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Directed by | |||
| Juan José Campanella | |||
Writing credits | ||
| Eduardo Sacheri | (writer) & | |
| Juan José Campanella | (writer) | |
| Eduardo Sacheri | (novel "La pregunta de sus ojos") | |
Produced by | |||
| Daniela Alvarado | .... | delegate producer | |
| Mariela Besuievski | .... | producer | |
| Juan José Campanella | .... | producer | |
| Gerardo Herrero | .... | executive producer | |
| Guillermo Imsteyf | .... | assistant producer | |
| Axel Kuschevatzky | .... | associate producer | |
| Vanessa Ragone | .... | executive producer | |
| Carolina Urbieta | .... | producer | |
Original Music by | |||
| Federico Jusid | |||
| Emilio Kauderer | |||
Cinematography by | |||
| Félix Monti | |||
Film Editing by | |||
| Juan José Campanella | |||
Casting by | |||
| Walter Rippell | |||
Art Direction by | |||
| Marcelo Pont Vergés | (as Marcelo Pont) | ||
Costume Design by | |||
| Cecilia Monti | |||
Makeup Department | |||
| Javier Alfonso | .... | assistant hair stylist | |
| Mariela Andújar | .... | assistant makeup artist | |
| María Paz Antonino | .... | assistant makeup artist | |
| Esther Barbini | .... | assistant hair stylist | |
| Fernanda Cacivio | .... | assistant makeup artist | |
| Mirta Castillo | .... | assistant hair stylist | |
| Gabriela d'Agostino | .... | assistant makeup artist | |
| Osvaldo Esperón | .... | hair stylist | |
| Araceli Farace | .... | assistant hair stylist | |
| Mora Guazzone | .... | assistant makeup artist | |
| Lucía Marachi Levy | .... | assistant makeup artist (as Lucía Marachli Levy) | |
| Eduardo Poli | .... | assistant makeup artist | |
| Norberto Poli | .... | assistant hair stylist | |
| Lucila Robirosa | .... | makeup artist | |
| Oscar Rodríguez | .... | assistant hair stylist | |
| Cecilia Smith | .... | assistant makeup artist | |
Production Management | |||
| Muriel Cabeza | .... | production manager | |
| Federico Noejovich | .... | location production manager | |
| Federico Posternak | .... | production manager | |
Art Department | |||
| Lucas Amado | .... | key scenic | |
| Martín Batres | .... | graphic designer | |
| Florencia Bembyh | .... | poster designer (as Florencia Bembihy) | |
| Juan Cavia | .... | set designer | |
| Cristian Fernandez | .... | painter | |
| Ariel Frias | .... | assistant property master | |
| Juan Giribaldi | .... | assistant art director | |
| Laura Guaragna | .... | set dresser | |
| Augusto Latorraca | .... | assistant property master | |
| Andrea Soledad San Martín | .... | graphic designer | |
| Jorge Sesán | .... | property master | |
| Sol Soto | .... | painter | |
| Sebastián Osvaldo Vaina | .... | graphic designer | |
| Mariano Vera | .... | poster designer | |
Sound Department | |||
| Alejandro Bechen de Loredo | .... | foley editor | |
| José Caldararo | .... | foley artist | |
| Vicente D'Elia | .... | foley artist | |
| Bechen de Loredo | .... | foley editor | |
| Leandro de Loredo | .... | adr recordist | |
| Leandro de Loredo | .... | foley recordist | |
| José Luis Díaz | .... | sound (as José Luis Díaz Ouzande) | |
| Sergio Fernández | .... | dialogue recording | |
| Carlos Garrido | .... | sound re-recording mixer | |
| Diego Garrido | .... | mixer assistant | |
| Esteban Golubicki | .... | foley recordist | |
| Gonzalo Matijas | .... | sound effects editor | |
| Santiago Morone | .... | boom operator | |
| Rubén Piputto | .... | sound recordist | |
| Boris Piñero | .... | boom operator (as Boris Piñeiro) | |
| Jaume Puig | .... | sound consultant: Dolby | |
| Cecilia Rivero | .... | dialogue editor | |
| Francisco Rizzi | .... | foley artist | |
| Ricardo Viñas | .... | dolby engineer | |
Special Effects by | |||
| Mariela Aracena | .... | special effects makeup | |
| Federico Cueva | .... | special effects coordinator | |
| Cecilia Larrea | .... | special effects makeup | |
| Mauricio Leon | .... | special effects makeup | |
| Carlos Marquez | .... | special effects assistant | |
| Alex Mathews | .... | special effects makeup | |
| Silvana Vega | .... | special effects makeup | |
Visual Effects by | |||
| Flavio Bianchi | .... | matchmove artist | |
| Hernán Bressan | .... | digital compositor: digital matte painter: rotoscope artist and rotoscope supervisor | |
| Pablo José Fuertes | .... | additional visual effects | |
| Marcelo G. García | .... | visual effects producer | |
| Romina Lareu | .... | additional visual effects coordinator: Malditomaus | |
| Ignacio López Larsen | .... | visual effects artist | |
| Martin López Funes | .... | additional visual effects | |
| Horacio Mendoza | .... | visual effects artist | |
| Juan Olivares | .... | digital compositor | |
| Pablo Palomeque | .... | additional matte painter | |
| Ignacio Suarez Rubio | .... | visual effects artist | |
| Roberto J. Sanchez | .... | visual effects artist | |
| Mauro F. Serei | .... | animator | |
| Ariel Hernán Sotomayor | .... | visual effects artist | |
| Rodrigo S. Tomasso | .... | lead compositor | |
| Rodrigo S. Tomasso | .... | visual effects supervisor | |
