaging in somewhat helpful counseling from Katie (Anna Kendrick), a young psychologist the hospital assigns him. Before long, though, his complex relationships with Rachael, his best friend Kyle (Seth Rogen), and his needy mother (Angelica Huston) become even more convoluted with the introduction of chemotherapy and medicinal marijuana into his life. As the severity of his condition increases, Adam begins to reassess his life, his relationships, and the nonplussed façade he uses to get himself through.

The inevitable comparisons between "50/50" and 2009's "Funny People" are unfortunate. While I stuck up for "Funny People" more than most of my colleagues, even I will admit it is an incredibly flawed film that misses the mark on many levels. "50/50", then, plays out a bit like what "Funny People" should have been, right down to the performance of Seth Rogen. It is, first and foremost, a very funny movie and that is where "Funny People" first went awry. You can't make a comedy about cancer, or any other serious illness for that matter, and fail to produce a genuinely funny script. Laughs come often and organically. I also quite liked that writer Will Reiser (who based his script on the events of his own battle with cancer) makes it clear early on that he intends to laugh at cancer and if you're not up for that, you're in the wrong theater. That is not to say that the disease itself or the havoc it wreaks on Adam's life is disrespected or ignored; in fact, "50/50" gives a fairly realistic view of the hell that is aggressive cancer and the sometimes even more aggressive treatment. "50/50" is bold but soft, a combination that works well.

The dialogue between the characters in "50/50" flows with tremendous ease, especially in the scenes involving Adam and Kyle. This dynamic between JGL and Rogen is the meat of the film and the two play it out brilliantly. They have a chemistry that Anne Hathaway only wishes she could develop with…well, anyone. (That was an unnecessary shot at Miss Hathaway. My apologies.) They reminded me of the type of friendship I might have with any one of my closer pals if we cursed more and occasionally smoked pot. Adam's other relationships are a bit awkward but whether this was done on purpose or not, it serves the narrative well. In my mind he would have a tense partnership with Rachael because they're clearly not suited for each other and any furtherance of his friendship with Katie beyond doctor-patient would be a bit odd.

All of the supporting actors hold their own. As spot-on as I might have been with JGL all those years ago, I would have never guessed, after reluctantly watching "Twilight", that Kendrick would be an actress whose performances I truly look forward to. This isn't quite to the level of her work in "Up in the Air" but it is good and believable nonetheless. Huston's character seems a bit over-the-top in the early going but the depth of her character comes to light in the late stages and Huston pulls it together splendidly. And Rogen gives what might be his best performance to date. To be fair, I'm not much of a Rogen fan so I'm far from an expert on his value as an actor. But whereas he was completely outclassed in "Funny People" and pretty much plays the same character in almost every film, he shows a little more strength in "50/50" than he ever has before (with the possible exception of "Knocked Up"). I actually liked him and I haven't felt that way toward him very often.

But of course, the weight of "50/50" rests almost entirely on the shoulders of JGL and he holds up to the challenge. One of the best compliments I can give an actor is to say that he and his character become one and the same. That's what JGL does here and that's why "50/50" succeeds. He envelopes himself into the Adam character and makes his portrayal incredibly believable. It is almost like watching a documentary on a young cancer patient. Adam handles his disease with class and dignity but not without emotion. His outbursts are few but powerful and through them JGL sells the story beautifully. Simply put, this guy is a star and "50/50" serves as the announcement of such to those of you who didn't already know this to be fact.

"50/50" is honest and at times tough to watch but never purposefully harsh or depressing. In fact, it is generally positive but in a way that isn't all sunshine and unicorns. It is smart, hilarious, and even touching while all the time remaining respectful of the audience's ability to relate to difficult circumstances without artificial emotional fishing. It is an excellent film marked by one outstanding performance that deserves the attention received come Award Season.

Just saw this at an Advanced Screening 2 hours ago in Huntington Beach

This film doesn't have a title nailed down yet. It used to be called I'm with Cancer but IMDb has it listed as Live With It. The title we were shown in the film and the title that was on the invite was Get Well Soon. They asked us our opinion of the titles (Also include was the title Bright Side) but no one really liked any of the titles. So for the sake of confusion I'll call it Get Well Soon.

Get Well Soon is the very believable story of Adam, a 27 year old nice guy who waits at cross walks at 5:30 in the morning when nobody is on the road and other joggers have already trotted past. Adam writes stories for radio programs and seems to genuinely care about the stories and the people who are listening to them. After persistent back pain, Adam goes to the doctor and is diagnosed with Cancer. He is assigned Katherine, a doctorate student who is getting experience for her dissertation, to talk to about his new problems.

This film will immediately draw comparisons to 2009's Funny People which unfortunately can't be ignored. But fortunately, aside from the fact the main character is diagnosed with a terminal illness, this is a completely different film. Where Funny People had a lack of connection with its main character, due to Adam Sandler being a prick to everyone and being rich on top of that, Get Well Soon's Joseph Gordon Levitt is the everyman that everyone can relate to. He does a fantastic job expressing the feelings of calm fortitude as well as isolation. You can see it in his face. It's the little things that make a film feel authentic. Levitt's performance is heart breaking and uplifting at the same time. He maintains a steady calm for most of the film that just feels real. You know this is a dark comedy when there is a Patrick Swayze joke in the first 20 minutes of the movie. I'm not sure if that one's gonna stay in the final cut though lol. This film is very funny throughout. All of the people in the after film focus group said it maintained a perfect balance of comedy and dramatics. I saw Love and Other Drugs and liked it but this film is much more streamlined and has no extraneous scenes.

