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Viacom, Telefe, Rebolución, MyS Producción, Film Factory Team on ‘Animal’ (Exclusive)

Viacom, Telefe, Rebolución, MyS Producción, Film Factory Team on ‘Animal’ (Exclusive)
Buenos Aires – Making good on its promise to drive into local content following its purchase of Argentine free-to-air network Telefe last year, Viacom International Media Networks-Americas is putting its weight behind its first theatrical film production in Latin America: “Animal,” a thriller from Oscar-winning screenwriter Armando Bo.

Produced Bo’s label Rebolución, MyS Producción and Telefe, all based in Argentina, “Animal” is the first movie in which Vimn-Americas, via Telefe, will have a big equity stake. It also marks the first time that Vimn-Americas will itself oversee Latin American distribution rights for all platforms on a local feature.

With Film Factory as sales agent for all other global markets and Bowfinger International as co-producer, both out of Spain, “Animal” brings together a new iteration of a multinational combo that has produced some of the most powerful Spanish-language films of the last few years, such as Damián Szifron’s “Wild Tales” and Pablo Trapero’s “The Clan.” In
See full article at Variety - Film News »

Ventana Sur: Haddock, Tornasol, Warner Argentina, 16:9 Cine Team for Horror Film ‘Under Your Feet’ (Exclusive)

Haddock Films and Tornasol Films, the producers behind Juan José Campanella’s 2010 Oscar-winning “The Secret in Their Eyes,” are teaming with 16:9 Cine and Warner Bros. Argentina for Cristian Bernard’s horror feature “Bajo tus pies” (Under Your Feet).

Warner Bros. co-finances and will distribute the film in Argentina.

Set up at Roberta Sánchez’s Buenos Aires-based 16:9 Cine, the project played last year at the 4th Blood Window edition in Ventana Sur.

Structured as an Argentine-Spanish co-production, where Tornasol, the company run by Gerardo Herrero and Mariela Besuievsky, handles Spain’s participation, “Under Your Feet” will tentatively start principal photography from February.

Bernard (“76-89-03,” “D-Graduated”) and writer-editor Hernán Moyano (“Dubicel,” “Sudor Frío”) penned the script, which is inspired by real events.

It follows Priscilla, a mother who decides to move with her two small children and leave the past behind. But in their new home they will meet three mysterious sisters who live in
See full article at Variety - Film News »

Ventana Sur: 10 Things About This Year’s Market

Buenos Aires — Ventana Sur, by far Latin America’s biggest movie-tv market, unspools its ninth edition this week in the Argentine capital over Nov. 27 to Dec. 1. Here Variety’s market-eve 10-point update on key films, events.

1.The Big Titles

Are foreign markets, like Hollywood, now suffering from a high-end TV diaspora? As more big-name foreign-language directors and actors are swallowed up by upmarket TV, the number of big high-profile Latin American movies coming to the market looks to be at an increasing premium. A clutch will be talked up or shooting during Ventana Sur, however: Pablo Trapero’s “La Quietud,” a sisters’ drama with Bérénice Bejo and Martina Gusmán; “You Shall Not Sleep,” from “Casa Muda’s” Gustavo Hernández, a Fox pick-up for U.S. and Latin America; Ricardo Darin’s “Love at Last Chance,” a second-chance romance; construction skullduggery thriller “Dark Buildings.” One more big Argentine title may well be added to the mix during Ventana
See full article at Variety - Film News »

Ventana Sur: ‘Escape to India,’ ‘Noah’s Ark,’ ‘Inzomnia’ Among Projects at Animation!

Ventana Sur: ‘Escape to India,’ ‘Noah’s Ark,’ ‘Inzomnia’ Among Projects at Animation!
“Escape to India,” produced by Juan José Campanella, “Noah’s Ark,” whose producers include Walter Salles, and Inzomnia Animation’s “Inzomnia” are some of the projects included in the 2nd Animation!, a showcase at Buenos Aires’ Ventana Sur market which is devoted to animated features and TV shows.