| Ezequiel Villanueva | .... | digital compositor | |
| Marcelo Santiago Yañes | .... | visual effects artist | |
Stunts | |||
| Federico Cueva | .... | stunt coordinator | |
Camera and Electrical Department | |||
| María Antolini | .... | still photographer | |
| Manuel Bullrich | .... | assistant director of photography | |
| Miguel Caram | .... | cameraman | |
| Guillermo Duckevich | .... | assistant camera (as Guillermo Dudkevich) | |
| Juan Fernández | .... | grip | |
| Marcos Hastrup | .... | second assistant camera | |
| Daniel Hermo | .... | gaffer | |
| Daniel Hermo | .... | grip | |
| María Fernanda Mallo | .... | second unit: second assistant camera | |
| Jaime Muschietti | .... | electrician (as Jaime Alberto Muschietti) | |
| Matías Nicolás | .... | first assistant camera | |
| Frederico Rivares | .... | second unit: camera (as Federico Rivarés) | |
| Cristian Rodríguez | .... | grip assistant | |
| Santiago Salvini | .... | second unit: first assistant camera | |
| Xoana Tessandori | .... | second unit: second assistant camera | |
Animation Department | |||
| Hernán Bressan | .... | model designer: animator | |
Casting Department | |||
| Sebastián Mogordoy | .... | casting assistant | |
| Ileana Rippel | .... | casting assistant (as Ileana Ripell) | |
Costume and Wardrobe Department | |||
| Magdalena Barragán | .... | costume trainee (as Lucía Magdalena Barragán) | |
| Natalia Cabarga | .... | costume trainee | |
| Sol Muñiz | .... | second assistant costume designer | |
| María Navarro | .... | seamstress | |
| Luciana Olmedo-Wehitt | .... | wardrobe assistant | |
| Natalia Rocca | .... | first assistant costume designer | |
Editorial Department | |||
| Francisco Freixa | .... | assistant editor (as Francisco Freixá) | |
| Miguel P. Gilaberte | .... | digital intermediate colorist | |
| Javier Marchetti | .... | post-production coordinator | |
| Jorge Russo | .... | color consultant | |
Music Department | |||
| Vladislav Boyadjiev | .... | music scoring engineer | |
| Gustavo Gini | .... | orchestrator | |
| Federico Jusid | .... | musician: piano | |
| Stefan Karrer | .... | soundtrack album producer | |
| Sebastián Kauderer | .... | composer: additional music | |
| Sebastián Kauderer | .... | musical arrangements | |
| Sebastián Kauderer | .... | musician: piano | |
| Sebastián Kauderer | .... | orchestrator | |
| Anele Onyekwere | .... | music editor | |
| Anele Onyekwere | .... | music mixer | |
| Anele Onyekwere | .... | music producer | |
| Marston Smith | .... | musician: cello | |
| María Ulled | .... | music executive producer | |
Other crew | |||
| Winnie Baert | .... | production coordinator | |
| Martiniano Cardoso | .... | making-of | |
| Cristian Catania | .... | production assistant | |
| Ignacio Di Bitonto | .... | production assistant (as Nacho Di Bitonto) | |
| María Guisado | .... | publicist: Spain | |
| Diego Igartua | .... | location assistant | |
| Guillermo Imsteyf | .... | production coordinator | |
| David Magdael | .... | publicist | |
| Judith V. Malamud | .... | legal advisor | |
| Carmen Martínez Rebé | .... | production coordinator | |
| Lina Montello | .... | production secretary | |
| Curro Muñoz | .... | end titles | |
| Curro Muñoz | .... | ending credits | |
| Valeria Pivato | .... | script supervisor | |
| Tati Rojas | .... | production assistant | |
| Rocío Solano | .... | press: Spain | |
| Trini Solano | .... | press: Spain | |
| Genaro Spadari | .... | location trainee | |
| Carolina Urbieta | .... | production coordinator | |
| Daniela Yawien | .... | location assistant | |
Thanks | |||
| Aída Bortnik | .... | special thanks | |
| Silvio Cheli | .... | thanks | |
| Ricardo Freixa | .... | special thanks | |
| Félix Monti | .... | thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Drama section |
| IMDb Argentina section |
"El Secreto de sus Ojos" hit me with unspeakable strength. I didn't expect to like it so much, so I owe a review to those in analysis measures before seeing it or those interested in some opinion.
First off, Campanella works with flawless effort all of the technical aspects of the film. It even starts with a double exposure effect, mixed with some sad shots of a beautiful Buenos Aires that hints the spectacle ahead of us. One shot especially, from a chopper in a soccer field edited with a crane shot is breathtaking. Nothing to envy from Hollywood upper class.
But the main strength of the movie comes from the powerful narrative dominion Director Campanella has over characters, spaces and silences. Many moments are coldly tense, scary and very, very intense. This crossover from genres by Campanella couldn't have been better. Crime stories often fall in common places, this one relies on the fragile psychological state of the audience to draw all of it's intense dialog, acting and scenes.
I cannot stop recommending it, Argentina can open it's market with movies such as this. It has many, many memorable moments, it interwines comedy perfectly and it is doubtful you will instantly forget it, as it is so well constructed. See it if you can!