Seth Rogen is absolutely hilarious. I'll be the first to get my opinion out that Rogen is great in everything he's in but he really killed it again. Weed smoking is given a fantastic treatment by this film, like director Jonathon Levine's previous work the very amusing The Wackness. There are two scenes that are a creative and effective way to show the effects of marijuana. I love the way they shot a conversation between Adam, Rogen and two of Adam's older cancer friends. Anna Kendrick plays a similar role to the one she played in Up in the Air. She does a great job in this too. Bryce Dallas Howard plays Adam's girlfriend and Angelica Huston is his over bearing mother.

I rated this film an "Excellent" which is the highest possible rating and which 18 of the 30 people who stayed after agreed with. 11 said "Very Good" and 1 said "Good." I really enjoyed the film. It didn't really do anything wrong. It might have a bit too much profanity for the older crowd but its central story is so appealing. On that note actually, there were several people who said they would not have come to the screening if they knew full well that it was about cancer. I feel that is so extremely narrow minded that no one should even admit that to a group of people. Please if you are on the fence and "don't want to go to a depressing movie" get over it and see a fantastic, hilarious film in Get Well Soon.

Most movies don't know how to handle cancer. Heck, most people don't know how to handle cancer — and I'm not talking about the patients. Cancer, or any other terminal illness for that matter, almost always plays some kind x-factor in a film — that is when a film even dares to enter a realm often deemed depressing and "not for the movies." Most often, scripts will position cancer as a tearjerking emotional turning point in a film or as the initial spark of some banal "live life to the fullest" comedy.

"50/50" puts an end to that. Written semi-autobiographically by cancer survivor Will Reiser, it would seem it takes one to write one. Although cancer drives the entire story, the story doesn't fixate on cancer or melodramatize the terrible truths we already know about potentially fatal illness. Perhaps you could tell as much from the trailer thanks to some typical Seth Rogen antics, but the injection of contemporary R-rated humor is neither irreverent, insensitive nor an attempt to simply put a positive spin on a depressing subject. Life — believe it or not — doesn't stop for cancer. People don't sit in the hospital the entire time and then lie at home in bed the rest. Reiser's story provides a mostly unforced and honest depiction of a young man's diagnosis and treatment for potentially fatal spinal cancer, one where cancer isn't the conflict in and of itself, but the way it so dramatically changes the behavior of the people whose lives it enters and positively and negatively alters relationships.

Joseph Gordon-Levitt continues his spree of playing absolutely lovable main characters as Adam, a play-it-safe 27-year-old who after the initial shock handles his diagnosis in stride, keeping his ups and downs internal other than when the script cues him to let it out a bit. The more external symptoms come from Adam's girlfriend (Bryce Dallas Howard), best friend Kyle (Seth Rogen) and mother (Anjelica Huston).

Other than focusing on these relationships, director Jonathan Levine ("The Wackness") puts particular emphasis on character perspective, which will change instantaneously at points throughout the film. In one terrific sequence, Adam enters the hospital for his first chemo treatment and gets bummed out by all the sick and ailing people in the hallway. After the older men he meets while getting treatment (Philip Baker Hall and Matt Frewer) give him some marijuana-filled pastries, he leaves down the same hallway high as a kite, suddenly elated despite the same negative images lining the hall. Levine understands that so much of how you deal with cancer relates to mood and perspective at any given time.

Levine coaxes brilliant and thoughtful performances out of his actors. Even though Rogen exerted his usual shtick a bit more than needed, he handles his character as written, someone who wants desperately to help his best friend but hides behind shallow self-centered form of support that many men turn to because they can't communicate emotions all that well.

The women of "50/50" also deliver if not more so. Howard's character is an unlikable mess but she gives her performance convincingly. Anjelica Huston perfects the ideal on-screen mother, the best since Melissa Leo's Oscar-winning mother in "The Fighter." Anna Kendrick also continues to blow me away with her talent. She plays a psychiatrist working on her PhD who receives Adam as just her third patient. She gives such lifelike quirks to her characters and Katie plays right to her strengths.

But in a drama/comedy about cancer, the key lies in tone and for that Levine should become an A-list director. "50/50" could have easily turned into a Hollywood hack-job like the various comic-toned cancer films before it, a film that either overplays the dramatic or overcompensates with the humorous, but "50/50" might be one of film's best balancing acts between the two. The shifts feel completely natural between moments of deep sentiment and moments of levity. Those who can't help but fixate on this being a movie about cancer will likely have to remind themselves to feel serious when "50/50" just wants you to simply absorb it as you would any other film.

Other than some predictable moments and plot devices to give the film a nicer Hollywood sheen, "50/50" provides a genuine and heartfelt movie experience, one that neither goes for the emotional sucker punch nor the sugarcoated version. Instead of making us look at cancer in a specific way, it makes us look at the way we look at cancer — or any uncomfortable subject — the way we talk about it or don't talk about it, the way we interact with those who live with it and the way we cope with it ourselves. That way when someone we love has a serious problem, we can ultimately do what's best for that person.

~Steven C

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