Animation! projects total sixteen – eight features and eight TV series. All have been selected in a partnership with Annecy’s Intl. Animation Film Market (Mifa), the world biggest film-tv animation mart. A jury will select four projects among TV shows and features to be presented at Mifa 2018.

Set up at Buenos Aires’ studio Mundo Loco and produced by Academy Award winner Campanella (“The Secret in Their Eyes”) and producer-composer Cris Morena, Latin America’s leading specialist in youth-orientated TV shows (“Rebelde Way”), “Escape to India” follows Azadi, a courageous cow who, destined for the slaughterhouse in Patagonia, escapes and begins an epic journey to India, where her mother
See full article at Variety - Film News »

Juan José Campanella, Cris Morena, Gastón Gorali Team for ‘Escape to India’ (Exclusive)

Juan José Campanella, Cris Morena, Gastón Gorali Team for ‘Escape to India’ (Exclusive)
Academy Award-winning Juan José Campanella (“The Secret in Their Eyes”), top Latin American producer-director-songwriter Cris Morena (“Rebelde Way”) and director-producer Gastón Gorali (“Underdogs”), a driving force on Argentina’s burgeoning animation scene, are teaming to create “Escape to India,” a flagship Latin American toon feature.

Based on a children’s book authored by Gorali and Marcelo Birjmajer, “Escape to India” is set up at Mundoloco CGI, founded by Campanella, Gorali, Jorge Estrada and Roberto Schroder, creators of Campanella’s “Underdogs,” the biggest Latin American TV feature to date. Mundoloco CGI is now one of the biggest digital animation studios in Latin America.

An epic musical designed by Morena, who is composing its songs, as well as a feminist, comedic road-movie whose protagonist is a plucky cow, “Escape to India” is produced by Campanella and directed by Gorali.

Backed by big name talent, but winningly original, “Escape to India” looks like one of the projects which is set
See full article at Variety - Film News »

Location Basque Country: Upcoming Basque Movies

San Sebastian — The strength of the Basque industry as a potential co-production partner for Basque Country shoots will be seen, when push comes to shove, in its movies. Here, profiles of upcoming Basque movies whether playing this year’s San Sebastián Festival, in production or projects.

Advantages Of Traveling By Train

Pre-acquired by Entertainment One’s Seville International and co-produced by San Sebastian-based Señor y Señora and Madrid’s Morena Films “Advantages” marks the much-awaited feature debut of Aritz Moreno. Film –in pre-production– is penned by Javier Gullón (Denis Villeneuve’s “Enemy”) adapting Spain’s Antonio Orejudo novel.

Another Day Of Life

One of Europe’s most awaited animation films, the Indie Sales-sold “Day” revolves around the truth of war through the near-suicidal journey across Angola of Polish famed war reporter Ryszard Kapuściński. Raúl de la Fuente and Damian Nenow direct a hybrid animation-live action inspired by but not adapting the journalist’s first novel. Produced
See full article at Variety - Film News »

Michael B. Jordan and Josh Brolin Wanted for Sam Raimi's A Prophet Remake

  • MovieWeb
Michael B. Jordan and Josh Brolin Wanted for Sam Raimi's A Prophet Remake
Sony Pictures' A Prophet remake may finally be moving forward, despite practically no activity on the project since director Sam Raimi came aboard back in January 2016. Today we have word that the studio is still hoping to start production sometime this year, and a new report claims the director has reached out to Michael B. Jordan to play the lead role of Marcos Colon, with Josh Brolin being eyed to portray Cesar. Those roles were portrayed by Tahar Rahim and Niels Arestrup in the original film from Jacques Audiard, although the Marcos Colon role was named Malik El Djebena.

That Hashtag Show broke the news today, revealing that director Sam Raimi is hoping to start production by the end of this year, so even if Michael B. Jordan or Josh Brolin don't fill those roles, we certainly may hear more about casting soon. This project has been in the works for quite some time,
See full article at MovieWeb »

Chilean Creator of ‘Besieged,’ Nicolas Acuña, to Helm Dynamo-Red Arrow Series (Exclusive)

“Besieged” (“Sitiados”) creator Nicolas Acuña of prominent Chilean production house Promocine is attached to direct a series being developed by Colombia’s Dynamo (“Narcos”) in partnership with Munich-based TV distributor, Red Arrow.

Tentatively titled “Coke Way,” the series is set against the cold war of the ‘50s and ‘60s in Chile and the rise of the cocaine biz in Latin America. Chilean scribes Matias Ovalle and Jonathan Cuchacovich have penned the pilot script, said Dynamo’s Diego Ramirez.

“We are closing with an Ott that has expressed interest in the project for Latin America,” he said. “It’s more of a prequel to ‘Narcos,’” he noted.

With Netflix quite entrenched in the international TV arena, Amazon venturing into overseas production and now Apple TV, which just announced a $1 billion budget for TV content, the market has indeed grown more exciting, said Ramirez. “For us independent producers, these are interesting times as it leads to more production of
See full article at Variety - Film News »

Platino Awards: ’The Distinguished Citizen’ Takes Best Picture

Platino Awards: ’The Distinguished Citizen’ Takes Best Picture
Madrid — Gaston Duprat and Mariano Cohn’s “The Distinguished Citizen,” a lament for small-town small-mindedness, won big at the 4th Platino Ibero-American Film Awards taking its top best picture prize, and multiple further plaudits.

Further top honors went to Pedro Almodovar, best director for “Julieta,” and Sonia Braga, who took the actress plaudit for “Aquarius at a ceremony attended by Edward James Olmos, Rob Schneider, John Leguizamo, Sonia Braga, Kate del Castillo, Geraldine Chaplin, “Narcos” actor Manolo Cardona, Oscar Martinez, Rosy de Palma and Martina Gusman. Also present, among directors: Almodovar, Pablo Trapero, J.A. Bayona and Andi Baiz.

In all, Spanish productions swept 12 or the 14 jury prizes, voted by a jury of professionals who had participated in previous editions. That may be put down in part to “A Monster Calls” featuring among contenders, and winning big time in the technical department, and “The Distinguished Citizen” being co-produced out of Spain.

See full article at Variety - Film News »

France’s Le Pacte Co-Produces Rodrigo Sorogoyen’s ‘El Reino’

France’s Le Pacte Co-Produces Rodrigo Sorogoyen’s ‘El Reino’
Jean Labadie’s Le Pacte, the upscale Paris-based arthouse film company, has taken a co-production stake in Spaniard Rodrigo Sorogoyen‘s political corruption thriller “El Reino,” probably one of the most talked-about Spanish productions of the upcoming months.

Doing so, Le Pacte, which acquired French distribution rights to Sorogoyen’s previous film, serial killer thriller “May God Save Us,” a best screenplay winner at 2016’s San Sebastian Festival, goes one step further in its commitment to Sorogoyen, already consolidated as a Spanish directors to track.

In “El Reino,” the French outfit joins forces with “May God Save Us” producers Tornasol Films, the Spanish company behind Juan José Campanella’s Oscar-winning “The Secret in Their Eyes,” and Atresmedia Cine, the film production arm of broadcaster Atresmedia whose credits include Woody Allen’s “Vicky Christina Barcelona.”

Warner Bros. Pictures España and Latido Films are also re-teaming with Sorogoyen on “El Reino,” after having handled respectively local distribution and international
See full article at Variety - Film News »

Film Review: ‘Four Hands’

Film Review: ‘Four Hands’
One of the reasons the proposed “Toni Erdmann” remake is being met with resistance in some quarters is its specificity: Maren Ade’s offbeat delight seems so wholly defined by those actors playing those characters in that exact situation. It’s a potential issue very much avoided by her countryman Oliver Kienle’s impressively slick thriller “Four Hands,” which operates within its highly exportable genre on such clean lines that it feels almost inevitably destined for a Hollywood remake. As usual, that will be a shame — aside from the language barrier necessitating dreaded subtitles, there is nothing to stop wider international audiences embracing this elegant and engrossing film as is.

In its opening third, before the suspense plot picks up its own inexorable tick-tock momentum, the film actually shows significant promise as an investigation of trauma, duality and a knottily co-dependent sororal relationship — so much so, that it’s almost disappointing when it switches to full-on genre
See full article at Variety - Film News »

15 Takeaways from Conecta Fiction

Santiago De Compostela, Spain — A higgledy-piggledy maze of cobbled streets, granite-stoned convents and white veranda towns houses, Santiago seems suspended in time. Over June 20-23, it bore witness at Conecta Fiction, an inaugural TV forum, to a revolution: That of scripted TV and nascent Latin America-Europe co-production. The two-and-a-half days were so packed with events as to make nigh impossible much on-site reporting. Following, in retrospect, 15 takeaways from the first-ever Conecta Fiction meet.

1.Latin America-europe TV Co-production: An Imperious Necessity

A boutique Latin America-Europe drama TV co-production forum, Conecta Forum brought together a swathe of high-caliber Latin America channel, broadcaster and fiction TV heads with producers and counterparts in Spain, plus a choice presence of largely French commissioning editors and producers from the rest of Europe. Many, maybe most, had never met. Nearly all sang the virtues, and necessity of international TV co-production. “A few years ago there were no international co-productions, now
See full article at Variety - TV News »

San Sebastian: Ricardo Darín To Be Honored at San Sebastian

San Sebastian: Ricardo Darín To Be Honored at San Sebastian
Barcelona – Argentina’s Ricardo Darín will receive the San Sebastian Film Festival’s Donostia Award for career achievement on Sept. 26. The prize is the highest distinction given by the highest-profile fest in the Spanish-speaking world.

The Donostia Award was launched in 1986 and began by recognizing stars from Hollywood classic era –Gregory Peck, Bette Davis, Glenn Ford– to later expand to eminent and far more recent U.S, and European figures such as Al Pacino, Michael Caine and Susan Sarandon.

Buenos Aires-born Darín will receive the award at a presentation of Santiago Mitre’s “The Summit.” Via its Donostia Award, the festival will honor one of most charismatic and well-known of contemporary Latin-American actors who has worked with many of the Spanish-speaking world’s most prestigious filmmakers including Juan José Campanella, Adolfo Aristarain, Pablo Trapero, Fabián Bielinsky, Fernando Trueba, Cesc Gay and Mitre.

Darín is the second Latin-American actor distinguished with the honor, after Benicio del Toro in 2014. Darín’s recognition is in line with San Sebastian aim of strengthening links with Latin America, seen in its thriving Latin-American Co-production Forum, launched by fest director José Luis Rebordinos in 2011.

A co-production between K&S Films and La Union de los Ríos (Argentina), Mod Producciones (Spain) and Maneki Films (France), “The Summit” was also penned by Mitre and offers two intertwining plots –one focused on the personal life of an Argentine president, played by Darin, and the other depicting the political intrigue at a Latin American summit. Alongside Darín, Dolores Fonzi, Érica Rivas, Elena Anaya, Daniel Giménez Cacho and Christian Slater figure in the cast. The feature world premiered in Cannes’ One Certain Regard and is sold by Spain’s Film Factory Entertainment. It will be released in U.S. on Aug. 18 via Warner Bros Pictures International.

Darin’s career dates back to when he was five and began acting in TV series. His international breakthrough came with Fabian Bielinsky’s “Nine Queens.” Some of his most noteworthy performances have been in movies of Juan José Campanella’s, led by “The Secret in Their Eyes” who won a best foreign-language Academy Award). Darin also starred in ”Son of the Bride,” nominated for an Academy Award, ”Moon of Avellaneda,” also from Campanella, Fernando Trueba’s “The Dancer and the Thief,” Sebastián Borenzstein’s “Kóblic,” Damián Szifron’s “Wild Tales” and Pablo Trapero’s “White Elephant.”

Though he can shown large range, if there’s a Darín touch, perhaps its the light and tender irony he gives to many of his characters.

Spanish director Manuel Gutiérrez Aragón said of Darín: “All the characters he plays seem to have been especially written for him and only for him to play them. Darín lends transparency to characters he embodies.”

On of Latin America’s most bankable actors, whose presence can help pre-sell a movie, Darin’s selectiveness with the films he stars in has made his involvement an important pointer to a movie’s quality.

“The Secret of Their Eyes,” earned $6.4 million for Sony Pictures Classics in 2010 and “Wild Tales,” another Sony Pictures Classics pickup accumulated $44 million worldwide, a standout figure for a Spanish-language feature.

Darín took the best actor Silver Shell Award in San Sebastian for Cesc Gay’s “Truman.”

Related storiesCannes Film Review: 'The Summit'Glocal in Progress Launches at 2017 San Sebastian FestivalToulouse 2017 Films in Progress Selects 'Los Perros,' 'Hunting Season,' 'The Desert Bride'
See full article at Variety - Film News »

San Sebastian to Honor Argentine Actor Ricardo Darin With Lifetime Award

San Sebastian to Honor Argentine Actor Ricardo Darin With Lifetime Award
Argentina’s internationally most acclaimed actor, Ricardo Darin, will receive the Donostia Award for Lifetime Achievement at the 65th San Sebastian International Film Festival in September, organizers said Wednesday. The ceremony will take place Sept. 26.

Darin’s credits read like a list of must-watch Latin American cinema, including three films nominated for Academy Awards: Son of the Bride, Wild Tales and The Secret in Their Eyes, which won the 2009 Foreign Language category.

Darin is a regular at San Sebastian, where he won the Silver Shell for his role in Truman in 2015. This year he will present his latest work,...
See full article at The Hollywood Reporter - Movie News »

British TV Rules Monte Carlo TV Fest, With Double Wins for ‘Victoria,’ ‘Fleabag’

British TV Rules Monte Carlo TV Fest, With Double Wins for ‘Victoria,’ ‘Fleabag’
British television dominated the 57th Monte Carlo Television Festival where ITV’s glossy period drama “Victoria” won Golden Nymph Awards for both best TV drama and actress, while edgy series “Fleabag,” from the BBC and Amazon, scooped the best comedy prize and the actress nod in that section.

The actress statuettes went to Jenna Coleman, who plays the titular queen in “Victoria,” and to Phoebe Waller-Bridge, the star, creator and writer of “Fleabag.”

Scottish comedian Robbie Coltrane took the prize for best actor in the long fiction section, which comprises TV movies and miniseries, for his performance in Channel 4’s four-part “National Treasure.” Coltrane plays a beloved television comedian accused of rape. The show goes out on Hulu in the U.S.

The fiction jury headed by Argentina’s Juan Jose Campanella (“The Secret in Their Eyes”) also awarded the Golden Nymph for best long fiction to French Isis-themed telepic “Ne m’abandonne pas” (“Don
See full article at Variety - TV News »

Monte Carlo TV Festival Hosts World Premieres: ‘Absentia,’ ‘The Last Tycoon’

Monte Carlo TV Festival Hosts World Premieres: ‘Absentia,’ ‘The Last Tycoon’
Faced with increased rivalry from nearby Cannes, the Monte Carlo Television Festival is pulling out all the stops this year with two world premieres of hotly anticipated Hollywood shows as “Absentia” and “The Last Tycoon,” will grace the Grimaldi Forum red carpet.

Long known as a glitzy launching pad for high-end global TV fiction and a celebration of top notch news content — the festival celebrates 57 years with this edition — the competitive event is seemingly undeterred by announced plans for yet another ambitious TV fest, called Cannes Series, that is slated to run concurrent with Mip. Expected to launch next year in Cannes, of course, which is about an hour’s drive down the Cote d’Azur.

Monte Carlo itself runs June 16-20 — shortly after the L.A. Screenings in May.

“We are very fortunate to have the shows that we are screening,” says fest CEO Laurent Puons. Monte Carlo historically runs in “a perfect time slot for
See full article at Variety - TV News »

‘Inés of My Soul,’ ‘Malinche,’ ‘Penumbra’ Re-Write Women’s Past

Madrid — Women might well write more of the future, in real terms and fiction. First projects at Spain’s inaugural Conecta Fiction, a pioneering Latin America-Europe co-production forum, underscore how screenwriters, women and men, are rewriting women’s roles in the past.

Ambitious historical drama-thrillers produced by some of Latin America’s most prominent production houses, such as Pablo and Juan de Dios Larrain’s Fabula (“Neruda”) in Chile and Dynamo Producciones, the Colombian producer of “Narcos,” this new breed of often super women series add a novel dimension to Latin America’s vibrant high-end drama scene.

Other projects at Conecta Fiction’s first Intl. Co-production Pitching Session, to take place June 21, include sci-fi “Strange Fishing Sundays” and crime thriller “Crack,” from Buenos Aires-based Storylab, backers of Netflix’s first Argentine premiere “Stockholm” – showing Spanish-language producers boldly embracing modern genre.

Produced by Chilean broadcaster Fabula (“Gloria,” “A Fantastic Woman”) and Chilevision, owned
See full article at Variety - TV News »

Cannes Film Review: ‘The Summit’

Cannes Film Review: ‘The Summit’
It’s not just in its star, Ricardo Darín, that Argentinian director Santiago Mitre’s Un Certain Regard title “The Summit” seems built to evoke his countryman Juan José Campanella’s Oscar-winning “The Secret in their Eyes.” There is a similar enveloping silkiness to the filmmaking, which purrs along like a prowling, predatory animal, and a similar sense of place and noirish atmosphere. But the point of massive divergence for these two well-made genre thrillers is in how they end. “Eyes” closed with a series of high-wire revelations, each more enjoyably outlandish than the last; “The Summit” opts for a mid-stride ambiguity that leaves us scrambling to piece together our own resolution.

In fact, it’s possible that Mitre’s consummate craft, which has been building across his directorial career and culminated prior to this with his 2015 Critics’ Week prizewinner “Paulina,” works against him here. Elevated by strong performances
See full article at Variety - Film News »

Cannes: Cite Films Launches Sales on ‘The Desert Bride’

Fulfilling expectations, Paris-based Cite Films has closed key early major territories at this year’s Cannes Film Market on Un Certain Regard player “The Desert Bride,” one of the highest-profile Latin American movies on the Riviera.

Buying distributors include some of the strongest arthouse players in their territories, such as Spain’s Golem, Brazil’s Imovision and Cineart for Benelux.

Switzerland’s Filmcoopi, Greece’s Strada, and China’s Time In Portrait Ent. have also stepped up to the plate for the feature debut of Argentine directorial duo Cecilia Atán and Valeria Pivato, a romantic road movie which is “the feel-good story of a woman’s metamorphosis, the transformation of her life and vision of herself, made delicately step-by-step, about someone who was a bird in a cage and finds her freedom and rediscovers life,” Cité Films founder Raphael Berdugo said at Cannes.

“The Desert Bride” has received “serious interest” from the U.
See full article at Variety - Film News »

Lat Am buzz movie 'The Desert Bride' scores key deals in Cannes

  • ScreenDaily
Exclusive: Road-movie drama stars Gloria actress Paulina Garcia.

Raphael Berdugo’s Cité Films has closed key deals on buzzed-about Cannes Un Certain Regard drama The Desert Bride.

Deals have closed in Spain (Golem), following interest from multiple parties, Switzerland (Filmcoopi), Benelux (Cineart), Greece (Strada), Brazil (Imovision) and China (Time In Portrait Entertainment).

Multiple Us buyers have expressed strong interest. Memento previously acquired rights in France.

Cité generally only handles sales on its own in-house titles but made the call to board the project for sales ahead of the market.

The film marks the feature debut of Argentine directorial duo Cecilia Atán and Valeria Pivato.

Producers are Atán, Pivato, Chile’s Ceibita Films and, from Argentina, Eva Lauria, Raul Aragon and El Perro en La Luna.

Paulina Garcia, the best actress winner at Berlin 2016 for Sebastian Lelio’s Gloria, stars as a 54-year-old live-in-maid in Buenos Aires who mundane life is tuned upside down when she loses her job
See full article at ScreenDaily »
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